簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)簟Ｌ剿魑粗?，體驗前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡介：The story of the hijacking of the Italian luxury liner Achille Lauro by four Palestinians.

簡介：講述穿梭于梨泰院胡同，展開母女之間不可預(yù)測追擊戰(zhàn)的故事

簡介：

　　在里喬內(nèi)的海灘度假時，一群少男少女成為朋友，他們相互幫助處理戀愛關(guān)系和夏季暗戀。

簡介：

Adam, a cocky MMA fighter, wins a fight using dirty tactics and then when challenged outside the Cage, unintentionally injures his opponent, Johan, in a street fight. As a result, Johan is paralysed. Guilt ridden and worried, Adam tries to find out whether Johan knows that he is the culprit, but then inadvertently gets drawn into Johan's life when he finds out that his actions ...

簡介：安妮·海瑟薇商談參演[他最后想要的東西](The Last Thing He Wanted，暫譯)。該片根據(jù)瓊·迪迪恩1996年同名小說改編，迪·里斯([泥土之界])執(zhí)導(dǎo)。影片故事講述一位名叫埃琳娜?麥克馬宏的記者放棄對1984年總統(tǒng)競選活動的報道，而為了實現(xiàn)父親的意愿，她決定報道伊朗毒品交易的新聞。本片已進(jìn)入前期制作

簡介：

When the sheltered and unsocialized Oliver is tasked with making new friends after the sudden and devastating death of his mother, he decides that digging a few up (literally) might be his best bet.

簡介：　　一心想要進(jìn)入NBA打籃球的少年成長故事。在父母莫大的壓力下，進(jìn)入有全額獎學(xué)金的菁英大學(xué)是唯一的出路，而他則必須在新女友、新學(xué)校、球場上的競爭對手以及喘不過氣的期望中找到自己的出路。

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眾所周知，沒有安東尼·杰斯尼克駕馭不了的話題，他的第二部 Netflix 原創(chuàng)喜劇特輯也沒有讓人失望?！督芩鼓峥耍寒a(chǎn)房一把火》將于 4 月 30 日星期二面向全球上線。繼他的 2015 年特輯《杰斯尼克：我思我禱》之后，這位喜劇人繼續(xù)率性探討社會禁忌，并將自己的批判和犀利風(fēng)格貫穿其中。

簡介：《木偶》講述了一個治療師的故事，當(dāng)一個十歲的男孩聲稱他可以控制她的未來時，她失去了對現(xiàn)實的把握。

簡介：Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb

簡介：二十年來，般奴和馬力克生活在一個不同的世界當(dāng)中，那是一個屬于患自閉癥的兒童和青少年的世界。他們二人分別管理The Hatch The Shelter兩個非牟利機(jī)構(gòu)，目標(biāo)在貧困地區(qū)培訓(xùn)年青人擔(dān)任守護(hù)工作，負(fù)責(zé)照顧一些被其他機(jī)構(gòu)拒于門外的重度患者個案。這非傳統(tǒng)的合作關(guān)系展現(xiàn)了非一般的人生。