簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：故事發(fā)生在1963年，時(shí)值冷戰(zhàn)期間，啞女艾麗莎在政府實(shí)驗(yàn)室里工作，是那里的一名清潔女工。年幼時(shí)，一場(chǎng)大病奪走了艾麗莎的聲音，之后一直至今，她都在沉默之中過著形單影只的生活，全部的朋友就只有畫家老頭和同事塞爾達(dá)。一天，實(shí)驗(yàn)室里拉響了高度戒備的警報(bào)，一個(gè)神秘的裝滿了水的罐子被送了進(jìn)來，艾麗莎震驚的發(fā)現(xiàn)，罐子里關(guān)著一個(gè)半人半魚的怪異生物。在理查德的帶領(lǐng)下，科學(xué)家團(tuán)隊(duì)想要在這怪物身上提煉出能夠制造生物武器的物質(zhì)，可是在艾麗莎眼中，它不過是一個(gè)和自己一樣的孤獨(dú)的生命體。隨著時(shí)間的推移，艾爾莎和怪物之間竟然產(chǎn)生了感情。

簡(jiǎn)介：

改編自潘人木作品精選輯~短篇著作~綵衣，1949年沈媛隨著先生來到臺(tái)灣，靠著丈夫公務(wù)員微薄薪資，陸續(xù)生養(yǎng)了四位兒女，夫婦倆胼手胝足在異地成家立業(yè)。一晃眼40多年過去了，兒女們卻又各自飛赴他國讀書就業(yè)。1988年母親節(jié)後的周日，沈媛獨(dú)自在家，拾起了那封斷了40年音訊的對(duì)岸家書，母親早已過世了，說著母親天天盼望著媛妹回家。她拉上了窗簾，拖出了樟木箱，翻出了時(shí)光記憶的件件旗袍，又唱又跳地和母親隔空話家常，一會(huì)兒悲傷一會(huì)兒歡笑。但母親的容顏卻始終模糊，浮現(xiàn)的是母親美麗的身影及遙遠(yuǎn)的聲音。

簡(jiǎn)介：　　It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, égalité, Fraternité’.
　　Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.

簡(jiǎn)介：這部電影以現(xiàn)實(shí)生活中的康復(fù)計(jì)劃為背景，由包括前囚犯在內(nèi)的多名演員出演，講述了一個(gè)劇團(tuán)通過創(chuàng)造性地上演一出戲劇，逃離了被監(jiān)禁的現(xiàn)實(shí)。

簡(jiǎn)介：　　Based on the true-life experiences of Dave Fishwick; 'Bank of Dave' tells the story of how a working class Burnley man and self-made millionaire fought to set up a community bank.