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3
0.0

黑暗中的生物

導演:
Jacob Perrett
主演:
Jarrett Ayers,Anthony Derington,Evan Gleason
別名:
未知
0.0
3人評分
英語
語言
2020
上映時間
78分鐘
片長
簡介:

陌生生物到來后,等待妻子歸來的丈夫必須承擔起年幼女兒的父親角色。

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簡介:黨小組長 (1986)故事梗概  劉局長是航運局里說一不二的人物,有一次他視察工作返城時,在公路上受到市委書記女兒的捉弄,他敢怒不敢言。他的小車司機楊楊不懼權(quán)勢,治服了書記的女兒,為劉局長出了氣。為此,劉局長極力推薦楊楊擔任黨小組長。楊楊在前任組長的記錄本上,發(fā)現(xiàn)劉局長幾個月沒繳黨費,于是他去找劉局長收黨費。劉局長建議楊楊以后按月到會計科扣除他的黨費,楊楊提醒他,這是黨費,不是黨稅,如六個月不繳納黨費,就算自動退黨。梅嫂聽說楊楊是能管局長的官,便來告狀。原來,梅嫂一家三代人多年來一直擠在一間破屋里,最近剛分到一套新房,可劉局長的兒子要結(jié)婚,房子就被收回去。楊楊決定召開黨小組會幫助劉局長,可劉局長沒有參加小組會。楊楊只好找劉局長談話,局長認為,分房是行政部門的事,黨組織不能想管什么就管什么。楊楊送劉局長家人去郊外旅游,與劉家人發(fā)生了矛盾。劉局長要楊楊公開檢討,誰知楊楊會上對劉局長搞不正之風,進行了批評。事后,楊楊按黨章,誠懇地指出劉局長存在的缺點。劉局長決定把楊楊調(diào)出機關(guān),這時市委書記向他透露,黨代會要召開,是否繼續(xù)當局長,選舉黨代表是關(guān)鍵。劉局長心領(lǐng)神會,立即改變了對楊楊的態(tài)度,還將房子退還給梅嫂。在選舉會上,楊楊代表機關(guān)黨小組向大會提出,劉局長已八個月沒繳黨費,一年多不過組織生活,不能當選黨代表,引起會場嘩然。在一條寬闊的公路上,楊楊開著卡車迎面駛來。楊楊怎么改開卡車了?黨小組長還當不當了?人們思考著。
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簡介:清朝道光年間,道光皇帝因一時震怒.命侍衛(wèi)王得寶持寶刀賜寵妃自刎。片刻之后,即感后悔,急命人收回成命,但寵妃已死。道光不愿再見到王得寶及寶刀,便命王得寶攜刀遠走他鄉(xiāng)。此時,江南一帶出了個淫賊大劍俠,他憑借著一對鋒利無比的鴛鴦劍欺男霸女,無惡不作,百姓們敢怒不敢言。中原武林高手鎮(zhèn)洛陽劉鵬決心為民除害,但終因不敵鴛鴦寶劍而命歸黃泉。臨終前,劉鵬囑咐愛徒裘文煥定要設法找到王得寶,除掉惡賊。在京城,裘文煥結(jié)識r黑張等豪杰,并與美麗的牡丹姑娘一見鐘情。聚英豪大鏢局的鏢頭鐵球流星鮑子龍唯恐裘文煥一旦得到寶刀,將威脅自己稱霸武林,因此百般阻撓。他勾結(jié)醉眼神獅耿春雄設下圈套,將牡丹騙至酒樓作人質(zhì),逼裘文煥在三日之內(nèi)以寶刀換人。裘文煥竭盡全力營救牡丹均未成功,只好四處尋找王得寶。在黑張的幫助下,裘王二人終得相見。王得寶早在暗中觀察裘文煥,了解他的人品、武藝及尋找自己的目的。為懲惡揚善,王得寶將寶刀慨然相送,并教給裘文煥一套對付鴛鴦劍的絕技“疾風斷劍法”。裘文煥持刀去換牡丹,豈料耿春雄等背信棄義,拒不放人。裘文煥怒不可遏。與他們展開殊死搏斗。黑張為救牡丹不幸身亡。裘文煥悲憤交集,越戰(zhàn)越勇,終于將耿春雄、鮑子龍殺死。在靈霄閣,裘文煥終與仇人大劍俠相遇。裘文煥的“疾風斷劍法”大展神威,幾個回合即使惡賊斃命刀下,為民除了害,為師傅報了仇。
0
1991
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臥龍戰(zhàn)警
20
6.9
已完結(jié)
臥龍戰(zhàn)警
6.9
更新時間:2025年09月06日
主演:勞倫斯·菲什伯恩,杰夫·高布倫,查爾斯·馬丁·史密斯
簡介:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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1992
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