簡介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡介：清朝初期，康熙皇帝尚且年少，奸臣從中控制政權(quán)，民不聊生?！疤斓貢?huì)”是一個(gè)推翻清朝的民間組織?！疤斓貢?huì)”首領(lǐng)陳近南（劉松仁 飾）在一次行動(dòng)中幸得韋小寶（周星馳 飾）相救，小寶就此加入天地會(huì)，被派到王宮當(dāng)臥底，偷取藏有清朝秘密的四十二章經(jīng)。聰明機(jī)靈的小寶很快便成為了皇上的心腹，做了大官。小寶陷入了兩難的狀態(tài)，他既要執(zhí)行任務(wù)卻又跟皇帝成為了好朋友。就在小寶想要逃走之際，師父陳近南也找到了他，并派人監(jiān)視他回到王宮。不久，小寶便受到了鰲拜同盟以及假太后的追殺，與天地會(huì)的人大戰(zhàn)起來。

簡介：中五在讀的朱婉芳（袁潔瑩 飾）與郭小珍（李麗蕊 飾）本是一對(duì)兒普通的中學(xué)女生，直至幫派分子刀疤試圖接近朱婉芳，在校門口毆打一名不良學(xué)生致其意外身亡。警官海哥（林正英 飾）要求朱婉芳出面作證，雖然刀疤之大哥瀟灑（張耀揚(yáng) 飾）惡語威脅，但朱婉芳有感溫老師（劉松仁 飾）與海哥的正氣，終于指認(rèn)嫌兇。瀟灑大為光火將朱婉芳擄走勒索，溫老師在眾目睽睽之下卻無力保護(hù)自己的學(xué)生。為償還欠款，朱婉芳與郭小珍打工度日，刀疤從旁默默相助終于令婉芳留意他溫柔的一面。不久郭小珍發(fā)現(xiàn)男友佐治背叛，傷心欲絕之際遭車禍身亡，朱婉芳的世界，突然間分崩離析……　　本片是林嶺東風(fēng)云三部曲的最后一部，劇本仍由其兄林嶺南（南燕）操刀。

簡介：威斯康星州的奶牛場(chǎng)主巴克（克雷格·T·尼爾森 飾）面臨著農(nóng)場(chǎng)被取消贖回權(quán)的困境，家庭債務(wù)纏身，家族四代人耕耘的土地岌岌可危，但他不愿輕易放棄。與此同時(shí)，他的孫女珍妮（麥迪遜·勞勒 飾）雖然在農(nóng)場(chǎng)幫襯勞作，卻懷揣著音樂夢(mèng)想，與著名音樂家比利（布蘭登·斯克萊納 飾）的相識(shí)讓她的音樂夢(mèng)愈發(fā)熱烈，然而追夢(mèng)可能會(huì)讓她遠(yuǎn)離農(nóng)場(chǎng)。在時(shí)間緊迫的情況下，巴克孤注一擲，將希望寄托在心愛的綠灣包裝工隊(duì)贏得超級(jí)碗冠軍上，試圖以此拯救農(nóng)場(chǎng)，守護(hù)自己珍視的一切。

簡介：與Stefan Uher和Elo Havatta一樣，Eduard Grecner也是60年代斯洛伐克新浪潮電影的締造者之一。他的三部影片《一周七天》（1964）《尼絨月亮》（1965）和這部《徳拉克的回歸》都是斯洛伐克新浪潮電影的代表作。這部敘事方法獨(dú)特帶有明顯意識(shí)流風(fēng)格的黑白影片甚至間接影響到了后來法國導(dǎo)演格里耶在捷克拍攝的兩部影片《說謊的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

簡介：

　　本片講述的是一群望子成龍的家長們?yōu)榱撕⒆拥乃囆g(shù)教育，讓孩子參加《媽媽的那碗大陳面》劇組演戲，作為小演員初出茅廬，劇組卻由于疏忽請(qǐng)來一個(gè)二流演員培訓(xùn)老師，老師為了獲得大家的認(rèn)可，對(duì)孩子們提出一些啼笑皆非的要求，因此展開了一系列搞笑的橋段。

簡介：Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

簡介：

　　多年情侶蒂姆（戴夫·弗蘭科 Dave Franco 飾）和米莉（愛麗森·布里 Alison Brie 飾）來到感情脆弱的關(guān)口，開始思考愛是……為了挽回漸淡的感情，決定拋開朋友和工作搬到陌生鄉(xiāng)村展開全新二人世界。然而新生活未如理想，更卷入了當(dāng)?shù)匾粓?chǎng)超自然力量的恐怖漩渦。身體及意識(shí)漸漸變得不受控，當(dāng)他們的心愈遠(yuǎn)，肉體卻愈貼愈近，肌膚甚至開始無縫結(jié)合……電鋸是否還給大家自由的唯一解救方法？但染血的愛又那可修補(bǔ)，莫問愛是分離！

簡介：湯姆（弗雷德里克·馬奇 Fredric March 飾）是一名內(nèi)心懷揣著遠(yuǎn)大理想的劇作家，而喬治（加里·庫柏 Gary Cooper 飾）則是一位名不見經(jīng)傳的小小畫家，兩人同為文藝界人士，在巴黎合租了一幢公寓。一次偶然中，湯姆和喬治邂逅了名為吉爾達(dá)（米利亞姆·霍普金斯 Miriam Hopkins 飾）的女子，兩人同時(shí)被吉爾達(dá)與眾不同的魅力所深深吸引，墜入了情網(wǎng)?！　∪欢瑠A在這兩個(gè)男人之間的吉爾達(dá)無法做出選擇，于是想出了一個(gè)注意，那就是住進(jìn)湯姆和喬治家中，督促他們創(chuàng)作作品，就這樣，一段奇怪的三角關(guān)系形成了。為了創(chuàng)作一部話劇，湯姆需要返回倫敦待一陣子，他十分擔(dān)心在他不在的這段時(shí)間里，喬治和吉爾達(dá)之間會(huì)擦出火花。

簡介：韓國男同

簡介：　　講述一場(chǎng)親情力量與欲望深淵的對(duì)抗，與愛同行的正能量之戰(zhàn)。

簡介：本片由三個(gè)故事組成：　　故事一《頭魂》：講述年輕警察（林曉峰 飾）負(fù)責(zé)看守一宗無頭女尸案的現(xiàn)場(chǎng)，竟然發(fā)現(xiàn)了案情的真相跟管理員七叔（林尚義 飾）有關(guān)?！　」适露蹲补怼罚耗贻p夫婦（徐錦江 飾）（江希文 飾）開車撞死人不顧而取，結(jié)果被鬼魂一直糾纏，把夫妻兩捉弄得苦不堪言?！　」适氯蹲詈笸聿汀罚豪夏赣H（羅蘭 飾）逝世了，她的兒子（黃秋生 飾）、媳婦（苑瓊丹 飾）、孫子孫女便是十分不孝。母親在三七之夜回到了家里，原來仍牽掛著自己的孩兒。眾人才能感受到老母親的愛，但已太遲。