歷經(jīng)三年拍攝制作，跨越 8,500 公里的海洋，用影像記錄兩位海上男兒“海洋文學(xué)作家－廖鴻基”與“水下鯨豚攝影師－金磊”追逐理想的過(guò)程，以及向岸上家人學(xué)習(xí)說(shuō)愛(ài)的牽掛點(diǎn)滴。

　　For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.

2016年，美國(guó)國(guó)家體操隊(duì)隊(duì)醫(yī)拉里·納薩爾數(shù)十年間對(duì)于年輕運(yùn)動(dòng)員的性侵遭到披露。震驚了美國(guó)體操。 艾琳·李·卡爾的這部紀(jì)錄片勇于揭開(kāi)丑聞、示人以藏掖的事實(shí)及其影響，使幸存者得以發(fā)聲。

縱觀嘻哈的歷史，沒(méi)有一個(gè)團(tuán)體像吳唐家族那樣改變游戲。在90年代早期，一群來(lái)自斯塔登島和布魯克林的年輕說(shuō)唱歌手聯(lián)合起來(lái)，通過(guò)音樂(lè)來(lái)逃避貧窮、暴力和對(duì)社區(qū)的壓迫。他們的單曲“Protect Ya Neck,” RZA, GZA, Ol’ Dirty Bastard, Inspectah Deck, U-God, Ghostface Killah, Method Man, Raekwon da Chef, 和 Masta Killa “formed like Voltron” to release Enter the Wu-Tang (36 Chambers), 這是一張開(kāi)創(chuàng)性的專輯，重新定義了一個(gè)流派，并永遠(yuǎn)改變了行業(yè)的經(jīng)濟(jì)。

剛果窮小子自力更生，拿一把斧頭走入?yún)擦?，以過(guò)人意志，獨(dú)力砍大樹(shù)，土法制木炭。辛苦都不怕，他夢(mèng)想活得好一點(diǎn)，可以親手為妻子及女兒造個(gè)安樂(lè)窩。只有一輛單車，載滿一袋袋沉甸甸的木炭，他一個(gè)人推著上路，長(zhǎng)途跋涉，期望送到鎮(zhèn)上能賣個(gè)好價(jià)錢。公路旅程卻多險(xiǎn)阻，有人攔路「收陀地」，顧客壓價(jià)佔(zhàn)便宜。人情涼薄，向上天禱告可會(huì)有奇跡出現(xiàn)？攝影師出身的嘉哈，以出色影像與紀(jì)實(shí)目光，近距離捕捉這段猶如薛西弗斯推石上山的賣炭人生。奪第70屆戛納電影節(jié)影評(píng)人周大獎(jiǎng)。

英國(guó)電視節(jié)目主持人兼養(yǎng)豬戶吉米·多爾蒂 (Jimmy Doherty) 將在多科·吉米·多爾蒂 (doco Jimmy Doherty) 的《新西蘭逃亡》(NZ Escape) 中走上公路，探索新西蘭的美景，并探索真正的新西蘭精神。

在一座廢棄的劇院里，法國(guó)女演員瑪麗娜·弗拉迪朗誦博爾赫斯的《永生》……日本研究科學(xué)家久保田信贊美“永生水母”……米蘭大教堂的工人讓大教堂的精美雕像不斷再生……瑞士音樂(lè)家/發(fā)明家 Felix Rohner 和 Sabina Sch?rer 堅(jiān)持不懈地改進(jìn)他們的打擊樂(lè)器 Hang……美洲原住民社區(qū)領(lǐng)袖 Leola One Feather 和 Moses Brings Plenty 保留了他們部落數(shù)百年來(lái)的精神抵抗……

電影制片人 Massimo D'Anolfi 和 Martina Parenti 通過(guò)向我們展示我們克服自身極限的努力，向人類對(duì)永生的渴望致敬。他們以視覺(jué)交響樂(lè)的形式分享了他們對(duì)自然元素的力量和和諧的發(fā)現(xiàn)：水、土、空氣和火。從米蘭到美國(guó)的傷膝河，從伯爾尼到日本的白濱，電影制作人的旅行痕跡盤旋成一個(gè)完美與無(wú)限的象征：奇跡螺旋花。