簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：

該劇根據(jù)真實(shí)故事改編，講述一名來(lái)自波多黎各的移民少年被迫在 1962 年布魯克林的黑暗街道上生存。他被幫派勢(shì)力和海洛因毒癮所奴役，他必須找到信仰和自由，否則就會(huì)毀掉他的家人和他自己。

簡(jiǎn)介：十五歲到來(lái)，茱莉和死黨黛愛(ài)露迪這年的暑期大計(jì)，包括“失身eee。茱莉覺(jué)得和要好的男同學(xué)上床太別扭，猶豫間，死黨搶先一步。想不到失身容易，感情卻跌跌撞撞，很難搞。

簡(jiǎn)介：故事發(fā)生在偏僻貧瘠的山村之中。張保民（宋洋 飾）是一名礦工，一天，他被妻子翠霞（譚卓 飾）叫回了家，原來(lái)，他們的兒子失蹤了。帶著兒子的照片，不會(huì)說(shuō)話的張保民踏上了尋子之路，途中，他遇見(jiàn)了大資本家昌萬(wàn)年（姜武 飾）的爪牙，兩方人馬起了沖突，昌萬(wàn)年騙張保民自己知道他兒子的下落，實(shí)際上，他隱藏了一個(gè)黑暗的秘密。昌萬(wàn)年一直靠著行賄非法收購(gòu)煤礦以牟取暴利，身為他的律師，徐文杰知道了太多不可告人的秘密。公檢法機(jī)構(gòu)開(kāi)始著手調(diào)查昌萬(wàn)年的公司，徐文杰在這個(gè)節(jié)骨眼上玩起了失蹤。為了逼迫徐文杰就范，昌萬(wàn)年綁架了他的女兒。

簡(jiǎn)介：故事描述，名門(mén)華山派大弟子令狐沖突聞一陣激越樂(lè)音自林中傳來(lái)，循聲尋去，原來(lái)是衡山派劉正風(fēng)與魔教曲洋，正在合奏“笑傲江湖”一曲；劉將曲譜交沖，囑他傳給懂音樂(lè)的人，然后與曲洋二人互擊對(duì)方，雙雙致死。一年后，沖終找到懂音律的人，乃是魔教教主任我行（谷峰）之女盈盈，沖將曲譜交給她，誰(shuí)料卻因此間接導(dǎo)致沖被逐出華山派門(mén)墻……

簡(jiǎn)介：大陸女子小倩為了把弟弟從監(jiān)獄中搭救出來(lái)，遠(yuǎn)赴香港準(zhǔn)備賣(mài)身籌錢(qián)，不料卻卷入黑社會(huì)大哥被殺一案，小倩從事發(fā)現(xiàn)場(chǎng)卷款逃走，黑社會(huì)內(nèi)的真正兇手對(duì)小倩下達(dá)了追殺令。慌不擇路的小倩將老警員彪叔打傷，逃到了賽車(chē)場(chǎng)，摩托車(chē)手阿富助小倩脫離險(xiǎn)境，又將其收留在家中。阿富本是富家公子，因酷愛(ài)賽車(chē)造成母親車(chē)禍身亡，導(dǎo)致他和父親的關(guān)系疏遠(yuǎn)，獨(dú)自在破敗樓層中居住，每晚在賽場(chǎng)上揮灑孤獨(dú)的青春。在警局遭受嘲笑的彪叔為了挽回同儕尊重，出力尋找小倩的下落，同時(shí)黑社會(huì)方面也漸漸逼近了阿富和小倩的所在。這天，在賽場(chǎng)上遭受搭檔背叛的阿富回家時(shí)發(fā)現(xiàn)，他的家已經(jīng)被黑社會(huì)付之一炬…

簡(jiǎn)介：泰國(guó)郊外的古廟有個(gè)可怕的詛咒。年輕盜墓者歐弟，在古廟挖出一條二戰(zhàn)時(shí)期的黃金腳煉，占為己有的他因此觸犯詛咒，身體肌膚變成蛇鱗，強(qiáng)大的詛咒讓他十分痛苦，也再次召喚出古墓厲鬼。在與尋求復(fù)仇的惡鬼時(shí)間賽跑中，因詛咒纏身快死的阿弟，與狐群狗黨噗嚨共好友們，布倫、阿一、玄兵，以及潘潘，將遠(yuǎn)赴泰國(guó)東北湄公河一座傳說(shuō)中的雨林古寺，尋找破解詛咒的秘密。

簡(jiǎn)介：表面上，瑪麗莎·柯茲·威爾遜有著叫人艷羨的生活：嫁給了著名的特務(wù)追蹤電視新聞?dòng)浾?，剛生下了一個(gè)可愛(ài)的小寶寶，還有一對(duì)聰明伶俐的繼子繼女，但其實(shí)瑪麗莎是個(gè)退休的特務(wù)。當(dāng)瘋狂的時(shí)間控制者發(fā)出警告說(shuō)要偷走時(shí)間并征服全世界的時(shí)候，瑪麗莎的生活發(fā)生了翻天覆地的變化。繼女瑞貝卡和繼子塞西也被卷入了戰(zhàn)爭(zhēng)，而他們發(fā)現(xiàn)自己無(wú)聊透頂?shù)睦^母居然是曾經(jīng)最棒的特務(wù)。帶著令人眼界大開(kāi)的新奇裝備，非常小特務(wù)們非常有可能依靠智慧再一次拯救世界，并且讓全家人團(tuán)聚。

簡(jiǎn)介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church.　　On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

簡(jiǎn)介：講述了一個(gè)導(dǎo)演拍電影的故事?！　”酒ㄟ^(guò)主角晨風(fēng)電影找投資，講述了中國(guó)電影行業(yè)5年來(lái)所謂的畸形的“電影盛世”，也即是晨風(fēng)的電影之路。　　該片為蟬鳴知了第一部電影長(zhǎng)片作品。

簡(jiǎn)介：毒梟康素差（劉青云 飾）一直帶著手下張建行（郭富城 飾）從事毒品交易，新加入的成員歐志遠(yuǎn)（古天樂(lè) 飾）也因一次意外與兩人有了過(guò)命交情，三人情同手足?？邓夭钤谙愀鄣呢湺旧獗痪讲樘幒髱F(tuán)隊(duì)逃到金三角發(fā)展，卻意外發(fā)現(xiàn)身邊藏有臥底。此刻，是敵是友，一片茫然。

簡(jiǎn)介：24 歲的夏南·吉爾伯特在一天晚上神秘失蹤，她的母親瑪麗（榮獲奧斯卡金像獎(jiǎng)提名的艾米·瑞恩飾）踏上了一段未知的旅程，她直面關(guān)于女兒、自己和警察偏見(jiàn)的殘酷事實(shí)。決心不惜一切代價(jià)找到女兒的瑪麗·吉爾伯特找遍了夏南最后已知的足跡，在長(zhǎng)島荒涼的外河岸附近一個(gè)封閉的社區(qū)開(kāi)始她的調(diào)查。她的發(fā)現(xiàn)迫使執(zhí)法部門(mén)和媒體揭露了十幾起性工作者被謀殺的懸案，瑪麗不會(huì)讓世界遺忘這些年輕的生命?！妒й櫯ⅰ犯木幾粤_伯特·科爾克爾的同名暢銷(xiāo)非虛構(gòu)書(shū)籍，由 Archer Gray 的安妮·凱瑞（《你能原諒我嗎？》《二十世紀(jì)女人》）擔(dān)任制片人，由兩次獲得奧斯卡金像獎(jiǎng)提名的麗茲·加巴斯（《第四等級(jí)》《 妮娜·西蒙：女伶的靈魂》）擔(dān)任導(dǎo)演，托馬辛·麥肯齊、加布里埃爾·伯恩和羅拉·科克擔(dān)任聯(lián)合主演。