簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)簟Ｌ剿魑粗?，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡介：簡（瑪吉·史密斯 Maggie Smith 飾）是一名充滿了魅力與熱情的女教師，雖然身處校規(guī)森嚴(yán)的女子學(xué)校中，但在她的課堂上，沒有照本宣科的枯燥教學(xué)，有的只是她從內(nèi)心釋放出的對美與力量的贊美和向往。簡對政治尤為熱衷，單純而追求浪漫的她崇拜法西斯主義的激進(jìn)與純粹，并將這一想法灌輸給了她的學(xué)生們，沒想到，她的莽撞態(tài)度卻間接導(dǎo)致了一名學(xué)生的死亡。另一方面，不按常理出牌的簡一直都是保守刻板的校長麥凱小姐（西莉亞·約翰遜 Celia Johnson 飾）的眼中釘肉中刺，她巴不得找一個由頭將這個大麻煩趕出學(xué)校，當(dāng)簡深深喜愛和信賴的一名學(xué)生敲響她辦公室的門時，麥凱小姐知道，機(jī)會來了。

簡介：富家女邢詠慧常與畫家男友杜少華及同學(xué)李中婷、陳小平、張雁、沈菲菲等一起玩樂。陳小平于舞會上結(jié)識郭大維，二人迅即熱戀；郭大維往外國升學(xué)，相約陳小平私奔隨行。李中婷等人不想陳小平因此斷送前程，故意把她的手表撥慢，令她爽約，陳小平傷心不已。另一方面，杜少華與李中婷因熱愛繪畫而感情日增，邢詠慧心生不快，李中婷無奈與杜少華絕交。杜少華在邢詠慧家重遇李中婷, 向她表白愛意。邢詠慧怒火中燒，駕車送杜少華及李中婷回家時，把車子撞向巖石，以求同歸于盡。邢詠慧受輕傷, 但杜少華和李中婷傷勢嚴(yán)重。邢詠慧羞愧服毒自殺，被同學(xué)阻止。李中婷不計(jì)前嫌原諒了邢詠慧。二人傷愈，與同學(xué)如期演出，大獲好評。

簡介：　　一對從小因家庭因素而拆散的雙胞胎姊妹，兩人從小在不同的環(huán)境中長大。因?yàn)槊妹茫ㄌ旆f）的失蹤案件，希穎開始感受到雙胞胎特有的心電感應(yīng)，透過感應(yīng)，讓希穎感覺到妹妹失蹤的案件并不單純，因此決定獨(dú)自找出一切的真相。。。。。。

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寂靜之夜，保羅·歐·凱利（Josh Stewart 飾）和女友安娜（Jamie-Lynn Sigler 飾）驅(qū)車行駛在荒無人煙的國道上。他們要去洛杉磯參加一個朋友的婚禮，因安娜不愿乘飛機(jī)，于是只能日夜兼程趕路。夜深人靜，身心俱疲，保羅和安娜在路旁找到一家汽車旅館，決定暫時再次留宿。這間汽車旅館分外冷清，服務(wù)生弗蘭克（Chris Browning 飾）羞澀拘謹(jǐn)，仿佛是一個有著諸多難以啟齒故事的人。 　　保羅在此遇到一名神秘的男人，自此他大學(xué)時代那令他不堪回首的過去漸漸浮出水面。另一方面，弗蘭克的妻子桑迪（Angela Featherstone 飾）也時常逡巡在保羅和安娜房間的附近，他們仿佛墮入了一個神秘而黑色的圈套之中……

簡介：　　香港商界頭面人物何森，以做生意為幌子，借內(nèi)地某廠優(yōu)質(zhì)免檢化工產(chǎn)品出口之機(jī)，不斷將從我國西南邊境販來的毒品偷運(yùn)進(jìn)港。為徹底搗毀這個國際販毒集團(tuán)，香港警署派韋南、李彤來內(nèi)地協(xié)助破案。何森與毒販尹大華密謀，讓走私匪徒化裝成我邊民，兵分兩路聲東擊西偷運(yùn)毒品入境。另一面，韋南、李彤遇到了重重困難，先后受傷。
　　通過媒體的報(bào)道，何森誤認(rèn)為李彤、韋南已死，便大膽行動起來，決定親自去毒穴云峰廠驗(yàn)貨。李彤擒匪心切，一人乘車前往磚瓦廠，中了毒販的圈套。生死關(guān)頭，特警隊(duì)長趙杰及時趕到救下李彤。
　　云峰磚瓦廠的地下秘道里，一伙匪徒在緊張地包裝海洛因，何森與兩個外國買主正討價(jià)還價(jià)。趙杰率眾沖入秘道，毒販被一網(wǎng)打盡，匪首何森被李彤捉拿歸案。

簡介：還是那座湖——Lake Placid…這次那些殺人鱷失蹤了，卻出現(xiàn)了一群小鱷魚，它們以驚人的速度迅速長大，血案重現(xiàn)……

簡介：我不知道……這世上除了奴隸和家畜外……還有在那以下的世界……一切，是從一封簡訊開始的。裡面的內(nèi)容是早已認(rèn)不出原貌的同伴的模樣以及被硬拔出的兩對肋骨……?！　∫栽O(shè)下仙人跳勒索金錢的龍夫，在一次恐嚇取財(cái)中惹到流氓，從此之後，龍夫的生活便一直往黑暗的深淵墜下，恐怖、恐懼的心情更是如影隨形！帶給他這一切的顫慄的〝斑馬〞到底是什麼人！？直到遇到那個男的之後……。

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承接《潛行狙擊》電視劇結(jié)局，梁笑棠Laughing（謝天華飾）謀殺蘇星柏（黃宗澤飾）罪名成立，判處無期徒刑；梁笑棠在獄中結(jié)識大學(xué)教授霍天任（吳鎮(zhèn)宇飾），教授外表斯文，與世無爭，但卻能以心理陷阱收服窮兇極惡的 “巨川”（林雪飾）。其實(shí)教授是高智商的犯罪心理學(xué)家，擅用冷讀法，可以洞悉對方心理活動和秘密，于無聲中掌控他人。

神秘女子（文詠珊飾）到獄中探望梁笑棠，其隸屬比警隊(duì)更高層次的保安局，原來，梁笑棠入獄是再次擔(dān)當(dāng)臥底角色。當(dāng)日，殺蘇星柏是另有其人，保安局副局長（麥長青飾）懷疑整件事跟潛藏警隊(duì)中的黑警團(tuán)伙有關(guān)，所以借勢令梁笑棠入獄展開調(diào)查。

梁笑棠亦步亦趨主動接觸獄中目標(biāo)人物前毒品調(diào)查科警長“大切”（杜汶澤飾）在將要取得進(jìn)展時，發(fā)現(xiàn)教授亦同時以心理治療法，令“大切”多次精神錯亂，直至向“大切”發(fā)出了死亡暗示。

一場敵友難分、正義與邪惡的生死對決在實(shí)力極不.

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《沙漠中的最后時日》講述了由伊萬·麥克格雷格飾演的耶穌在沙漠中齋戒40天，遭到惡魔蠱惑后，重新找回人性的故事，影片并非源自《圣經(jīng)》，而是影片導(dǎo)演兼編劇羅德里格·加西亞想象出來的故事。值得一提的是，羅德里格·加西亞是已故文壇巨匠，《百年孤獨(dú)》作者加西亞·馬爾克斯的兒子，曾執(zhí)導(dǎo)過口碑不俗的影片《雌雄莫辯》。

簡介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church.　　On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.