簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)簟Ｌ剿魑粗?，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：A unique relationship flourishes between an aspiring artist and a plant man growing in his garden.

簡(jiǎn)介：獨(dú)角獸掌管著世界的光明，為了讓黑暗重新籠罩，魔王（蒂姆·克里 Tim Curry 飾）一直都在進(jìn)行著獨(dú)角獸的獵殺行動(dòng)。莉莉（米婭·薩拉 Mia Sara 飾）是懵懂而又天真的公主，一次偶然中，她闖入了一片森林里，在那里，莉莉邂逅了身份神秘的杰克（湯姆·克魯斯 Tom Cruise 飾），很快，兩顆孤獨(dú)的心漸漸貼在了一起。　　在杰克的帶領(lǐng)之下，莉莉見到了世界上最后兩只獨(dú)角獸，杰克告誡莉莉只可以用眼睛看，千萬不可以觸碰獨(dú)角獸，可是，莉莉沒能經(jīng)受的起獨(dú)角獸魅力的誘惑，最終還是伸手觸碰。這讓魔王得到了機(jī)會(huì)，他殺死了其中的一頭獨(dú)角獸，并且掠走了莉莉和剩下的另一頭獨(dú)角獸，為了拯救世界，杰克向森林里的精靈尋求幫助。

簡(jiǎn)介：來自捷克的年輕女子米婭，受聘到國(guó)外工作，為一個(gè)住在豪華別墅的 富裕家庭擔(dān)當(dāng)保姆，負(fù)責(zé)照顧他們十歲的兒子。然而當(dāng)她見到這一家 人，才知道她還必須遵循許多奇怪而嚴(yán)厲的家規(guī)。只要打破任何一個(gè) 規(guī)則，她都會(huì)立即被解雇。這種有系統(tǒng)的操縱，令她慢慢地開始放棄 她的道德底線，以及她與委托給她照顧的孩子的關(guān)系。她是否能夠擺 脫這個(gè)家庭的束縛和控制？米哈爾·霍格內(nèi)爾首次執(zhí)導(dǎo)長(zhǎng)片，探討一 個(gè)人面對(duì)操縱的適應(yīng)能力，以及為了保持自尊，到底愿意做出何等程 度的犧牲。

簡(jiǎn)介：　　華江鋼鐵公司原是一家地處川滇交界的國(guó)家鋼鐵骨干企業(yè)，曾在1960年代創(chuàng)造了生產(chǎn)上的奇跡，但走到1979年已舉步維艱，許多職工一心調(diào)走。危難之時(shí)，總經(jīng)理田耕（翟俊杰）許諾不久的將來會(huì)讓華鋼舊貌換新顏。隨后，他與黨委書記肖沛成（黃凱）及做了他大半輩子堅(jiān)實(shí)后盾的總經(jīng)濟(jì)師仲天文（鄭在石）商議，向國(guó)務(wù)院遞呈了華鋼承包責(zé)任制方案，承諾會(huì)在頭年上繳5千萬利潤(rùn)的基礎(chǔ)上，逐年向政府上繳遞增7\\\%的利潤(rùn)，獲批準(zhǔn)。
　　田耕的改革大刀闊斧卻略帶專橫：得知看重的已婚年輕人藍(lán)雨濛（唐國(guó)強(qiáng)）與助理工程師馮璐（王姬）“沉溺”于兒女情長(zhǎng)時(shí)，他不問青紅將鴛鴦棒打后任藍(lán)作副總經(jīng)理；甚至希望音樂前程一片大好的女兒嬡媛將來也回華鋼工作，但媛媛決定完成母親江靜雯（穆寧）未竟的事業(yè)——江靜雯原本也可在音樂上有很大作為，卻為了田耕將事業(yè)放棄。
　　為了完成6年內(nèi)將利潤(rùn)翻一番的目標(biāo)，田耕再向國(guó)務(wù)院遞交同國(guó)際銀團(tuán)借貸2億3千萬美元建設(shè)二期工程的方案，又獲支持。但在此問題上，因?yàn)閲?guó)際銀團(tuán)提出以華鋼的固資產(chǎn)做抵押方可貸款，仲天文與他發(fā)生激烈爭(zhēng)執(zhí)且堅(jiān)決不讓步，無奈之下，田耕忍痛作出外調(diào)仲天文支援寶鋼建設(shè)的決定，自己帶著藍(lán)雨濛來到北京簽署了貸款合同。而在華鋼二期工程如期開工后，他深知借貸的巨款需要留待后任藍(lán)雨濛和華鋼的全體職工去償還，并醒悟自己欠下了太多的親情、友情債。

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　　The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist.
　　The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.

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　　Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.

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We’re back in Burnley and Dave Fishwick is fighting the good fight all over again. But this time it’s the Payday Loan Companies who are looking to bring him down.

簡(jiǎn)介：A team of loggers discover a meth cook site in the middle of the forest and are forced to fight for their lives while being hunted by a drug cartel.

簡(jiǎn)介：A group of frustrated waiters at a kitschy steakhouse take over their restaurant for one final, glorious, revenge-filled night when they discover they are all about to be fired.