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凱瑟琳（英格麗·褒曼 Ingrid Bergman 飾）和亞歷山大（喬治·桑德斯 George Sanders 飾）是一對(duì)結(jié)婚多年的英國夫婦，他們過著衣食無憂的生活，但是這樣的生活里缺少了一些幸福和快樂。叔叔去世后給兩人留下了一座別墅，于是，夫妻兩人驅(qū)車前往那不勒斯去處理這份天降遺產(chǎn)。 　　旅途中，凱瑟琳想起了一位曾經(jīng)深深愛慕過自己的詩人，如今他早已在戰(zhàn)火中死去，但他在凱瑟琳腦海里留下的印象卻越來越清晰起來。在那不勒斯，凱瑟琳游覽了龐貝古跡和各種博物館，來自過去的文明的沖擊之下，凱瑟琳的思想漸漸產(chǎn)生了變化。對(duì)此一無所知的亞歷山大，依舊沉浸在和陌生女子的調(diào)情之中。

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熊貓寶寶被錯(cuò)送到棕熊米米的家門口，好心的米米、鄰居兔子奧斯卡、愛講故事的鵜鶘、“膽小鬼”大灰狼和溫柔浪漫的老虎，共同組成了一支又猛又萌的送熊貓回家護(hù)衛(wèi)隊(duì)。

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韓國和中東發(fā)生的一系列不斷升級(jí)的事件導(dǎo)致越來越大的衝突，使得強(qiáng)國彼此較勁。 軍力示威，炸彈下雨，士兵們?cè)诤Ｉ蠆^戰(zhàn)。 一個(gè)家庭陷入了不斷增長的衝突中。 他們能活下來嗎？

簡介：能看見「戀愛的光線」的大學(xué)生西條，愛上了正在探索戀愛的女孩東云——。正是因?yàn)槟芸匆?，所以才?huì)覺得痛苦難受。前所未有的戀愛故事開始了。

簡介：薩利姆 (Salim)、維塞爾 (Veysel) 和塞諾爾 (Senol) 是三兄弟，住在鄉(xiāng)村房子里。薩利姆和維塞爾是牧羊人，而塞諾爾則被薩利姆強(qiáng)迫輟學(xué)，負(fù)責(zé)照顧臥床不起的母親并處理家務(wù)。薩利姆昂貴的婚姻夢想將兄弟倆捆綁在一起，導(dǎo)致了最后的對(duì)抗。

簡介：A young boy becomes trapped inside America's rigid immigration process. Feature adaptation of the 2016 short film, 'Icebox'.

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　　Entertaining thriller about the perfect girl next door. Beautiful, friendly and a devout churchgoer, she believes in always doing good. but underneath the pleasant exterior is a ruthless woman, determined to get the lifestyle she thinks she deserves.

簡介：在寒冷的冰雪中，單身漢拉斯（瑞恩?高斯林 Ryan Gosling 飾）感到有些孤寂而無聊。他是一個(gè)典型的宅男，性格自閉，無友無伴。他的哥哥格斯（保羅?施耐德 Paul Schneider 飾）和嫂子（艾米莉?莫迪默 Emily Mortimer 飾）住在隔壁，見此情景也覺得辛酸。嫂子見他整天宅在家中，于是邀請(qǐng)他前來吃飯，但是兄嫂的噓寒問暖仍無濟(jì)于事。某天，拉斯居然從玩具公司定制了一個(gè)充氣娃娃比安卡，并帶她參加家庭聚會(huì)，一起吃飯，一起入眠，一起去教堂禮拜。周圍的人都覺得拉斯的精神不正常，兄嫂為此專門咨詢了醫(yī)生達(dá)戈瑪（派翠西婭?克拉克森 Patricia Clarkson 飾），后者認(rèn)為拉斯的癥狀是一種幻覺，最好的治療就是因勢利導(dǎo)。而此時(shí)，拉斯對(duì)于比安卡的癡迷已經(jīng)達(dá)到了無以復(fù)加的地步，甚至還要在教堂跟它舉行婚禮……

簡介：“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.