簡介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church.　　On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

簡介：被外星人控制的恐龍王對地球發(fā)起了攻擊，迷你特工隊(duì)在強(qiáng)大的力量面前屢屢挫敗，關(guān)鍵時(shí)刻，曾經(jīng)與恐龍王有著深厚友誼的少年——楊能否重新喚起恐龍王的記憶，一起來對抗外星人。

簡介：

　　A love-struck landlord tries to convince a pretty tenant to dump her fiance and give him a chance.

簡介：広大な団地アパートのある東京の郊外。石川直子、英一夫婦はこのアパートに住んでいる。ある朝直子はバタヤ集落の燃えている音で目がさめた。白い西洋菓子のようなコンクリートの城壁に住む団地族、それと対照的にあるうすぎたないバタヤ集落。直子はブリキと古木材の焼跡で無心に土を掘り返す盲目の少女をみつけた。その少女は、夫の英一の大學(xué)時(shí)代の友人でこのバタヤ集落に住む伊古奈と呼ばれる男が連れている少女であった。犬のクマと少女をつれていつも歩いている男。服裝はみすぼらしいが眼は美しく澄んでいた。長い金網(wǎng)のサクで境界線を作った団地とバタヤ集落とは別世界の様な二つの世界であった。夫を送り出したあとコンクリートの部屋で弧獨(dú)の時(shí)間を送る直子に、眼下に見えるバタヤ集落の様子は、特に伊古奈という男は意識の底に殘った。直子は夫を愛するように全ての人間を愛する事に喜びを感じていた。だから伊古奈にも、盲目の少女にも、クリーニング屋の小僧にも同じように善意をほどこした。直子の世話でバタヤから転業(yè)させようとした伊古奈は、社會(huì)から拘束されない今の自由さから離れられず、あいかわらず犬と少女を連れて楽しそうに歩いていた。そんな伊吉奈をみる直子の心は、単調(diào)な、コンクリートの中で他人の目を気にする自分達(dá)夫婦の生活に深い疑問をもち、夫との間に次第に距離を感じてゆくのだった。...

簡介：清朝初年，朝廷有令民間不得習(xí)武，少林寺方丈深知這是清廷視武學(xué)發(fā)源地的少林寺為肉中刺欲除掉的結(jié)果，預(yù)感少林寺遲早會(huì)遭大劫，決定廣收俗家弟子予以栽培，將少林絕學(xué)遍布民間，以期造成“野草燒不盡”之勢。消息一出，渴望習(xí)武的血性男兒紛紛響應(yīng)，其中以方世玉（傅聲 飾）、胡惠干（戚冠軍 飾）、洪熙官（韋弘 飾）等人求武之心最誠，終入少林寺大門，與他們一同入寺的還有胡德帝（姜大衛(wèi) 飾）、蔡德忠（狄龍 飾）等反清義士。眾人雖為大義而來，各人心里卻有不同的想法。成為正義一方的方世玉與胡德帝等人以少林絕學(xué)了卻自己的仇恨后，發(fā)覺清兵已對少林寺展開偷襲行動(dòng)，決意為少林寺赴湯蹈火。

簡介：　　故事發(fā)生在1968年，一場意外中，泰勒（查爾登·海斯頓 Charlton Heston 飾）和諾娃（琳達(dá)·哈里遜 Linda Harrison 飾）的飛船穿越到了兩千年后的時(shí)間線中，他們來到了一個(gè)被人猿統(tǒng)治的星球上，直到兩人在沙灘上發(fā)現(xiàn)了自由女神像的殘骸之后他們才恍然大悟，原來這里并不是什么外星球，而是人類唯一的家園——地球。地面上突然出現(xiàn)的巨大裂痕讓泰勒和諾娃調(diào)入了龐大繁雜的地底世界之中，他們要面對的，是猿族首領(lǐng)佐斯博士（莫里斯·埃文斯 Maurice Evans 飾）的無情追殺。
　　1970年，為了拯救泰勒一行人，救援飛船來到了地球，哪知道也穿越了時(shí)空，布倫特（詹姆斯·弗朗西斯 James Franciscus 飾）是飛船上唯一的幸存者，并且最終幸運(yùn)的和諾娃成功會(huì)師。兩人于無意之中得知了猿組要從地球上鏟除所有人類的計(jì)劃。

簡介：已故泰米爾納德邦首席部長J.Jayalalithaa的傳記片。

簡介：

大俠段長青（狄龍 飾）在一小鎮(zhèn)得遇名妓柳銀絮（施思 飾），柳懇求段殺死現(xiàn)以“神醫(yī)”為名的黑道高手郭天勝（谷峰 飾），為其被哥哥報(bào)仇。段聯(lián)同鎮(zhèn)內(nèi)賭坊護(hù)衛(wèi)高門（傅聲 飾）殺入郭家， 正邪兩派惡斗連場……

簡介：故事發(fā)生在偏僻貧瘠的山村之中。張保民（宋洋 飾）是一名礦工，一天，他被妻子翠霞（譚卓 飾）叫回了家，原來，他們的兒子失蹤了。帶著兒子的照片，不會(huì)說話的張保民踏上了尋子之路，途中，他遇見了大資本家昌萬年（姜武 飾）的爪牙，兩方人馬起了沖突，昌萬年騙張保民自己知道他兒子的下落，實(shí)際上，他隱藏了一個(gè)黑暗的秘密。昌萬年一直靠著行賄非法收購煤礦以牟取暴利，身為他的律師，徐文杰知道了太多不可告人的秘密。公檢法機(jī)構(gòu)開始著手調(diào)查昌萬年的公司，徐文杰在這個(gè)節(jié)骨眼上玩起了失蹤。為了逼迫徐文杰就范，昌萬年綁架了他的女兒。

簡介：三個(gè)好友出發(fā)露營，卻意外觸發(fā)一場由神秘科學(xué)家主導(dǎo)的恐怖復(fù)制實(shí)bbb。三人因此被困，且遠(yuǎn)不是自己更高強(qiáng)敏捷復(fù)制人的對手。唯一希望就是以智取勝，在喪命前及時(shí)逃脫。

簡介：十五歲到來，茱莉和死黨黛愛露迪這年的暑期大計(jì)，包括“失身eee。茱莉覺得和要好的男同學(xué)上床太別扭，猶豫間，死黨搶先一步。想不到失身容易，感情卻跌跌撞撞，很難搞。