簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：

電影《猾丐》講述了武狀元蘇乞兒留下一個(gè)金碗傳于后人猾丐，江湖傳說(shuō)金碗內(nèi)藏有重要的秘密，于是江湖各路人馬為爭(zhēng)奪金碗，設(shè)計(jì)引出猾丐而引發(fā)的一系列搞怪故事。

簡(jiǎn)介：In an attempt to rectify their criminal past, a once successful Hollywood starlet, turn prostitute, and a petty, misogynistic thief, set out together to solve a high profile child abduction case in San Francisco.

簡(jiǎn)介：酒祖杜康的后人杜皮，慘淡經(jīng)營(yíng)一間小酒吧，酒吧的調(diào)酒師賀童本是竹林七賢之一的劉伶轉(zhuǎn)世，專為盜杜康酒的配方而bbb。杜皮手中有一張祖?zhèn)鞯亩趴诞嬒瘢叵啥抛哟和嘎?，杜康酒配方和釀造方法就隱藏在這張杜康畫像中。機(jī)緣巧合之下，杜皮和賀童發(fā)現(xiàn)，這張杜康畫像竟然有穿梭時(shí)空的神奇功能。于是，以杜康畫像為媒介，同時(shí)，也為了尋找杜康酒的配方和釀造方法，賀童帶著杜皮以及三個(gè)酒吧里的女招待一起穿古越今，和中國(guó)歷史上的諸多名人紛紛邂逅，一段段奇幻的經(jīng)歷也就此展開。

簡(jiǎn)介：天下第一劍宗，青龍宗宗主軒轅世突發(fā)中風(fēng)、癱瘓?jiān)诖?，他?dān)心自己的身體會(huì)將門派致于江湖險(xiǎn)境。而對(duì)他來(lái)說(shuō)，最大的隱患就是當(dāng)年與自己爭(zhēng)奪宗主之位，內(nèi)心陰暗狠毒的同門師兄弟無(wú)涯。為了宗派發(fā)展，他不得不將兒子作為誘餌，設(shè)了一個(gè)鏟除異己、步步為營(yíng)的圈套。世風(fēng)日下，人心不古，江湖紛爭(zhēng)不斷，本是一場(chǎng)正邪兩派之間的較量，卻讓兩個(gè)門派的弟子殊途同歸，師承名門的星河和奸惡之徒的義子長(zhǎng)生，連相遇都是刻意為之，相識(shí)更是有備而來(lái)，相知后卻各生憐惜之情。兩個(gè)不同立場(chǎng)的人，在江湖的善惡是非里，共患難，同生死，不為功利屈膝，以除惡揚(yáng)善為己任，譜寫了一段快意江湖的游俠情誼。只要有江湖，就有他和他的故事……

簡(jiǎn)介：《長(zhǎng)生劫》是一部雙男主電影，為系列人氣電影《男狐聊齋》的第三部作品，講述了凡人少年云月（高凱 飾）獨(dú)活世間三百年，一直追尋自己長(zhǎng)生的秘密。而青丘山狐族少主白辰（漆培鑫 飾）得姑姑白九顏指點(diǎn)，還了塵世恩情，便可飛升成仙。機(jī)緣巧合下塵世中白辰與凡人云月的相遇，讓這段因緣蒙上了神秘面紗。

簡(jiǎn)介：

　　《逆流而上》講述了1932年，國(guó)民黨反動(dòng)派對(duì)蘇區(qū)及各根據(jù)地發(fā)動(dòng)圍剿，我黨在上海的地下斗爭(zhēng)進(jìn)入白熱化。為了支援根據(jù)地艱苦的反圍剿戰(zhàn)斗，上海地下的同志劫走日本駐軍四噸黃金。日軍向國(guó)民黨黨務(wù)調(diào)查科上海站施壓，要求三天內(nèi)必須追回黃金。同時(shí)，調(diào)查科意外獲悉，共產(chǎn)黨將向上海地下派遣新的負(fù)責(zé)人，會(huì)在三天后與潛伏在調(diào)查科的地下黨接洽。他們將要在三天內(nèi)，追回黃金，圍剿中共地下黨，中共地下黨們?cè)撊绾螒?yīng)對(duì)這場(chǎng)戰(zhàn)斗呢？

簡(jiǎn)介：一個(gè)給中情局效力的殺手打算多干一個(gè)任務(wù)就金洗盤洗手，可他發(fā)現(xiàn)自己成了中情局上司的刺殺目標(biāo)...

簡(jiǎn)介：

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

簡(jiǎn)介：影片講述了精神病人奮發(fā)自強(qiáng)尋找個(gè)人價(jià)值的動(dòng)人故事。一個(gè)米蘭商人丟掉工作后來(lái)到來(lái)到一家精神病醫(yī)院工作，在那里他組織精神病人們成立一個(gè)合作社并堅(jiān)定地相信他們都有自尊和自身的價(jià)值。盡管遇到了各種各樣的困難，他依然鼓勵(lì)每個(gè)人不斷學(xué)習(xí)并能自己養(yǎng)活自己，找到適合自己的角色。整部片子糅合喜劇與悲劇的元素，感人至深。

簡(jiǎn)介：A struggling actor spends a weekend with a female demonologist to prepare for an audition.

簡(jiǎn)介：法國(guó)巴黎,垃圾堆街,老鼠猖獗。它們個(gè)頭很大，一周內(nèi)老鼠咬人事件已發(fā)生3次。醫(yī)院收治了在泳池被老鼠咬傷的病人，除鼠工保羅也被兇猛的老鼠咬傷，頭暈出汗住進(jìn)了醫(yī)院；走失的小貓掉入垃圾桶后被老鼠吃得只剩骨頭了。老鼠繁殖能力驚人，它們的老巢竟然是——醫(yī)院實(shí)驗(yàn)室一處潮濕溫暖的廢舊倉(cāng)庫(kù)。老鼠從這里四處出擊，咬傷人數(shù)越來(lái)越多。醫(yī)生用激素把老鼠匯集到游泳池，準(zhǔn)備出動(dòng)軍隊(duì)消滅老鼠，有病毒抗體小白鼠也將被消滅……致病的老鼠并沒(méi)被完全消滅，遠(yuǎn)處，新的一窩老鼠又出生了……