彭萬(wàn)里身為公司總裁，卻想著不擇手段挖空對(duì)手公司1000萬(wàn)，而暗戀他的李燕卻成為了這場(chǎng)商業(yè)陰謀的被害人，與此同時(shí)，開(kāi)著一家半年沒(méi)有裝修好的皮包公司的白宏圖闖入了彭萬(wàn)里的視野，正當(dāng)彭萬(wàn)里想著如何利用包宏圖頂缸時(shí)，三人被意外送到了遠(yuǎn)離都市的彩虹鎮(zhèn)。彩虹鎮(zhèn)遵守著古老而神秘的規(guī)則繁衍不惜，萬(wàn)物都被以快樂(lè)為能量的彩虹機(jī)控制著，期初，三人為了逃出彩虹鎮(zhèn)想盡一切辦法，陰錯(cuò)陽(yáng)差，三人最終都愛(ài)上了這個(gè)地方，與此同時(shí)，一場(chǎng)保衛(wèi)彩虹機(jī)的斗爭(zhēng)倏然而至……

　　珍妮（周姮吟 飾）和盧克（莊凱勛 飾）是一對(duì)感情十分要好的戀人，一天，盧克送給了珍妮一支最新款的智能手機(jī)，令珍妮芳心大動(dòng)，愛(ài)不釋手。可正準(zhǔn)備甜蜜約會(huì)的盧克被老板一個(gè)電話找回了公司，珍妮只得一人徘徊在臺(tái)北街頭，又于誤打誤撞之中闖入了熱鬧非凡的通化街夜市。這里的一切都讓珍妮感到新奇，當(dāng)她的注意力完全被香噴噴的美食和攢動(dòng)的人流所吸引時(shí)，她并沒(méi)有發(fā)現(xiàn)，有一雙邪惡而又貪婪的眼睛，已經(jīng)盯上了她兜里的手機(jī)。
　　芽芽（朱芷瑩 飾）于偶然之中得到了一部他人遺失的手機(jī)，這新潮的機(jī)器令芽芽非常想要一探究竟，但可惡的密碼卻屢屢將她拒之門外，與此同時(shí)，手機(jī)的原主人也找到了芽芽，將她認(rèn)作為偷手機(jī)的小偷。

　　This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops.
　　At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it.
　　One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.