老妓患淋病求醫(yī)，遇上醫(yī)生被菲律賓情婦刺傷，他們的私生子逃避警察追捕，她看著可憐，便把他帶回家中。賣身不忘慈愛，布施自有尊嚴(yán)。隨著鏡頭逐漸揭開其生活帷幔，觀眾也進(jìn)入了南韓社會(huì)中、老年人的情色國度，主角普渡的不只欲海，還有老主顧好死的渴求。李在容秉承前作《挑情寶鑒》、《六美八陣圖》（34 屆）中一貫的身體關(guān)注，于大膽主題和冷靜戲劇性中謀取平衡，把生活磨人的個(gè)體悲情和都市人的終極寂寞，一一滲入每刻每寸的畫面經(jīng)營中。各各心靈之蔽，沒有觀世音菩薩便似無法超脫，無盡惻然。南韓影后尹汝貞演技爐火純青，將與李在容出席香港首場(chǎng)放映。

一名指導(dǎo)學(xué)生的警督將他的警局變成了當(dāng)?shù)厍嗌倌甑纳鐓^(qū)中心，但當(dāng)有人失蹤時(shí)，他卻面臨著審查。

退休殺手杰克·李告別了暴力的過去，將亡兄的女兒杰米撫養(yǎng)成人。當(dāng)犯罪頭目班杜奇為了報(bào)復(fù)綁架杰米時(shí)，杰克重拾他天賦異稟的滅絕技能，舊金山街頭變成了一人殺人機(jī)器與冷酷無情、團(tuán)結(jié)一致的黑幫頭目的戰(zhàn)場(chǎng)。

　　Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.