簡介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對(duì)寂寞長夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡介：張君寶辭別父母，離家遠(yuǎn)行，偶遇嚴(yán)羽，得知上官姐弟在臺(tái)州，便答應(yīng)嚴(yán)羽去臺(tái)州聯(lián)系義士吳明忠，張君寶解救了將被官府問斬的吳明忠，并約好與其共赴襄陽。

簡介：　　執(zhí)掌風(fēng)霖的東海龍女（李沁謠飾）因失去記憶，化成一條魚，意外遇到和自己有宿世因緣的韓湘子（張遠(yuǎn)飾），二人受說書人的點(diǎn)化，一路向東歷練尋找龍門。 在幫助龍女“躍龍門”的奇幻之旅中，韓湘子也逐漸領(lǐng)悟了愛的真諦和人間大義，千年東游不負(fù)深情。

簡介：詹姆斯平日里以工程師形象示人，可他的真實(shí)身份卻是一位英國間諜，女主角丹妮爾則是心系大海的海洋生物學(xué)家，兩人偶遇后迅速墜入愛河，而詹姆斯卻被索馬里海盜綁架，一場驚心動(dòng)魄的愛情故事就此展開。

簡介：　　喜劇導(dǎo)演大地的第五部以笨伯于洛為主角的影片，也是他最后一部故事片。這回于洛是一名汽車設(shè)計(jì)師，需要把他的新發(fā)明從巴黎開到阿姆斯特丹，去參加一個(gè)國際車展。

簡介：赫伯特的女朋友離開他之后，赫伯特非常沮喪，開始找工作。他終于在一個(gè)大房子里找到了一個(gè)，里面住著許多女人。他能和所有這些女人住在同一個(gè)家嗎？

簡介：描寫一個(gè)青年復(fù)員護(hù)士，為了搶救被臺(tái)風(fēng)襲擊的受災(zāi)地區(qū)人民財(cái)產(chǎn)的安全，使喉嚨受到損傷，影響了復(fù)試成績，經(jīng)調(diào)查后被錄取為正式學(xué)員，同時(shí)也表現(xiàn)了老教授在工作中的認(rèn)真負(fù)責(zé)深入調(diào)查，才沒有使真正有具音樂才能的人被埋沒。

簡介：新年前夜，死亡幽靈般的兇手，利用跨年煙花的掩護(hù)，在市中心的一棟大樓，大規(guī)模遠(yuǎn)程射擊槍其他高層樓上狂歡的人群，緊接著射出子彈的大樓房間發(fā)生爆炸。此神秘案件遇難者人數(shù)眾多，留下的線索極少?！　‘?dāng)?shù)啬贻p女警艾麗諾的敏銳判斷吸引 了負(fù)責(zé)調(diào)查此案的聯(lián)邦調(diào)查局長官蘭馬克的注意，二人攜手接近那冷酷的、危險(xiǎn)的、驚人的真相。

簡介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

簡介：

我國東北某村的趙老頭在女兒婚姻自主的問題上十分落后保守。堅(jiān)持包辦婚姻，而女兒趙小蘭早已有自己的心上人。在村領(lǐng)導(dǎo)的幫助和教育下，趙老頭經(jīng)過一系列事實(shí)的教育和村主席、婦女主任的勸說，思想終于有了轉(zhuǎn)變，認(rèn)識(shí)到封建包辦買賣婚姻的害處和自由式由婚姻的好處。趙小蘭和青年周永剛登記結(jié)婚，一家人沉浸在幸福的歡笑聲中。

簡介：影片以阿爾及爾為背景,表現(xiàn)一個(gè)強(qiáng)盜遭到警察的追捕,只能在阿爾及爾的卡斯巴平民區(qū)一帶逃竄,躲藏.最后,他企圖同他的情人一起逃到巴黎,從此擺脫非人生活，但是,"命運(yùn)"卻使他無法搭船,只得憤而自殺.法國詩意現(xiàn)實(shí)主義代表作.

簡介：

在一個(gè)寂靜的南方小鎮(zhèn)，拉金一家遭遇了一場可怕的悲劇。現(xiàn)在拉金一家即將經(jīng)歷另一場悲?。航煌糸W爍著可怕的警告，鬼影在街道上徘徊，墳?zāi)箯漠?dāng)?shù)啬沟刂杏砍?，恐怖無情地行進(jìn)……在渾濁的河面下，一個(gè)不斷移動(dòng)的、幾乎是人形的物體慢慢成形，尋求可怕的復(fù)仇…