簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

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鐵蛋的愛情開始得早，八歲就戀上了鄰家巧婦美姐（葉蘭 飾 成年美姐）。文革禁唱地方戲曲二人臺，也驅(qū)離了美姐一家人。輾轉(zhuǎn)十多年，鐵蛋（馮四 飾）儼然已是條漢子。隨著美姐（杜煥榮 飾 中年美姐）與三個女兒返鄉(xiāng)，看似忘不掉美姐，鐵蛋先與其大女兒（葉蘭 飾）私戀未果，卻被迫娶了二女兒（葛夏 飾）作為“補償”。最后決定跟著戲班子流浪，隨他出門的卻是美姐家的老三（葉蘭 飾）……有道是二人臺不是天天有，情歌永遠唱不完。?豆瓣

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艾諾·布拉斯科維奇伯爵在1848年匈牙利革命之后失去了一切。金克森姆，一匹匈牙利的奇跡之馬，全勝56場比賽，無一例外，使他有機會找回一切：復(fù)仇、愛情和名聲.

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在青梅竹馬小蘭（忽那汐里 飾）的鼓動下，工藤新一（溝端淳平 飾）半推半就乘上飛往京都的飛機，去觀摩正在那里拍攝時代劇的毛利小五郎（陳內(nèi)孝則 飾）的表演。飛行途中，名叫大鷹和洋（波岡一喜 飾）的攝影師陳尸洗手間，引起乘務(wù)組的恐慌。工藤新一就在1萬英尺的高空展開推理。好不容易來到京都攝影所，針對男主角櫻庭（中村俊介 飾）的謀殺預(yù)告?zhèn)鱽?，不久更有一名女演員遇害。新一和對手服部平次（松坂桃李 飾）展開競技般的推理……

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1980年代初，西山結(jié)核病醫(yī)院。十六號病房里住著三個生活經(jīng)歷不同、家庭出身不同、脾氣性格迥異的姑娘。她們是桑青青（方卉 飾）、常琳（李羚 飾）和田進軍（方曉琴 飾），平日里到也相安無事。不久，鄉(xiāng)村教師劉春樺（宋曉英 飾）住了進來，她心地善良開朗，當(dāng)從小失去父母的常琳得知劉春樺患肺癌晚期時，相對自己平日里冷漠、消沉，內(nèi)心觸動很大。劉的丈夫陳仲男（馮恩鶴 飾）白天對妻子笑逐顏開，夜晚獨處時卻以淚洗面。面對身患絕癥仍如此堅強的劉春樺，桑青青和田進軍也在思考著人生的含義。自覺不久于人世的劉春樺仍惦念著學(xué)校里的孩子和同室的病友......

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本片講述了球王貝利兒時從貧民窟擦鞋童，靠自己的努力克服重重阻礙，逆轉(zhuǎn)絕境成為足球世界最強者的故事。影片揭秘了貝利成名前不為人知的經(jīng)歷，家境貧窮、旁人的冷眼、隊友的排擠并沒有阻礙貝利的成長，父母的教育一直影響著貝利，從被人貶低到萬人矚目，他一個人的逆襲，燃動了數(shù)十億人的斗志。

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《水耀日》主要圍繞少年小山尋找夢中戈壁的海而展開。以“赤子之心”為主題，主要講述了小山隨著夢境的畫面逐漸清晰真實，并在有了與夢境場景相同的明信片的指引下，不顧一切踏上了尋找的路。

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該片改編自2003年丹麥影片《冷面赤心》。

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惡戰(zhàn)結(jié)束，兩名鐵血戰(zhàn)士帶著死去同伴的尸體向家鄉(xiāng)返航。令他們想不到的是，死去同伴的身體竟成為異形幼卵的棲息地，成熟的異形破胸而出，并且兼具異形和鐵血戰(zhàn)士的強大威力，成為了連鐵血戰(zhàn)士也難以撼動的終極異形。一場殘酷的殺戮隨即在飛船上進行，最終導(dǎo)致飛船墜毀在科羅拉多州的群山之中。

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底特律是世界聞名的汽車城，這里的機械工業(yè)已經(jīng)到了出神入化的地步。墨菲（彼得?威勒 Peter Weller 飾）是底特律的一個普通警察，既沒有非凡身手、也沒有高超技術(shù)。一次，他執(zhí)行任務(wù)時被一伙暴徒暴打致死，從此他的人生軌跡改變了。

簡介：在獲得贈與的兩個稀有海象牙后，Barry Pepper扮演的飛行員Charles Halliday 運送生病的女孩Kannalaq去醫(yī)院，途中發(fā)生墜機事故Charlie and Kannalaq（由Annabella Piugattuk扮演，這是她第一次露臉）被留在了遠離城市的荒野。Charlie設(shè)法穿過遙無盡頭的雪地前往最近的軍事基地，不得不把生病、垂死的年輕姑娘拋在身后。