瑪妮·維特森（法米克·詹森 Famke Janssen 飾）的丈夫麥克（Michael Paré 飾）是一名在外貪污受賄、在家虐待老婆的警察。由于不堪忍受長期虐打，瑪妮最終將丈夫殺害。經(jīng)過長達七年的牢獄生活，表現(xiàn)良好的瑪妮獲準在紐約的家中繼續(xù)剩下六個月的刑期，期間她必須佩戴電子腳銬，以確保她不會超過100英尺的活動范圍。然而有限的自由并未使她感到更多歡愉，她的行動被電子腳銬所限，丈夫生前的搭檔山克斯（Bobby Cannavale 飾）對她憎恨不已，而這幢空曠已久的房子內(nèi)又充滿了復(fù)雜矛盾的回憶。 　　瑪妮將房子打掃一新，試圖展開全新的生活。但她慢慢發(fā)現(xiàn)，不僅痛苦的過去在牽絆著她，連丈夫那不曾安息的鬼魂也逡巡四周，糾纏不已……

　　Nipple-targeting seagulls. Old men rapping in a bathhouse. Drugs smuggled as Italian pasta. Welcome back to The Mole Song’s world. The third and final part of this series of manga adaptations, by IFFR regular Miike Takashi, is once again loaded with delicious madness.
　　Following Undercover Agent Reiji (IFFR 2014) and Hong Kong Capriccio (IFFR 2017), this time the enemy are Italian mafia smuggling their ‘speed-a-roni’ into Yokohama’s port. Yakuza boss Papilon, fearing for his business, wants to stop them from entering, and so do the Japanese cops: Reiji works for both as an undercover agent. All these complications this give cult director Miike a playground for crazed subplots.
　　At times fooling us into thinking it’s an ordinary action thriller, The Mole Song: Final is a cocktail that smashes together slapstick comedy, farcical fantasy and puppet animation, with Reiji – played again by the energetic and engaging Ikuta Toma - always at the centre of the tornado that just keeps on spinning.

一夜之間失業(yè)的韓正宇，用完美女裝的身份“韓正美”成功再就業(yè)后發(fā)生的故事。