簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：一家銀行遭遇搶劫，所有的證據(jù)都指向銀行的老板和其客戶，但隨著FBI探員的深入調(diào)查，他們發(fā)現(xiàn)搶劫的背后有著更大的陰謀……

簡(jiǎn)介：余文慧（關(guān)之琳 飾）和未婚夫（仇云波 飾）都是知名律師，過(guò)著上流人的生活。某日，游龍（甄子丹 飾）來(lái)律師事務(wù)所辦理離婚時(shí)目睹了一宗劫案，一大筆美金不翼而飛，另一個(gè)目擊者就是他太太的律師余文慧。由于誤會(huì)，大偉和余文慧被警察當(dāng)作了劫匪通緝，另一邊真正的劫匪也沒(méi)拿到這筆巨款并 懷疑是大偉和文慧二人私吞，也派人追殺他們。二人腹背受敵、百口莫辯，在逃難的過(guò)程中，文慧漸漸看清了未婚夫的真面目，同時(shí)對(duì)大偉另眼相看，真相終于揭開(kāi)……誰(shuí)是真正的幕后黑手？大偉和文慧能洗清自己并走到一起嗎？　　《洗黑錢(qián)》由袁和平、甄子丹、袁祥仁、郭振鋒共同完成動(dòng)作設(shè)計(jì)，其動(dòng)作場(chǎng)面被譽(yù)為香港動(dòng)作影史的典范之作！

簡(jiǎn)介：性情溫順的眼科醫(yī)生善彩（金惠秀）發(fā)現(xiàn)丈夫與人偷情，忍淚帶著女兒太秀（樸妍兒）離開(kāi)家住進(jìn)一間破舊的房子，并租下一處地方欲開(kāi)私人診所。溫柔開(kāi)朗的大男孩仁哲（金宋蘇）是她雇請(qǐng)的室內(nèi)設(shè)計(jì)師，兩人短暫接觸生出感情?！　∩撇实娜松此埔靡愿淖?，但一切不過(guò)是她刻意經(jīng)營(yíng)的假像，這假像又因一雙被她偶然拾于地鐵的被詛咒的粉紅色高跟鞋更加撲朔迷離：學(xué)跳芭蕾的太秀也被高跟鞋深深吸引，母女爭(zhēng)鞋時(shí)幾乎成敵人；仁哲真心待她，卻從沒(méi)注意到兩人溫存時(shí)她那可怕的眼神。善彩已將高跟鞋視作她所執(zhí)導(dǎo)、參演的人生大戲的一個(gè)重要道具。

簡(jiǎn)介：黃醫(yī)生小時(shí)候經(jīng)歷過(guò)一段最凄慘的故事,父親得病被醫(yī)生誤以為已過(guò)世,于是抬著父親去火葬場(chǎng),當(dāng)火燃燒的時(shí)候才發(fā)現(xiàn)父親并沒(méi)有死,而站在一旁的母親和黃醫(yī)生束手無(wú)措,只能眼睜睜看著父親被大火活活燒死,這件事給黃醫(yī)生留下了深刻印象,以至于后來(lái)無(wú)法忘記火,生活中經(jīng)常覺(jué)得身邊有一團(tuán)大火.多年后,他和女朋友在相處中身邊奇怪的事情也發(fā)生了……

簡(jiǎn)介：

復(fù)活節(jié)電視特輯，前半部分是曼尼，迪亞哥和希德找蛋蛋的故事，后半部分是冰河世紀(jì)的彩蛋大合集。后半部分包括：1、鼠奎特之宇宙冒險(xiǎn)2、消失的堅(jiān)果3、鼠奎特穿越記4、鼠奎特之大陸漂移15、鼠奎特之大陸漂移26、《冰河世紀(jì)》前4部回顧7、愛(ài)上鼠奎娣

簡(jiǎn)介：《惡老板2》的故事緊接著第一集，Nick, Dale和Kurt這三個(gè)難兄難弟決定自己當(dāng)老板，但是再次被狡猾的投資人欺騙。眼看著合同成了一紙空文，三人迫不得已決定綁架投資人的兒子，以重新奪回對(duì)公司的控制權(quán)……

簡(jiǎn)介：　　故事發(fā)生在1945年4月，吳家村坐落于湘西雪峰山的深處，這里人跡罕至，民風(fēng)淳樸，生活平靜而又祥和。然而，不知從什么時(shí)候起，村子里接連發(fā)生了種種令人匪夷所思的怪事，打破了一直以來(lái)籠罩著整個(gè)村莊的寧?kù)o氛圍。
　　吳振堂（王小毅 飾）是吳家村的村民，某日，他發(fā)現(xiàn)自家蒸好的米飯竟然不翼而飛，緊接著，村中的衣服，臘肉等物品接連無(wú)故失蹤，讓村民們百思不得其解。更可怕的還在后面，河里浮上來(lái)了一具尸體，其身份正是村中的外出的居民，正當(dāng)眾人因?yàn)檫@些怪事兒感到惶恐不安之時(shí)，他們并不知道，有一個(gè)更大、更恐怖的災(zāi)難即將侵襲這個(gè)村莊。

簡(jiǎn)介：Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

簡(jiǎn)介：

在日落后的首爾站，許多流浪漢中的一個(gè)老男人，看著象是在吞食著另外一個(gè)。不一會(huì)兒，整條街都充滿著瘋子，Hae-sun，一個(gè)逃跑的少女，和逼她賣淫的男友分手。她離開(kāi)了那間在首爾站附近他們目擊人們被襲擊的破舊旅館。被襲擊的人們變成襲擊者，以至于他們的人數(shù)呈指數(shù)級(jí)增長(zhǎng)。政府宣布把整片區(qū)域 封閉。沒(méi)被襲擊的人們想從襲擊者群中逃走，但無(wú)處可去。

簡(jiǎn)介：馬蒂亞斯（凱文·克萊恩 Kevin Kline 飾）繼承了父親的房子，他來(lái)到巴黎，想要將房子賣掉，以彌補(bǔ)經(jīng)濟(jì)上的捉襟見(jiàn)肘。然而，當(dāng)他來(lái)到自己的房子里是，面對(duì)的卻是兩個(gè)陌生的女人——馬蒂爾德（瑪吉·史密斯 Maggie Smith 飾）和她的女兒克洛伊（克里斯汀·斯科特·托馬斯 Kristin Scott Thomas 飾）?！　≡瓉?lái)，兩人是父親生前的房客，按照法律規(guī)定，如果馬蒂亞斯堅(jiān)持將房產(chǎn)變賣，那么他就必須按月向馬蒂爾德支付房租。馬蒂亞斯和馬蒂爾德達(dá)成了暫住協(xié)議，卻依舊沒(méi)有打消賣房子的念頭，克洛伊對(duì)看似狡猾的馬蒂亞斯充滿了戒備，然而，隨著時(shí)間的推移，兩人發(fā)現(xiàn)了彼此之間的共同點(diǎn)，一種奇妙的感情油然而生。

簡(jiǎn)介：講述一個(gè)一毛不拔的小提琴家被一個(gè)愛(ài)慕者和突然找上門(mén)來(lái)的女兒一起改造的故事。