簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：Charles是一個(gè)成功的CEO，有一個(gè)漂亮的妻子和14歲的女兒。同時(shí)他和自己年輕貌美的女秘書還有婚外情。他的妻子Emily早就知情，卻不愿意因此與Charles產(chǎn)生沖突。當(dāng)Charles想與女秘書結(jié)束關(guān)系的時(shí)候，卻遭到女秘書的起訴。當(dāng)他的生活天翻地覆時(shí)，他才發(fā)現(xiàn)并不如 自己所想的自己才是掌控者…

簡(jiǎn)介：影片講述男孩比利(勞瑟飾)被母親送到父親身邊，并轉(zhuǎn)了學(xué)校，但保守的新學(xué)校壓制著他。比利不得不采取行動(dòng)，挑戰(zhàn)學(xué)校權(quán)威，以獲得“返校節(jié)皇后”的稱號(hào)。

簡(jiǎn)介：武裝革命推翻獨(dú)裁政權(quán)，是以暴制暴，還是以暴易暴國(guó)際影展?？鸵晾拭麑?dǎo)馬克馬巴夫描寫一位被推翻的獨(dú)裁總統(tǒng)帶著小孫子逃亡，喬裝成貧民、躲藏社會(huì)底層，遇見一個(gè)個(gè)因其恐怖統(tǒng)治而殘破不堪的家庭與個(gè)人。究竟他應(yīng)該被吊死？燒死？斬首？還是隨眾人渴望的民主起舞？本片獲選 2014 威尼斯影展開幕片，虛構(gòu)而映照現(xiàn) 實(shí)。人道主義至上，刀刀見骨卻毫不煽情。

簡(jiǎn)介：很多少女都失蹤了，三毛的妹妹也失蹤了。為救妹妹他重出江湖到馬尼拉。鐵板慶子帶著警方的任務(wù)也來到馬尼拉尋找失蹤的女孩。黑幫頭子馬上風(fēng)和械子頭的矛盾內(nèi)部的殘殺。三毛找到妹妹時(shí)她躺在浴血中，鮮血……

簡(jiǎn)介：二十多年前，臺(tái)灣辦桌界有三大傳奇總鋪師稱霸北、中、南，分別為憨人師、鬼頭師與蒼蠅師，鄉(xiāng)民們尊稱為“人、鬼、神”三霸。隨著時(shí)代變動(dòng)，辦桌文化終于逐漸式微，人鬼神凋零。蒼蠅師想將家傳手藝交給獨(dú)生女詹小婉，誰知小婉只想當(dāng)明星，美美的出現(xiàn)在螢光幕前。但一心想逃離油煙血水的小婉，卻被迫面對(duì)巨大的挑戰(zhàn)和使命。

簡(jiǎn)介：布魯斯·威利斯將出演動(dòng)作驚悚片[反應(yīng)堆](Reactor，暫譯)。賈瑞德·科恩([環(huán)大西洋])執(zhí)導(dǎo)，賈瑞德與卡姆·坎農(nóng)([印第安納波利斯號(hào)：勇者無懼])、蒂芬·賽勒斯·沙斐([雙面劫匪])共同操刀劇本。威利斯飾演一幫雇傭軍的領(lǐng)導(dǎo)，他渴望復(fù)仇的心讓他去劫持了一座核電站。

簡(jiǎn)介：

東京來的轉(zhuǎn)學(xué)生佐佐岡鲇子進(jìn)入了貴族女校，一開始受到欺負(fù)的她遇到了秋本武美，兩個(gè)女孩開始相遇相知。她們一起做著與眾不同的事，稱自己是怪女孩，歡樂而美好。鲇子喜歡畫漫畫，而武美成為了她最好的讀者。女孩們卻在感情最好的時(shí)刻遇到了危機(jī)……多年后，兩人再次相遇……

簡(jiǎn)介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

簡(jiǎn)介：2017柏林影展主競(jìng)賽展映。1947年英國(guó)政府指派最后一任總督蒙巴頓公爵，協(xié)助二次戰(zhàn)后印度與巴基斯坦兩國(guó)的獨(dú)立與和平政權(quán)轉(zhuǎn)移。在總督之家內(nèi)外，大至民族之愛，小至男女私情，全部糾結(jié)在這動(dòng)盪震撼的史詩(shī)里。　　紀(jì)念印度獨(dú)立七十年，集結(jié)英、美、印度三地影壇金獎(jiǎng)團(tuán)隊(duì)打造鉅作。本片是英國(guó)籍印度裔女導(dǎo)演古蘭德恰達(dá)，根據(jù)其祖父母跨越種族與信仰的真實(shí)愛情故事改編，加入末代總督身不逢時(shí)的傳奇事蹟?！短祁D莊園》休博內(nèi)威利、《哈利波特》邁可坎邦參與演出。　　1947年，英國(guó)政府指派最后一任總督，也是女皇伊莉莎白二世的舅舅──蒙巴頓公爵，一家人抵達(dá)印度，來協(xié)助二次戰(zhàn)后，印度與巴基斯坦兩國(guó)的獨(dú)立與和平政權(quán)轉(zhuǎn)移。然而此國(guó)族分離過程，一如歷史證明，不如想像中順利，在總督之家內(nèi)外，大至民族之愛，小至男女私情，全部糾結(jié)在這動(dòng)盪震撼的史詩(shī)裡?！　”酒瑥臍v史角度出發(fā)，場(chǎng)面盛大，細(xì)節(jié)考就，經(jīng)典人物 (例如印度國(guó)父甘地)與戲劇人物交錯(cuò)，是英國(guó)籍印度裔女導(dǎo)演古蘭德恰達(dá)，耗費(fèi)十幾年之個(gè)人心血籌備，自編自導(dǎo)，對(duì)自己母國(guó)的致敬作品。全片也召集了英美印度等地的老中青三代演員，卡司云集，演技實(shí)力堅(jiān)強(qiáng)

簡(jiǎn)介：“獵鷹”安東尼·麥凱將在同名百老匯舞臺(tái)劇改編的影片《All The Way》中飾演馬丁·路德·金。而去年因在話劇版中飾林登·約翰遜總統(tǒng)而獲托尼獎(jiǎng)的布萊恩·科蘭斯頓則將在電影版中繼續(xù)飾演此角。

簡(jiǎn)介：羅伯特·羅德里格茲將聯(lián)手[金剛：骷髏島]編劇麥克思·鮑倫斯坦打造新片[催眠](Hypnotic，暫譯)。羅伯特·羅德里格茲任導(dǎo)演、制片兼初稿編劇，麥克思·鮑倫斯坦任二稿編劇。目前新片劇情尚處保密，據(jù)悉新片將是一部含有科幻元素的驚悚片。制片公司Studio 8擔(dān)任制作。