簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：東京警察株式會(huì)社，亦稱“東京殘酷警察”，這是一個(gè)在近未來(lái)成立的警察私有化組織，他們的權(quán)力甚至凌駕于法律之上，以保護(hù)人民生命安全之名，對(duì)一切罪犯進(jìn)行殘酷拷問(wèn)和虐殺。不僅罪犯談虎色變，連普通市民也噤若寒蟬。　　公正善良的父親被殺害，自幼被局長(zhǎng)撫養(yǎng)成人的少女留加（椎名英姬 飾）長(zhǎng)大后加入東京殘酷警察部隊(duì)，成為一名干練的女警察。彼時(shí)一種名為“技師”的變異人種橫行世間，他們會(huì)從傷口處變出殺人兇器，危害性極大。為了鏟除這些怪物，警察部隊(duì)展開大規(guī)模地搜捕和屠殺，甚至普通市民也難以幸免。而留加在追捕幕后黑手的過(guò)程中，信念漸漸開始動(dòng)搖……　　導(dǎo)演西村喜廣，曾擔(dān)任《循環(huán)自殺》、《人肉機(jī)器》等影片的特技導(dǎo)演。

簡(jiǎn)介：這部電影的主人公是一個(gè)尋找過(guò)去記憶的女人。葛露麗在法國(guó)生活20年之后回到故鄉(xiāng)伊朗北部城市拉什特，首先遇到的是經(jīng)營(yíng)相框商店的帕爾哈德。帕爾哈德說(shuō)葛露麗是他小時(shí)候的同學(xué)，但葛露麗對(duì)此毫無(wú)印象。然而帕爾哈德還記得葛露麗小時(shí)候的事情，而且還很熟悉葛露麗已經(jīng)去世的母親。帕爾哈德就像是他做的相框把照片保存完好一樣，所有的記憶也都保存在他的腦海里。然而葛露麗卻什么都想不起來(lái)，她在帕爾哈德的幫助下，去和曾經(jīng)認(rèn)識(shí)的人們見面，也逐漸找回了失去的記憶，發(fā)現(xiàn)了帕爾哈德的過(guò)去。

簡(jiǎn)介：簡(jiǎn)介：　　2008年法國(guó)2臺(tái)播出的電視電影，曾參展09年Mardi Gras電影節(jié)，導(dǎo)演是曾經(jīng)拍出“隱藏的戀情”（A Love to Hide）的Bertrand Renaud。參加演出的演員表現(xiàn)非常出眾，配樂(lè)也很優(yōu)美；影片在畫面精美的同時(shí)也發(fā)人深省，討論嚴(yán)肅問(wèn)題卻不感覺(jué)沉悶，是一部難得的佳作?！　?981 年Bruno、Isabelle、Nicolas和Nathalie四個(gè)年輕人還都只有20歲，愛情和信仰轟轟烈烈。然而那也是個(gè)艾滋如洶涌潮水開始肆虐的年代。當(dāng)艾滋突如其來(lái)發(fā)生在他們中間時(shí)，友誼、家庭、愛情，一切就此坍塌，一切有待重建。這些年輕人與艾滋抗?fàn)幎?，?jīng)受了痛苦、絕望、不甘和各種考驗(yàn)，最終仍然相愛。本片將他們兩個(gè)世紀(jì)的故事濃縮在上下兩集中，以史詩(shī)的風(fēng)格從青少年角度切入，描繪了80年代至今艾滋病對(duì)法國(guó)社會(huì)和家庭以及個(gè)人命運(yùn)的改變?！　“滩〉某霈F(xiàn)不但威脅到人類健康，更衍生出諸多的社會(huì)政治等問(wèn)題，影片的第1集講述當(dāng)艾滋病出現(xiàn)時(shí)，人們對(duì)此的反應(yīng)和態(tài)度；第2集則著重人對(duì)自己的身份認(rèn)同及面對(duì)的社會(huì)問(wèn)題?！　　?簡(jiǎn)介來(lái)源：【同志亦凡人中文站】

簡(jiǎn)介：出品單位 北京千禧時(shí)代傳媒公司　　　　金曉惠是一位大學(xué)畢業(yè)后就留在北京追尋夢(mèng)想的文藝小青年，她本身的專業(yè)是油畫，但同時(shí)愛好搖滾和先鋒藝術(shù)，面對(duì)家人希望自己回到老家，過(guò)著安靜日子的愿望視而不見……

簡(jiǎn)介：This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve, humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb　　This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 1010　　Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks.　　Intelligent, emotional, tragic and real, this is an absolute gem. 910

簡(jiǎn)介：一部全美頂級(jí)醫(yī)師強(qiáng)烈推薦的紀(jì)錄片，為你帶來(lái)健康的真相：不添加額外的油、糖和鹽的純天然植物性飲食方式最有利于人體健康，不但能夠預(yù)防廣泛的疾病，還能逆轉(zhuǎn)某些最危險(xiǎn)的慢性疾病

簡(jiǎn)介：隱藏在小亞細(xì)亞的茫茫冬雪中，是看不見盡頭的凄滄。小學(xué)老師薩密自比枯草，一直期待快將調(diào)職回城市的學(xué)校，但某日一封學(xué)生藏在筆記簿里寫給他的情書被發(fā)現(xiàn)，衍生出他性騷擾學(xué)生的指控。夢(mèng)想幻滅、同袍情誼惡化、其他教職員之間的竊竊私語(yǔ)，使得薩密臨近崩潰邊緣。直到遇見幫他克服難關(guān)的女老師，讓這絕望的寒冬起了變化。 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?土耳其電影大師努里·比格·錫蘭時(shí)隔四年帶來(lái)新作，借人與人之間的傷痛和救贖，既自省亦警世。餐桌上一場(chǎng)群體與個(gè)人、抗?fàn)幣c妥協(xié)的意識(shí)形態(tài)思辯，更令人拍案叫絕。女主角憑此片奪得戛納電影節(jié)最佳女演員殊榮，成為史上首位土耳其戛納影后。

簡(jiǎn)介：曹保平新戲《怒海》即將開拍

簡(jiǎn)介：一場(chǎng)洪災(zāi)讓澪和兒時(shí)玩伴野江失散。父母雙亡的澪流落街頭，大阪料理名店天滿一兆奄的老板娘阿芳收留了澪，而且發(fā)現(xiàn)澪極具料理天分。就這樣，12歲的澪在天滿一兆奄開始學(xué)習(xí)廚藝。不料，一場(chǎng)大火燒毀了店鋪。澪和老板娘來(lái)到江戶，在一家名為鶴屋的料理店幫忙。但最初澪的料理并沒(méi)有得到客人的喜歡，相反還惹怒了客人。雖然得到老板的安慰，但是因?yàn)榇筅媾c江戶兩地口味不同，澪對(duì)自己的料理水平失去了自信。在幾次受挫和經(jīng)由浪人小松原及永田醫(yī)生的點(diǎn)撥和幫助后，澪悟出了大阪和江戶飲食的差別，做出了改變。改良后的食物得到了肯定，但很快就被其它店鋪模仿，于是澪開始思索真正屬于自己的味道 。

簡(jiǎn)介：When the Herring family wake up in a basement after a car accident, the only thing scarier than not knowing how they got there, is realising that they're not alone.

簡(jiǎn)介：In an alternate future, Nefaricorp dominates human existence through great deals and free delivery. Their development of cloning technology replaced many workers with replicants, including the police. These Clone Cops are marketed through a popular streaming show featuring ultraviolent justice meted out against an unwitting criminal gang. Kinder, a mega-fan of the show and av...