Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
十三歲的瑪莉雅氣質(zhì)出眾，被模特學(xué)校選中，卻因走路微跛，遭生母嫌棄、同儕恥笑。同校的克提娜來自問題家庭，成日與不良少年鬼混，但為了成為名模，不惜節(jié)食催吐、尋求偏方，虐待自己只求符合審美標(biāo)準(zhǔn)。在這片殘破的立陶宛工業(yè)區(qū)，出國走秀是女孩們逃離小鎮(zhèn)的機(jī)會(huì)，父親賣車、女兒偷金，只為湊齊學(xué)校高昂的開銷，然而追逐理想的背后，潛藏著女孩們不曾想到的噩夢(mèng)。
一名指導(dǎo)學(xué)生的警督將他的警局變成了當(dāng)?shù)厍嗌倌甑纳鐓^(qū)中心，但當(dāng)有人失蹤時(shí)，他卻面臨著審查。
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