簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：「革命無(wú)分性別、年齡與時(shí)代！電影取材自真實(shí)韓國(guó)獨(dú)立運(yùn)動(dòng)，以年輕革命女義士柳寬順為原型，見(jiàn)證一段鮮為人知的歷史。日佔(zhàn)時(shí)期，韓國(guó)爆發(fā)三一運(yùn)動(dòng)，十七歲少女上街帶領(lǐng)逾二百萬(wàn)韓國(guó)民眾抗?fàn)?，卻被捕囚禁在女子地下監(jiān)獄，受盡百般凌辱。她非但沒(méi)有噤若寒蟬，反而挺身感召其他囚犯打破沉默，從自我覺(jué)醒走向集體覺(jué)醒，在獄中共同高呼「大韓獨(dú)立萬(wàn)歲」的口號(hào)。黑白鏡頭下的獄中景象格外銳利，眾人以堅(jiān)毅的眼神明志：監(jiān)獄的高牆囚得住肉體，卻困不住自由的靈魂。高我星從《韓流怪嚇》嶄露頭角，到《末世列車(chē)》已成氣候，是次飾演烈女同樣鏗鏘有力。在最壞的時(shí)代，讓我們?yōu)檫@位巾幗英雄及所有因抗?fàn)帬奚牧x士獻(xiàn)一闋輓歌。

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影片再現(xiàn)了1961年4月12日蘇聯(lián)宇航員加加林完成人類(lèi)第一次太空飛行的全過(guò)程。劇本參考了最近解密的蘇聯(lián)航天檔案。影片片長(zhǎng)108分鐘，也是加加林這一次飛行的時(shí)間。

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After losing their child, a couple starts a fresh chapter in a new home where evil spirits lurk. Meanwhile, a robber experiences the same dark omens.

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Summer, New York City. A college girl falls hard for a guy she just met. After a night of partying goes wrong, she goes to wild extremes to get him back.

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Two married couples become increasingly agitated with each other as they find out things about each other's past, while one of them is reviving disturbing packages from an unknown source

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　　Afin de réaliser le rêve de son jeune frère malade, Léo et leurs meilleurs potes organisent un faux braquage… mais le jour J, ils se trompent de banque. Le faux braquage devient un vrai hold-up. Commence alors l’aventure extraordinaire des Amis Publics !Inspirée d'une Histoire Fausse.

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Thomas, the father of 12-year-old Paul, has disappeared without a trace for a year now. When the boy and his best friend Max spend the summer holidays on the Swabian Alb, the two try to investigate the disappearance of Paul's father. To do this, they want to find a legendary cave that Thomas studied. But his notes have to be deciphered first. They also have to deal with wild an...

簡(jiǎn)介：A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.　　Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.

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Many people criticize a film based on how close it relates and carries over from its novel or written form. 　　However, knowing up front that this film is NOT the book and dares to actually go in different directions than the book, may allow for a 　　viewer to be a bit more open about the point of the story and not necessarily the story itself. 　　I adore the novel. When the film came o...

簡(jiǎn)介：

一對(duì)斯德哥爾摩情侶計(jì)劃在哥特蘭島結(jié)婚，但家人強(qiáng)加給他們的傳統(tǒng)儀式讓兩人的大喜之日便成了一場(chǎng)災(zāi)難

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時(shí)尚的餐廳大都市“莫奈”紅紅火火。正是在這里，維克和馬克西姆要慶祝期待已久的婚禮。但計(jì)劃有變，當(dāng)餐廳是規(guī)定會(huì)談俄羅斯和法國(guó)的總統(tǒng)！餐廳隊(duì)?wèi)K敗，被迫進(jìn)入“流亡” - 在巴黎舉行。有廚師用馬克斯面臨危險(xiǎn)的競(jìng)爭(zhēng)對(duì)手：廚師 - 與近親，和馬克西姆 - 與一個(gè)英俊的尼古拉斯，誰(shuí)轉(zhuǎn)過(guò)頭比維克起泡酒香檳更好！而這還不是他的“全城熱戀”中的所有挑戰(zhàn)，你應(yīng)該試著挽回面子，喂總統(tǒng)和克服障礙萬(wàn)元點(diǎn)菜法國(guó)文化……