簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by Franti?ek Vláil, based on a novel by Alfréd Technik, adapted by Franti?ek A. Dvorák and Milo? Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Li?ka (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

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博物館門衛(wèi)幫助了神秘的訪客，巨大的維也納藝術史藝術博物館成為一個神秘的十字路口，閃爍著探索的火花，關于他們的生命的、城市，以及反映和塑造世界的方式。

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她的新丈夫是一個英俊而富有的男人，但他卻被一個日本人殺死，甚至在她和他一起度過了一個晚上。馬尼姆獨自在大房子里再次。在丈夫身邊的葉子只有爺爺和奴仆叫BAU的每個人都留下。一天，馬尼姆注意到BAU一直盯著她看，她是一個奇怪的感覺，克服。她會因為她短暫的婚姻和嚴格的身份而壓迫自己的欲望。BAU從未愛上一個女人，她不介意他在注視著她。他們兩個開始一個被禁止的愛在祖父背后…

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　　在同事的眼里，露西（蕾妮·澤爾維格 Renée Zellweger 飾）是一個做事雷厲風行的女強人，同時，也是一個可以為了達到自己的目的而不擇手段的賤人。在露西的眼里，所有的一切都不重要，包括糟糕的人際關系和貧瘠的感情生活，只要能在工作上順風順水，她就能夠心安理得的享受生活。一次外派中，露西被送到了位于明尼蘇達州的一個小鎮(zhèn)，雖然露西并不愿意攤上這份“苦差事”，可是一想到能將此次外派當做升職的跳板，一切的艱難險阻都不成問題了。剛開始，小鎮(zhèn)上的一切都讓露西感到寡然無味，但隨著時間的推移，她發(fā)現(xiàn)讓她無法忍受的一切竟然漸漸變得可愛起來。并且，在這里，露西遇到了名叫泰德（小哈里·康尼克 Harry Connick Jr. 飾）的男人，他的出現(xiàn)讓露西開始重新思考，自己真正想要的究竟是什么。

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一個女青年（楊童舒 飾）應聘到一家工廠，一進工廠就遇到難題就崩潰就沖動，一沖動就受傷就住進醫(yī)院，一進醫(yī)院里她就遇到了醫(yī)生（莫少聰 飾）就遇到了愛情，一遇到愛情就陶醉就遇到了麻煩，一遇到麻煩就發(fā)現(xiàn)問題就...

簡介：現(xiàn)年25歲的厚生勞動省官員鷹野工作繁忙，掙扎于理想與現(xiàn)實之間。他看到一份“因非正規(guī)就業(yè)而自殺者”名單上有位與自己同齡的年輕人，便開始調查其死亡原因。翠是一位三十多歲的剪紙藝術家，盡管也想生孩子，但與丈夫的關系讓她感到不自在。中學二年級的一名班長在幫助朋友后遭到欺凌，為了不讓單親母親擔心，他獨自保守著秘密。三人的生命交錯在一起時，語言的力量超越了時間，烏云密布的天空閃現(xiàn)出一絲希望。本片改編自英年早逝的和歌詩人萩原慎一郎所著的同名短歌集。

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當朝棋高手范西屏（程皓楓 飾）雖棋藝高超，卻不懂自身經(jīng)營。這天，他應好友袁枚（盧勇 飾）之邀參加其舉行的游園會，算是大開了眼界，袁枚利用其智慧，輕而易舉地賺到大把銀子。袁開導他做人不能太死性，要把才藝變成財富才能體現(xiàn)人生最大價值。袁派女弟子席佩蘭（孟霞 飾）培訓范西屏，而范也頭頂棋圣的光環(huán)與各路高手對弈，財富滾滾而來，但他不為所動，偏偏看中了他的心靈調教師席佩蘭。然而天不遂人愿，席佩蘭嫁了他人，犯了花癡的范西屏大病一場，他開始厭惡這種拿人格和棋藝換錢財?shù)男袕健；貧w本真的范西屏開始追求敢愛敢恨的阿嬌（劉凱菲 飾），忌料佳人已名花有主…

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博士魏國（許燁 飾）近來喜事連連，洋妻愛瑪（瑪利婭 飾）出資成立科貿公司，而董事長就是夫君魏國，且愛瑪既將臨產，他馬上榮升父親，可謂雙喜臨門。問題是即將來伺候月子的是東北農村的老媽（李靜 飾），觀念天差地別的婆媳從此生活在了一起。家中添丁喜壞了婆婆，可兒媳對她飩的豬蹄湯和鯽魚湯并不感冒，除了可樂她及乎不喝別的東西，婆婆熬制的任何東西兒媳都會倒掉。城門失火，殃及池魚，雇來的保姆蘭蘭被炒掉了，究其原因是婆婆舍不得每月1000元的保姆費。蘭蘭走了，新的問題接踵而至，愛瑪要嬰兒用尿不濕，而婆婆則堅持用自已做的傳統(tǒng)尿布，面對婆媳爭端，魏國只好站出來了......

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　　Ana is a girl from Seville, who's sick of her family and the problematic neighborhood they live in. But things are about to get even worse when her mother, in a desperate attempt not to get evicted, comes up with a cunning plan...

簡介：　　一天晚上，奧羅拉(Aurora)在拉普蘭的一個熱狗攤上遇到了伊朗人達里安(Darian)。達里安在逃避死亡，奧羅拉在逃避愛。他們需要彼此才能最終停止奔跑。

簡介：故事發(fā)生在20世紀50年代的羅馬，一位非常有名的導演打算為自己的新電影招募一名小演員，瑪達萊娜（安娜·瑪格納妮 Anna Magnani 飾）得知了此消息決定帶自己的女兒瑪利亞（Tina Apicella 飾）前去試鏡?，斶_萊娜一家人的經(jīng)濟條件非常的拮據(jù)，因此她將這次試鏡視作是一次能夠讓全家人飛黃騰達的難能可貴的機會。當瑪達萊娜得知演員需要在片中跳舞后，又煞費苦心的將瑪利亞送進了舞蹈學校學習。她的一連串謎之操作讓本就不富裕的家庭雪上加霜。與此同時，瑪利亞的心理壓力也越來越大，她稚嫩的小臉上逐漸失去了笑容。