該系列基于《紐約時(shí)報(bào)》的開(kāi)創(chuàng)性報(bào)道,講述了媒體大亨魯珀特·默多克及其家人對(duì)美國(guó)乃至整個(gè)西方社會(huì)留下令人不安的遺產(chǎn)。
英國(guó)電視節(jié)目主持人兼養(yǎng)豬戶(hù)吉米·多爾蒂 (Jimmy Doherty) 將在多科·吉米·多爾蒂 (doco Jimmy Doherty) 的《新西蘭逃亡》(NZ Escape) 中走上公路,探索新西蘭的美景,并探索真正的新西蘭精神。
波蒂洛喬治Bradshaw的維多利亞鐵路指南的副本所需的曲目。波蒂略在一系列五史詩(shī)般的旅程,旅行該國(guó)的長(zhǎng)度和廣度看鐵路如何改變了我們,并Bradshaw的英國(guó),還有什么。
For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.
探討比安卡·魯?shù)婪蛟诜侵掎鳙C之旅中神秘死亡的事件。被告是匹茲堡地區(qū)富有的牙醫(yī)拉里·魯?shù)婪颉?/p>
《骯臟的狗》是一部強(qiáng)有力的紀(jì)錄片,揭露了新奧爾良市與著名的 Lucky Dog 熱狗車(chē)之間數(shù)十年的腐敗。在街頭小販的懷舊形象之下,隱藏著一段令人不安的剝削和黑幕交易歷史,這部電影一絲不茍地揭露了這一切。該市與 Lucky Dog 勾結(jié)的證據(jù)確鑿,揭露了一個(gè)長(zhǎng)期凌駕于法律之上的制度,這對(duì)其工人造成了很大損害。這部紀(jì)錄片的核心是一位不知疲倦地為揭露這些不公正而奮斗的律師。他的旅程為這部電影增添了深刻的個(gè)人和情感維度,將其從單純的揭露變成了一個(gè)鼓舞人心的堅(jiān)持和希望的故事。他尋求正義的努力引起了強(qiáng)烈共鳴,為敘事帶來(lái)了真正的內(nèi)涵。雖然敘述者缺乏經(jīng)驗(yàn)有點(diǎn)分散了注意力,她的表演偶爾讓人感覺(jué)不合時(shí)宜,但這部電影的核心信息仍然清晰而引人注目。對(duì)于那些有興趣揭露企業(yè)腐敗背后的真相以及在極其困難的情況下為公平而戰(zhàn)的人來(lái)說(shuō),《骯臟的狗》是一部必看的電影。
暫無(wú)簡(jiǎn)介
2000 年初,郵局推出了名為 Horizon 的新 IT 系統(tǒng)。它的目的是讓副郵政局長(zhǎng)的生活更輕松。但地平線(xiàn)有隱藏的缺陷。使用它的分郵局局長(zhǎng) (SPM) 發(fā)現(xiàn)他們的賬戶(hù)出現(xiàn)了損失。SPM 會(huì)撥打 PO 幫助熱線(xiàn),卻被告知他們是“唯一”遇到這些問(wèn)題的人。他們不是。幾年來(lái),郵局指控他們盜竊,并將一些人送進(jìn)監(jiān)獄?,F(xiàn)在,經(jīng)過(guò)多年的競(jìng)選活動(dòng),那些一直被定罪的副郵政局長(zhǎng)正在得到正義的對(duì)待,他們的定罪被撤銷(xiāo)。等待賠償?shù)倪^(guò)程仍在繼續(xù)?!敦惔南壬髴?zhàn)郵局:真實(shí)的故事》基于對(duì)主要主角的親密采訪(fǎng)、戲劇片段、當(dāng)時(shí)的檔案以及實(shí)際地點(diǎn)的專(zhuān)門(mén)拍攝材料,以拼湊出這些駭人聽(tīng)聞的事件對(duì)分局局長(zhǎng)本身的影響。—英國(guó)獨(dú)立電視臺(tái)新聞中心
影片以 2022 年俄羅斯入侵烏克蘭為背景,講述了人們和他們的寵物的故事。
這部紀(jì)錄片以?xún)蓪檬澜绻谲娔g(shù)師肖恩·法夸爾為主角,探討了魔術(shù)藝術(shù)和撲克牌之間的獨(dú)特關(guān)系。
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