簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：　　Cagefighter follows mixed martial arts champion Reiss (Herdman) who unexpectedly loses a heavily promoted match to Randy Stone, a WWE star who is making his crossover debut in the MMA fighting world.

簡(jiǎn)介：一個(gè)滿臉胡須的男子從船上下來(lái)，反恐人員命令立刻抓捕他。經(jīng)過搏斗，男子逃跑，但卻留下被毀的倫茨的照片。警方認(rèn)為這名男子可能要?dú)惔?，所以?duì)倫茨進(jìn)行了保護(hù)。倫茨是家夜總會(huì)老板，所以很富有，他還有個(gè)女兒，但關(guān)系非常不好，警方懷疑是其女兒雇人殺父，以得到父親的全部財(cái)產(chǎn)。倫茨打算在六十歲生日的時(shí)候開個(gè)大型晚會(huì)，遭到警方極力反對(duì)，但他還是固執(zhí)不改。就在晚會(huì)進(jìn)行到高潮時(shí)，殺手卡洛恩出現(xiàn)，菲爾曼在與卡洛恩的搏斗中左胳膊受傷，卡洛恩又逃走了。倫茨又打算參加麗比德一年一度的快艇比賽，驚魚號(hào)奉號(hào)保護(hù)他。安東·菲舍爾參議員通過內(nèi)部網(wǎng)絡(luò)傳過來(lái)一位總部派來(lái)的新人，菲爾曼認(rèn)出這真是卡洛恩，這時(shí)，倫茨已經(jīng)駕快艇出海，他能幸免于難嗎？

簡(jiǎn)介：　　時(shí)光倒流七十年代的香港，戴振華（任達(dá)華）是法律世家的獨(dú)子，也是港大法律系的高材生，但即偏偏愛上保良局孤兒淑芬（劉雅麗），連一直暗戀他的姑姑（梅愛芬）也從此無(wú)望。門當(dāng)不互對(duì)自然受到家長(zhǎng)的阻撓，振華父親（劉兆銘）多番反對(duì)亦不能令振華改變初衷，結(jié)果有情人終成眷屬，而姑姑亦下嫁了一個(gè)自己不愛的男人。婚后二人感情雖好，但總要面對(duì)生活的艱難，再加上淑芬誕下三胞胎，生活的擔(dān)子亦落在振華身上，終于，振華藉著一場(chǎng)打勝了的官司而聲名大噪，但好景不常，淑芬突然發(fā)現(xiàn)自己身患絕癥，振華大受刺激，在絕望的邊緣竟又發(fā)現(xiàn)自己亦患上初期癌癥，死亡的陰影籠罩整個(gè)家庭。

簡(jiǎn)介：

粗魯蠻橫的博貝克（金·科林斯 Kim Collins 飾）和女兒維多利亞（Amy Brassette 飾）參加釣魚大賽，誰(shuí)知到手的魚兒卻被一條白鯊吃掉。博貝克勃然大怒，竟然用炸藥對(duì)付鯊魚，結(jié)果父女引來(lái)了可怕的殺身之禍，連駕駛游艇的船長(zhǎng)也無(wú)法幸免。次日，愛娃（Mackenzie Rosman 飾）、卡梅隆（Jaren Mitchell 飾）、米克（Shawn C. Phillips 飾）、布雷西（Dave Randolph-Mayhem Davis 飾）等幾名年輕人來(lái)海邊玩耍，可在歡樂之時(shí)一條全身散發(fā)熒光的鯊魚向人們發(fā)起猛烈攻擊。原來(lái)鯊魚也有憎惡怨恨之心，昨晚的鯊魚雖被博貝克炸死，但它的怨念使它化身為復(fù)仇的鬼鯊魚，向所有人類展開報(bào)復(fù)。

簡(jiǎn)介：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

簡(jiǎn)介：The story of the hijacking of the Italian luxury liner Achille Lauro by four Palestinians.

簡(jiǎn)介：暫無(wú)相關(guān)簡(jiǎn)介。

簡(jiǎn)介：影片講述了兩名警務(wù)人員與敵人展開計(jì)智計(jì)勇的激戰(zhàn)。警察出身的約翰?勞力斯和年輕漂亮的朱蒂?金那剛成立他們的私人偵探所，就有生意上門，一位神秘美國(guó)靚妞拉娜，請(qǐng)他們調(diào)查她丈夫凱爾死亡的原因。警局認(rèn)為她丈夫從高樓樓頂跳樓自殺，但拉娜認(rèn)為是謀殺......

簡(jiǎn)介：由于電影光碟盛行,帶起汕頭和平鎮(zhèn)經(jīng)濟(jì)越趨繁榮,當(dāng)?shù)匾患矣芍芨Ｉ鷵碛械闹苁霞瘓F(tuán)除了經(jīng)營(yíng)船務(wù)運(yùn)輸生意外,還有電影光碟產(chǎn)銷,由兩名得力助手尹成才及歐子明負(fù)責(zé),做得有聲有色......

簡(jiǎn)介：A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.

簡(jiǎn)介：伊朗選送的征戰(zhàn)2018年“奧斯卡最佳外語(yǔ)片”的影片。伊朗女導(dǎo)演納基斯·阿貝耶執(zhí)導(dǎo)，背景設(shè)置在70年代末伊斯蘭革命與80年代初兩伊戰(zhàn)爭(zhēng)前后，它是以小女孩視角展開的家庭情節(jié)劇，特色鮮明的角色撐起了整個(gè)故事，時(shí)代背景的介入將主線故事與伊朗社會(huì)變遷聯(lián)系起來(lái)，影片結(jié)尾以及它要傳達(dá)的主題便來(lái)自于家庭故事與歷史背景的交匯，于是冗長(zhǎng)的情節(jié)劇在被戰(zhàn)爭(zhēng)打斷的那一瞬間放佛才真正有了意義 。