簡介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡介：Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family.　　As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did.　　Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano.　　The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.

簡介：一項(xiàng)由中國主導(dǎo)的國際科研項(xiàng)目，正在馬里亞納海溝深處進(jìn)行時(shí)，遭遇未知生物攻擊，科研人員被困海bbb。前美國海軍陸戰(zhàn)隊(duì)深海潛水專家喬納斯·泰勒受命前往營救，再度遭遇數(shù)年前曾經(jīng)在深海給自己留下終身難以磨滅記憶的史前生物巨齒鯊。喬納斯聯(lián)手科研項(xiàng)目中的中國女科學(xué)家張?zhí)K茵成功營救了被困人員，但營救行動卻意外造成了巨齒鯊逃離深海。當(dāng)史前巨獸重返淺海，人類將為自己對大自然的貪婪付出慘重的代價(jià)......

簡介：乾隆三十八年間，少林叛徒高進(jìn)忠率領(lǐng)清兵血洗少林。僥幸逃生的義士對高恨之入骨，誓殺奸賊以報(bào)冤仇。然幾次復(fù)仇行動皆告失敗，以洪熙官（林正英 飾）為首的一眾義士避開清兵鋒芒，前往廣州創(chuàng)辦了“瓊花會館”。但不久高進(jìn)忠調(diào)任廣州提督，來至此地，雙方又是一場惡斗。　　另一方面，廣州方姓之家有一公子，名叫世玉（錢嘉樂 飾），他自幼隨母習(xí)武，功夫了得，加上天性頑皮，少不得在外惹出禍端。廣州惡霸雷老虎死在方世玉手下，雷的妻子李小環(huán)和丈人李巴山對世玉窮追不舍。危急時(shí)刻，奄奄一息的世玉遇見了正在逃避官府追殺的洪熙官……

簡介：

2030 年第三次世界大戰(zhàn)期間，一小群幸存者躲進(jìn)了一個(gè)掩體。兩年后，他們不得不出去尋找新的補(bǔ)給，但他們卻遭遇了恐龍捕食者的襲擊。

簡介：A rejected husband. A beautiful stranger in peril. A dangerous liaison. Two couples are enjoying a spectacular Egyptian adventure, but deception cruises the Nile along with them.

簡介：Piotr Czarny is a charming thirty-something lawyer. He is constantly chasing adrenaline, women and parties. His goal was to fill the list of mistresses with names for every letter of the alphabet. His plan is put in jeopardy when a colleague, Olga - the only woman he's completely honest with and doesn't sleep with - gives him an ultimatum.

簡介：

A fantasy thriller, where one face merges into the next. The thread that connects the worlds of the two protagonists, Niki and Lefteris, is memory, violence and a polemic of hope. A 'solo' performance in many respects by The Boy (director, writer, art director, composer) and his actress Sofia Kokkali, Nima challenges the values of contemporary society, with a unique cinematic a...

簡介：　　故事講述藝術(shù)系女生諾麗遭到同學(xué)性侵后，決定正面PK性侵者、展開還擊計(jì)劃。影片今秋北美上映。

簡介：幼い頃突然家に乗り込んできた二人の男に家族を殺された安城。彼は刑事となった今も、その記憶から逃れられないでいた。と言うより、犯人を捜す為に刑事になったようなものだった。そして、覚醒剤捜査を進(jìn)めるうちに、偶然にもあの時(shí)の男たち宮地と知治に出會う。當(dāng)時(shí)の事件既に時(shí)候怒りに燃える安城は、復(fù)讐を胸に二人を執(zhí)拗に追い詰めてゆく。しかし、妻の冴子が宮地の銃弾に倒れてしまう。安城は刑事の地位を捨て、一人の殺人者として彼らに宣戦布告する!

簡介：辛迪（鄭文雅 飾）完成了在美國的深造，返回香港，來到了一間未成年人管教所當(dāng)指導(dǎo)員。袁和平（袁潔瑩 飾）、羅敏兒（李麗珍 飾）、陳阿琴（溫碧霞 飾）和無腦（陳嘉玲 飾）是她手下的四名女童犯。這些尚未成年的女孩子們雖然表面看來清純可人，但實(shí)際上卻各個(gè)擁有著復(fù)雜離奇的身世?！　≡谝淮闻既恢校_敏兒愛上了皮劃艇教練大衛(wèi)，這段戀情遭到了雙方家人的強(qiáng)烈反對，辛迪從中調(diào)解，充分尊重了羅敏兒和大衛(wèi)的自由意志，最終促成了一段情緣。之后，辛迪又在循循善誘之中解決了陳阿琴和父親長久以來的誤解與矛盾。讓辛迪沒有想到的是，袁和平竟然是自己同父異母的妹妹，而她為了幫助負(fù)債累累的無腦給自己惹了一連串的麻煩。

簡介：劇情：安迪·霍爾是美國波普藝術(shù)大師，他繪制的夢露畫像成為“招貼派”的時(shí)代性標(biāo)志。維米莉?qū)Π驳稀せ魻枠O為推崇，久而久之，她認(rèn)定對方控制了自己的思想。終于，維米莉闖入安迪·霍爾的辦公室，開槍將他射傷……　　影片表達(dá)了一次對男權(quán)社會最前衛(wèi)觀念的沖擊與反抗、毀滅與自毀，塑造了一個(gè)女權(quán)主義人物，從個(gè)人經(jīng)歷出發(fā)，表現(xiàn)了對體制的憤怒與反叛情緒。實(shí)際上，由于身份與歷史因素，女性內(nèi)涵一直局限于男權(quán)制的社會傾向之中。這種主體的壓抑與生命價(jià)值的缺乏狀態(tài)，難免促使女性神經(jīng)質(zhì)的顛覆意識產(chǎn)生，她們通過人性的自我裸露來否定性別美學(xué)與男權(quán)世界，充滿了分裂的快感與毀滅的欲望，但背后又都透露出對拯救的渴望。