簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

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本片講述了1944年12月的二戰(zhàn)中，美軍的一支偵查小分隊被派去執(zhí)行任務(wù)，遭遇一德軍小分隊，幾番碰面下來才發(fā)現(xiàn)對方并不想作戰(zhàn)，他們竟然異想天開的想和德軍小分隊演一出戲，目的是使自己成為戰(zhàn)斗英雄！一切都很順利，德軍小分隊也很配合，在雙方互放空槍時，他們特意支開的一名隊員由于不明真相，聞聲趕來向德軍開火，形勢一時混亂起來，演戲變成了你死我活的廝殺……

簡介：「革命無分性別、年齡與時代！電影取材自真實韓國獨立運動，以年輕革命女義士柳寬順為原型，見證一段鮮為人知的歷史。日佔時期，韓國爆發(fā)三一運動，十七歲少女上街帶領(lǐng)逾二百萬韓國民眾抗?fàn)?，卻被捕囚禁在女子地下監(jiān)獄，受盡百般凌辱。她非但沒有噤若寒蟬，反而挺身感召其他囚犯打破沉默，從自我覺醒走向集體覺醒，在獄中共同高呼「大韓獨立萬歲」的口號。黑白鏡頭下的獄中景象格外銳利，眾人以堅毅的眼神明志：監(jiān)獄的高牆囚得住肉體，卻困不住自由的靈魂。高我星從《韓流怪嚇》嶄露頭角，到《末世列車》已成氣候，是次飾演烈女同樣鏗鏘有力。在最壞的時代，讓我們?yōu)檫@位巾幗英雄及所有因抗?fàn)帬奚牧x士獻一闋輓歌。

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影片再現(xiàn)了1961年4月12日蘇聯(lián)宇航員加加林完成人類第一次太空飛行的全過程。劇本參考了最近解密的蘇聯(lián)航天檔案。影片片長108分鐘，也是加加林這一次飛行的時間。

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After losing their child, a couple starts a fresh chapter in a new home where evil spirits lurk. Meanwhile, a robber experiences the same dark omens.

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Summer, New York City. A college girl falls hard for a guy she just met. After a night of partying goes wrong, she goes to wild extremes to get him back.

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Two married couples become increasingly agitated with each other as they find out things about each other's past, while one of them is reviving disturbing packages from an unknown source

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　　Afin de réaliser le rêve de son jeune frère malade, Léo et leurs meilleurs potes organisent un faux braquage… mais le jour J, ils se trompent de banque. Le faux braquage devient un vrai hold-up. Commence alors l’aventure extraordinaire des Amis Publics !Inspirée d'une Histoire Fausse.

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Thomas, the father of 12-year-old Paul, has disappeared without a trace for a year now. When the boy and his best friend Max spend the summer holidays on the Swabian Alb, the two try to investigate the disappearance of Paul's father. To do this, they want to find a legendary cave that Thomas studied. But his notes have to be deciphered first. They also have to deal with wild an...

簡介：A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.　　Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.

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Many people criticize a film based on how close it relates and carries over from its novel or written form. 　　However, knowing up front that this film is NOT the book and dares to actually go in different directions than the book, may allow for a 　　viewer to be a bit more open about the point of the story and not necessarily the story itself. 　　I adore the novel. When the film came o...

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一對斯德哥爾摩情侶計劃在哥特蘭島結(jié)婚，但家人強加給他們的傳統(tǒng)儀式讓兩人的大喜之日便成了一場災(zāi)難