一名指導(dǎo)學(xué)生的警督將他的警局變成了當(dāng)?shù)厍嗌倌甑纳鐓^(qū)中心，但當(dāng)有人失蹤時(shí)，他卻面臨著審查。

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昭和二十二年，北海道巖內(nèi)某當(dāng)鋪一家三口被人殺害，店鋪遭到焚毀。不久臺(tái)風(fēng)來臨，行駛于津輕海峽的曾云號沉沒，500多人喪生。警方在核對海難死者身份時(shí)，發(fā)現(xiàn)兩具不明身份且傷痕可疑的尸體。經(jīng)調(diào)查，得知二人系網(wǎng)走監(jiān)獄的刑滿釋放人員沼田（最上逸馬 飾）和木島（安藤三男 飾），失蹤前曾與一名叫犬飼多吉（三國連太郎 飾）的人在一起。函館警察弓坂（伴淳三郎 飾）直覺此案與犬飼有關(guān)，但犬飼猶如人間蒸發(fā)一般，此案最終不了了之。十年后，妓女杉戶八重（左幸子 飾）和一名男青年的尸體從海中打撈上來，警察味村時(shí)雄（高倉健 飾）判定二人并非自殺，男青年的主人——實(shí)業(yè)家樽見京一郎則擁有重大嫌疑。隨著調(diào)查深入，那起沉疴十年的懸案也一同浮出水面……

　　Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.