簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：

韓國(guó)喜劇，任昌丁主演，講述了三個(gè)蠢賊為改變?nèi)松煌瑩尳佻F(xiàn)金運(yùn)輸車后躲進(jìn)名為“羅馬假日”的夜總會(huì)而發(fā)生的故事

簡(jiǎn)介：

　　17歲的龍崎桃子（深田恭子飾）住在茨城縣下妻，她喜歡洛可可風(fēng)格的打扮，并向往中世紀(jì)的法國(guó)。和桃子同校的高二女生白百合草莓（土屋安娜飾），是一個(gè)整天騎著重型摩托車的“飆車幫惡女”。
　　一次機(jī)緣巧合，桃子和草莓偶然結(jié)識(shí)對(duì)方，她們對(duì)彼此充滿了好奇，而且都不明白在這小地方怎么會(huì) 有對(duì)方這樣的女孩。此后草莓經(jīng)常來(lái)拜訪桃子，她關(guān)注桃子，并對(duì)她的裝扮評(píng)頭論足，但堅(jiān)持己見(jiàn)的桃子不為所動(dòng)。草莓需要去一趟專為大姐頭制作特攻服的服裝店見(jiàn)識(shí)下，她希望自己可以穿上特攻服參加一個(gè)前輩的隱退儀式。她們沒(méi)能找到，但桃子竟然特意為草莓縫制特攻服，成為莫逆之交的她們還會(huì)遇到什么困難呢？

簡(jiǎn)介：杰森（扎克·埃夫隆飾）是位一板一眼的準(zhǔn)新郎，過(guò)著無(wú)趣保守的生活，被重度控制狂未婚妻使喚，結(jié)婚前夕，他去陪剛喪偶的爺爺?shù)峡耍_伯特·德尼羅飾）度假散心，爺爺生性好色，帶著保守的孫子踏上了一段啼笑皆非的風(fēng)流旅程。

簡(jiǎn)介：年輕的德國(guó)女警埃爾克在捷克邊境一次例行車輛檢查中無(wú)意間擊斃了一個(gè)違抗了警方指令的捷克年輕人。埃爾克因此被警局停職調(diào)查，卻仍舊堅(jiān)信受害者行為不軌。一天晚上，死者的妹妹來(lái)拜訪埃爾克，聲稱哥哥是無(wú)罪的，并指責(zé)埃爾克殺死無(wú)辜的人。第二天埃爾克因?yàn)闊o(wú)法承受的自責(zé)踏上了前往捷克的路。然而一切似乎并非看起來(lái)那樣，埃爾克好像也踏入了陷阱……（豆瓣電影字幕翻譯2.0小組）

簡(jiǎn)介：貝詩(shī)（Kathleen Robertson）是個(gè)單親媽媽，與必須以輪椅代步的兒子北京住在高速公路旁。在貝詩(shī)開(kāi)朗的外表下，絕望的念頭越來(lái)越重。而黛安娜（Andrea Roth）育有兩女，在廣告公司擁有極成功的事業(yè)。她的生活目的在讓全家人快樂(lè)，唯一的焦慮是超越上司的光芒。在艷陽(yáng)高張的夏日郊區(qū)，這兩個(gè)女人的生命產(chǎn)生了莫名的交迭與碰撞。當(dāng)警察趕去救援，倒敘的兩條線逐漸拼湊出這件悲劇發(fā)生的真相…　　這部戲里，你可以看到兩個(gè)故事，兩個(gè)人的生活其實(shí)是平行的、現(xiàn)實(shí)上是無(wú)交集的?！　∫粋€(gè)是商場(chǎng)上的女強(qiáng)人，一個(gè)是社會(huì)邊緣弱勢(shì)的單親媽媽，因?yàn)樵缟弦粋€(gè)超車事件，成了事件的導(dǎo)火線。這個(gè)單親媽媽失去了工作、孩子、甚至是生命....對(duì)照了另一個(gè)升等、充滿希望的女人，故事有點(diǎn)悲哀?！　∵@部片子充分展現(xiàn)了現(xiàn)代都會(huì)婦女面對(duì)的現(xiàn)況，我們看到了女人對(duì)于工作、對(duì)于家庭，不惜代價(jià)全心付出的拼勁?！　∮捌榻B說(shuō)是一部驚悚片，是有點(diǎn)夸張了，不過(guò)片子給人的氣氛，的確讓人感受到都市生活原原本本的無(wú)情、現(xiàn)實(shí)和莫名且龐大壓力。這種壓力比驚悚片更讓人神經(jīng)緊繃，時(shí)間是這個(gè)片子兩個(gè)主角爭(zhēng)取機(jī)會(huì)的鑰匙，失去時(shí)間的人，結(jié)果就是輸家，命運(yùn)是很慘酷的。就是有人總是搶不到車道錯(cuò)過(guò)了交流道出口、搶不到車位、遇到交通管制、道路施工、錯(cuò)失了快遞.........最后竟早到達(dá)人生的終點(diǎn)?！　∵@不是一部看了會(huì)好心情的電影，不過(guò)，你可以了解強(qiáng)者生存的真實(shí)人生，你準(zhǔn)備下交流道了嗎 你只有一次機(jī)會(huì)，千萬(wàn)別錯(cuò)過(guò)了出口。

簡(jiǎn)介：Synopsis　　Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate! A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.　　Notes　　A silent movie that allows us to examine the narrator-accompanied method of 16mm films (Chung Jong-wha)　　A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as byeonsain Korean). Numerous critics have recommended the film, praising it as a silent movie that allows us to examine the narrator-accompanied method of 16mm films (Chung Jong-wha), the work of Korea's last silent movie narrator (Kim Hong-joon), a movie that reflects the public's consciousness and has great historical value (Lee Seung-hun), and the archetypal new-school film (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or talkies) had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.　　Afterword　　- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.