簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：本劇講述了片瀨雨音生活的世界，尖銳吵鬧，過剩耀眼。與過度敏感共存的雨音入學(xué)的東高中，有強制參加社團活動的校規(guī)。對于聽覺、視覺、味覺特別敏感，連午休時間都很難在教室度過的雨音來說，社團活動難度非常高。于是，她決定和同樣不想?yún)⒓由鐖F活動的同級生·進藤琥太郎一起，為遵守校規(guī)又想休息人生的人設(shè)立同好會——“kekeke同好會”。

簡介：安迪·加西亞、艾莫里·科恩、梅根·?？怂?、露西·海爾將出演布萊恩·佩索斯([雷劈臉])自編自導(dǎo)的處女作長片[游手好閑](Big Gold Brick，暫譯)。本片執(zhí)行制片人奧斯卡·伊薩克將在其中飾演配角。故事講述初出于世的作家塞繆爾·利斯頓(科恩飾)與一個中年父親弗洛伊德·德維羅(加西亞飾)之間的故事。謎一樣的弗洛伊德有兩個孩子，他邀請塞繆爾為他寫傳記。但寫作過程隨后被混亂所阻礙。

簡介：故事發(fā)生在一個特別的世界里，人們生活在電影中，社會被分為主角、配角和廢材三個階級。作為一名“配角”， 葆拉從來只是在背景中出現(xiàn)，但她一直立志成為一名“主角”。然而，就在最終考核之前，葆拉的“讀心器”突然故障了，沒有配樂渲染情緒，葆拉還能成功晉級嗎？《戲夢空間》是一部為影迷準備的反烏托邦元電影，充滿了對影史的回顧和調(diào)侃，“活不過一分鐘”的小配角們，也有自己的悲喜人生。

簡介：《我叫哀木涕之山口山戰(zhàn)記》改編自網(wǎng)絡(luò)動畫片《我叫MT》，講述了主人公MT的一段爆笑冒險之eee。經(jīng)驗值一級的牛頭人MT（奶茶超人配音）懷抱著勇斗一百級惡龍的英雄夢，卻時時遭受被抓去“燉土豆”的威脅。他原本和小伙伴傻饅（YOYO超人配音）、劣人（CBI配音）一起無憂無慮地生活在新手村中，直到MT自己啟動了滅世任務(wù)，游戲世界陷入一片恐慌。拯救世界的重任落在了擁有復(fù)活能力的MT身上，雖然跌跌撞撞，他和小伙伴們還是勇敢踏上了屠龍之旅。

簡介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by Franti?ek Vláil, based on a novel by Alfréd Technik, adapted by Franti?ek A. Dvorák and Milo? Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Li?ka (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

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1961年，我國國民經(jīng)濟正處于嚴重困難時期，中共中央起草了《人民公社工作條例（草案）》（簡稱《60條》）。4月1日，國家主席劉少奇回故鄉(xiāng)湖南，考察農(nóng)村工作。當(dāng)他看見一雙雙饑餓的眼睛和一張張狼吞虎咽的嘴時，對《60條》是否符合農(nóng)村實情產(chǎn)生了疑問。他召開干部座談會聽取意見，與會者卻閃爍其辭。劉少奇于是到群眾中去，與老百姓直接交流，了解到了人們對公共食堂的反感。他把得到的情況寫信向毛主席匯報。

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一次出診中，包法利醫(yī)生（讓-弗朗索瓦·巴爾梅 Jean-Fran?ois Balmer）和年輕的女孩艾瑪（伊莎貝爾·于佩爾 Isabelle Huppert 飾）相遇了，艾瑪?shù)募兦楹兔利愖屷t(yī)生迅速墜入了情網(wǎng)，兩人隨即結(jié)婚?；楹蟮纳畈⒉蝗绨斔孟氲哪菢映錆M了樂趣和激情，是帥氣的雷翁（盧卡斯·貝爾沃克斯 Lucas Belvaux 飾）的出現(xiàn)讓艾瑪重新快樂了起來，但他的離開帶來的則是更深的痛苦和絕望。富豪魯?shù)婪颍死锼雇懈ァゑR拉沃伊 Christophe Malavoy 飾）貪戀艾瑪?shù)拿郎o予了她諸多的空洞承諾，而為了配得上魯?shù)婪颍敳幌зd賬購入首飾與華服。在約定好私奔的那一天，魯?shù)婪蚴Ъs了，大受打擊的艾瑪一病不起。 　　在丈夫的照料下，艾瑪漸漸康復(fù)，在一場音樂會上，她與雷翁重逢了，與后者打的火熱的日子里，艾瑪絲毫沒有察覺自己早已債臺高筑。而當(dāng)催債的...

簡介：賈登·史密斯將聯(lián)袂《女子監(jiān)獄》主演伊麗莎白·羅德里格斯，加盟一部未命名滑板題材影片。導(dǎo)演克麗絲特爾· 摩澤爾曾紀錄片[狼群]獲圣丹斯電影節(jié)評審團大獎，本片將是她的劇情片首秀。影片講述女孩兒卡米拉在遇到一群玩滑板的朋友后所經(jīng)歷的人生故事。雷切爾·文貝格、尼娜·莫蘭、阿賈尼·羅素等諸多滑板高手均將加盟。

簡介：故事發(fā)生在20世紀50年代的羅馬，一位非常有名的導(dǎo)演打算為自己的新電影招募一名小演員，瑪達萊娜（安娜·瑪格納妮 Anna Magnani 飾）得知了此消息決定帶自己的女兒瑪利亞（Tina Apicella 飾）前去試鏡?，斶_萊娜一家人的經(jīng)濟條件非常的拮據(jù)，因此她將這次試鏡視作是一次能夠讓全家人飛黃騰達的難能可貴的機會。當(dāng)瑪達萊娜得知演員需要在片中跳舞后，又煞費苦心的將瑪利亞送進了舞蹈學(xué)校學(xué)習(xí)。她的一連串謎之操作讓本就不富裕的家庭雪上加霜。與此同時，瑪利亞的心理壓力也越來越大，她稚嫩的小臉上逐漸失去了笑容。

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龍老爺病逝，元長子國樹與二子國欣為爭奪家產(chǎn)鬧得家無寧日。三子國昌無意爭產(chǎn)，只好醉心音樂，偶然結(jié)識琴行職員莊綺青，經(jīng)好友周志達撮合，結(jié)為夫婦?；楹螅@邀加入樂團，卻發(fā)現(xiàn)身患絕癥，遂瞞著家人以深造為名赴意大利求醫(yī)，行前托達若他不幸身故，便把遺書交給青。達在預(yù)定日期仍無昌音信，無奈交出遺書，龍母得悉愛子死訊，刺激過度離世。樹、欣乘機賣掉大屋，瓜分財產(chǎn)，并逐青離家。青在萬念俱灰之際，幸重遇病愈歸來的昌，喜出望外。

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