簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)簟Ｌ剿魑粗?，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

簡(jiǎn)介：中央某報(bào)女記者在華夏市采訪時(shí)碰到了一堆稀奇事：在這里，大學(xué)畢業(yè)生賣冰棍的有之，在法院門口代寫(xiě)狀子的有之，賣生煎的有之。經(jīng)過(guò)了解，女記者得知，這些學(xué)生所在的大學(xué)培養(yǎng)出這么多大學(xué)生，卻因用人單位沒(méi)有指標(biāo)，沒(méi)計(jì)劃不能錄用。女記者受畢業(yè)生的委托，開(kāi)始奔波于市府各權(quán)力機(jī)關(guān)反映情況，但還是解決不了問(wèn)題。女記者在京如實(shí)寫(xiě)了篇報(bào)道，并上了“內(nèi)參”。國(guó)務(wù)院領(lǐng)導(dǎo)接見(jiàn)了學(xué)生代表，肯定了華夏大學(xué)的辦學(xué)方針。消息傳出，華夏...

簡(jiǎn)介：明末，官府腐敗，民不聊生。一次，紅姑所在的郭家雜技大班遭霍太爺門下追殺，幸得好心的霍公子相救。紅姑、郭師傅又被劫入紅姑寨，見(jiàn)到上一代郭家班人寨主老紅姑。老紅姑講述了當(dāng)年霍太爺怎樣殘害他們。紅姑下山報(bào)仇。面對(duì)善良的霍公子，紅姑轉(zhuǎn)身離去。這時(shí)，紅姑寨被官兵洗劫，老紅姑犧牲。押運(yùn)糧草的霍公子把糧草獻(xiàn)給新寨主紅姑。官府下令將其斬首。紅姑率軍劫法場(chǎng)，就下霍公子。最后，霍公子跟隨紅姑一起投奔闖王李自成去了。

簡(jiǎn)介：一個(gè)雷雨交加的夜晚，寺廟僧人撿到了一只被遺棄的小貓，并為它取名為“小杏”，數(shù)十年后，小杏竟然長(zhǎng)成了一只會(huì)說(shuō)人話的巨大“貓妖”。在一次偶然的契機(jī)下，少女花梨與貓妖小杏展開(kāi)了一場(chǎng)穿越地獄的奇幻冒險(xiǎn)之旅……

簡(jiǎn)介：鮑伯（成龍 飾）與獨(dú)自帶著三個(gè)孩子的女鄰居吉莉安相戀已經(jīng)三個(gè)月了，然而三個(gè)小鬼并不怎么喜歡這個(gè)窩囊、乏味，如同機(jī)器人般一程不變的鋼筆商，但鮑伯其實(shí)是一名即將退休的秘密特工。吉莉安因故外出，鮑伯決定由他來(lái)照顧孩子，一個(gè)大男人要應(yīng)付三個(gè)古靈精怪的小孩子已經(jīng)足夠讓他頭疼，而孩子們無(wú)意間下載了一伙罪犯的細(xì)菌配方引來(lái)了壞人的追殺，此時(shí)，中情局內(nèi)部也有人想得到配方。在保護(hù)孩子們的過(guò)程中，鮑伯的身份爆光，吉莉安為了保護(hù)孩子們和他分手。為了打擊犯罪，為了保護(hù)孩子們，鮑伯必須重新出馬……　　本片是成龍繼《尖峰時(shí)刻》系列后最新一部好萊塢作品。

簡(jiǎn)介：

文革期間，共產(chǎn)主義勞動(dòng)大學(xué)在江西省某山區(qū)成立。“抗大”老干部龍國(guó)正（郭振清 飾）被派到松山分校任黨委書(shū)記兼校長(zhǎng)。當(dāng)時(shí)，兩條路線的斗爭(zhēng)非常激烈，圍繞辦學(xué)姓“社”還是姓“資”展開(kāi)激烈討論，地委趙副專員（鮑烈 飾）支持副校長(zhǎng)曹仲和（陳穎 飾）把學(xué)校建在城郊，而地委副書(shū)記唐寧（ 溫錫瑩 飾）則站在龍國(guó)正一邊，支持他們把學(xué)校建在山上。資產(chǎn)階級(jí)思想嚴(yán)重的教務(wù)主任孫子清（葛存壯 飾），認(rèn)為工農(nóng)出身的青年沒(méi)資格上大學(xué)，氣憤的龍國(guó)正抓起江大年（李世江 飾）的手宣布：“這手上的老繭就是資格！”他聘請(qǐng)老貧農(nóng)參予學(xué)生入學(xué)評(píng)議，堅(jiān)持開(kāi)門辦學(xué)。肩負(fù)著社會(huì)主義使命的龍國(guó)正，面對(duì)種種困難和不滿，能否當(dāng)好這個(gè)校長(zhǎng)呢......?豆瓣

簡(jiǎn)介：八十年代的恐怖電影《處刑在午夜》（10 to Midnight）中，外表不佳卻頗具性格氣概的老電影人查爾斯·布朗森在片中飾演一個(gè)警探，逮捕到一位專門辣手摧花的殺人犯，苦于沒(méi)有證據(jù)，老查不得已設(shè)法編造證據(jù)，想送他進(jìn)大牢，不料被穿幫，兇手放出來(lái)后，決定對(duì)老查的女兒下手以實(shí)行報(bào)復(fù)。為什么老查根本找不到兇手的罪證呢，原來(lái)兇手每次行兇前必把自己的衣服脫光，你想找到任何沾有血跡的衣服、褲子、鞋子，都難如登天。于是，反一號(hào)男主角吉恩·戴維斯在片中有一半的戲份都要光著身子。《處刑在午夜》在裸露尺度的把握上，真正做到了“男女平等”，你脫我也脫，像吉恩·戴維斯這種可以走偶像路線的男星，接拍《處刑在午夜》實(shí)在得不償失，別說(shuō)必須時(shí)不時(shí)的衣不蔽體，角色形象也負(fù)面到極點(diǎn)，從片子的票房來(lái)看，他也真是白忙了一場(chǎng)?？赡軓囊婚_(kāi)始，吸引他的只是赫赫有名的曾導(dǎo)過(guò)黑白原版《恐怖角》（Cape Fear）與《納瓦隆大炮》（The Guns of Navarone）的大導(dǎo)演J·李·湯普森吧，可惜人有失手馬有失蹄，這一回他可是脫得很沒(méi)價(jià)值吶！

簡(jiǎn)介：在《萌犬好聲音》的世界里，狗狗不僅學(xué)會(huì)了說(shuō)話，還可以擁有動(dòng)人的歌聲。泰妮——一只可愛(ài)的約克夏是小主人洛最好的伙伴，也是一只熱愛(ài)歌唱的狗狗，夢(mèng)想在歌唱比賽的舞臺(tái)上大放異彩。一場(chǎng)意外讓她從家中走失，為了找回主人，也為了實(shí)現(xiàn)自己的音樂(lè)夢(mèng)想，泰妮踏上了既歡樂(lè)又充滿挑戰(zhàn)的回家路。冒險(xiǎn)的旅途中，步步驚險(xiǎn)卻又時(shí)時(shí)爆笑。在眾多朋友的幫助下，泰妮看到了更廣闊的世界，也收獲了成長(zhǎng)與珍貴的友情。

簡(jiǎn)介：西元709年，外星人凱坦（James Caviezel 飾）駕駛的飛船墜毀在挪威境內(nèi)，同伴重傷死亡，飛船損毀，沉入湖底。凱坦憑借隨身攜帶的先進(jìn)機(jī)器掌握了地球的知識(shí)和當(dāng)?shù)氐恼Z(yǔ)言，在森林內(nèi)游蕩之際，他遇到了維京人烏弗里克（Jack Huston 杰克?休斯頓 飾），并隨之回到了村莊?！　P坦告訴維京人自己正在尋找一頭“惡龍”，而這條惡龍正是他飛船上的一只怪獸，因飛船墜毀逃遁。維京人起初認(rèn)為凱坦是個(gè)說(shuō)大話的騙子，但隨著村民一個(gè)個(gè)離奇消失，他們才發(fā)現(xiàn)所謂的“惡龍”真的存在……

簡(jiǎn)介：講述因意外事故被關(guān)押在少年監(jiān)獄的校園暴力受害者車宇瑟（金玟錫 飾）與綜合格斗冠軍鄭道鉉（魏化儁 飾）相遇，逐漸突破自己極限的故事。

簡(jiǎn)介：

我國(guó)某科研團(tuán)隊(duì)研究出海水淡化技術(shù)，遭國(guó)際科技犯罪組織覬覦，戰(zhàn)風(fēng)為科研團(tuán)隊(duì)導(dǎo)師戴興國(guó)未過(guò)門的女婿，為保護(hù)這一技術(shù)和未來(lái)岳丈及妻子，引開(kāi)暴徒，后遭襲擊失憶。聶凌鋒為戴興國(guó)的得意門生，對(duì)其心生怨恨，關(guān)鍵時(shí)刻倒戈一擊與犯罪團(tuán)伙達(dá)成一致。聶凌鋒將戰(zhàn)風(fēng)養(yǎng)在自己的豪華別墅內(nèi)，又安排自己的侄女柳詩(shī)音對(duì)其精心呵護(hù)照料，他利用戰(zhàn)風(fēng)失憶，為他重新編寫(xiě)了一份人生履歷，以套取科研技術(shù)數(shù)據(jù)的下落，最后落網(wǎng)。