簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

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暫無(wú)簡(jiǎn)介

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特里斯坦·古特里奇博士認(rèn)為，錘頭鯊可以通過(guò)捕食其他鯊魚(yú)而達(dá)到怪物的體型，但證明這一點(diǎn)的唯一方法是從地球上一些最大的鯊魚(yú)身上獲取組織樣本。

簡(jiǎn)介：　　Based on the book of The Shadow World, this feature length documentary is an investigation into the multi-billion dollar international arms trade.
　　Directed by Johan Grimonprez and based on Andrew Feinstein’s globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity ofgovernments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers andagents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespreadsuffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, aswell as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons ofwar are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future… (more info on cinando.com)

簡(jiǎn)介：各位ARMY，請(qǐng)扣好安全帶，準(zhǔn)備同SUGA 一齊出發(fā)，游歷各個(gè)城市，尋找音樂(lè)靈感的來(lái)源。

簡(jiǎn)介：　　It was the world's last Islamic empire - a super-power of a million square miles. From its capital in Istanbul it matched the glories of Ancient Rome. And after six centuries in power it collapsed less than a hundred years ago. Rageh Omaar sets out to discover why the Ottomans have vanished from our understanding of the history of Europe. Why so few realise the importance of Ottoman history in today's Middle East. And why you have to know the Ottoman story to understand the roots of many of today's trouble spots from Palestine, Iraq and Israel to Libya, Syria, Egypt, Bosnia and Kosovo.

簡(jiǎn)介：在保護(hù)孩子們免受虐待的同時(shí),比奇·羅林斯從一個(gè)艱難的成長(zhǎng)過(guò)程中成長(zhǎng)為一個(gè)UFC戰(zhàn)士和光拳拳王。

簡(jiǎn)介：　　主人公是一位92歲的老人。戰(zhàn)爭(zhēng)與和平、共產(chǎn)主義和革命后的時(shí)代都曾在他身上留下印記，他笑過(guò)、哭過(guò)、愛(ài)過(guò)，飽經(jīng)世事滄桑，終成歷史的見(jiàn)證者。
　　雖是一部專題紀(jì)錄片，但卻講述了過(guò)去的故事與人在遲暮之年的境遇，引發(fā)了人們對(duì)于自身，對(duì)于時(shí)光易逝、人生苦短的思考。

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伊恩·希斯洛普 (Ian Hislop) 對(duì) 200 年來(lái)的假新聞及其后果進(jìn)行了尖銳而富有挑釁性的解讀——從維多利亞時(shí)代的登月到 21 世紀(jì)的深度偽造，以及前所未見(jiàn)的希斯洛普。

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「新寶島曼波」拍攝以抒情詩(shī)人著稱的楊澤，邀請(qǐng)小說(shuō)家駱以軍、楊隸亞、黃崇凱共同參與編劇，表現(xiàn)詩(shī)人致力探索的70年代迄今的臺(tái)灣文化論述。全片嘗試創(chuàng)造紀(jì)錄片全新的敘事方法，聚焦楊澤的百年情懷與文化史觀，并企圖讓電影開(kāi)展「南部是歌，北部是詩(shī)」的詩(shī)意視野。

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格溫·范德帕斯回到家鄉(xiāng)，尋找有關(guān)在她小時(shí)候?qū)λM(jìn)行性虐待的那個(gè)男人的答案。

簡(jiǎn)介：電影制片人利用新技術(shù)，展示了著名的扎普魯?shù)码娪爸忻绹?guó)第 35 任總統(tǒng)約翰·肯尼迪 (JFK) 遇刺事件的真實(shí)情況。