簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

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改革開放以后，作為新興事物出現(xiàn)的股票讓中國的老百姓趨之若鶩，瘋狂癡迷，一夜之間暴富似乎成為唾手可及的夢想，而許多人深陷泥潭，無法自拔。電機廠工人阿奈瞞著妻子自己下崗的消息，正犯難的時候擔任會計的前女友陳純鼓勵阿奈幫她炒股賺錢。同院的王伯不小心將存款換成了股票認購證，善良忠厚的阿奈出手將認購證換了過來。不久后他的股票飛升，王伯的兒子王發(fā)認為阿奈騙了老爹，于是在阿奈老婆丁芝英面前造謠生事，導致這對夫妻的婚姻出現(xiàn)裂痕。 　　股市行情風云變幻，鉆營求利原指望發(fā)大財?shù)耐醢l(fā)，終于也傻了眼，而千千萬萬人的命運也將在股市的沖擊中改變……

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民國某年的蠶花時節(jié)，江南運河邊上的雙河小鎮(zhèn)迎來了一年一度的蠶花大會。由雙河鎮(zhèn)在大上海經(jīng)營天蟾宮的陸四出巨資舉辦的蠶花大會，旨在振興南派京劇、挖掘南派京劇武生。蠶花大會每年都吸引各路戲班前來捧場，真刀真槍的臺上功夫，不僅讓雙河鎮(zhèn)的老少戲迷過足了戲癮，更讓蠶花大會的出資人陸四名揚運河兩岸。 　　然而，在去年舉辦的蠶花大會上，齊家班的臺柱子玉蝴蝶蹊蹺地死在流經(jīng)雙河鎮(zhèn)的運河里。京派武生菊少笙曾與玉蝴蝶在上海一起挑臺演戲，玉蝴蝶的死讓菊少笙決定淌一淌雙河鎮(zhèn)的渾水。在菊少笙借治療腰傷為名出現(xiàn)在雙河鎮(zhèn)時，年年都參加蠶花大會的齊家班、花家班先后船靠雙河鎮(zhèn)碼頭。 　　沒有了玉蝴蝶的齊家班日漸式微，班主齊老板不得不帶著演武生的李云來去拜會花家班班主花二郎，求花二郎讓出一些戲份。已逝的玉蝴蝶是花二郎的同門師兄。花二郎手下齊老板送來的銀子，卻沒有收回已經(jīng)出鞘的“劍”。花二郎的貴手不...

簡介：Several young girls were killed. Policeman Matthaei travels to the region where it happened and searches a child that looks similar to the ones that were murdered. He finds one and stays with her and her mother, not telling them that he is waiting for the killer to start his bloody work one more time ...

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凱瑟琳（英格麗·褒曼 Ingrid Bergman 飾）和亞歷山大（喬治·桑德斯 George Sanders 飾）是一對結婚多年的英國夫婦，他們過著衣食無憂的生活，但是這樣的生活里缺少了一些幸福和快樂。叔叔去世后給兩人留下了一座別墅，于是，夫妻兩人驅車前往那不勒斯去處理這份天降遺產(chǎn)。 　　旅途中，凱瑟琳想起了一位曾經(jīng)深深愛慕過自己的詩人，如今他早已在戰(zhàn)火中死去，但他在凱瑟琳腦海里留下的印象卻越來越清晰起來。在那不勒斯，凱瑟琳游覽了龐貝古跡和各種博物館，來自過去的文明的沖擊之下，凱瑟琳的思想漸漸產(chǎn)生了變化。對此一無所知的亞歷山大，依舊沉浸在和陌生女子的調(diào)情之中。

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蘇利文是好萊塢以喜劇走紅的年輕導演電影（喬爾·麥克雷 Joel McCrea 飾），但他不滿現(xiàn)狀，想將下個作品拍成反映社會底層困境的嚴肅題材。為了體驗底層生活，他打扮成身無分文的流浪漢深入民間，但無論他怎么嘗試，最后總是又回到了好萊塢。后來他遇到一個事業(yè)失敗的女演員（維 羅妮卡·萊克 Veronica Lake 飾），讓她上車搭了一程，卻被誤認作小偷送入了警察局。釋放之后，蘇利文聽從女孩的建議，和她結伴一起流浪。這次，他真的成為流浪漢，吃剩飯，睡收容所。最終，蘇利文覺得體驗足夠想要離開收容所時，卻被貪婪的流浪漢擊暈。一個被火車壓死的小偷被誤認是蘇利文，所有人都以為他死了。與此同時，蘇利文醒來之后失憶了，混亂之中打傷一個工人，被判入勞改所6年。他在獄中感受到笑聲對他的重要性，當他恢復記憶后，他逐漸認識到喜劇能夠帶給窮人更多。但是，蘇利文遇到了問題，他不能說服任何人他就是蘇利文，他該怎么恢復自己的身份？

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熊貓寶寶被錯送到棕熊米米的家門口，好心的米米、鄰居兔子奧斯卡、愛講故事的鵜鶘、“膽小鬼”大灰狼和溫柔浪漫的老虎，共同組成了一支又猛又萌的送熊貓回家護衛(wèi)隊。

簡介：能看見「戀愛的光線」的大學生西條，愛上了正在探索戀愛的女孩東云——。正是因為能看見，所以才會覺得痛苦難受。前所未有的戀愛故事開始了。

簡介：胡安妮塔受夠了現(xiàn)在的生活，她離開已經(jīng)長大的孩子，驅車上路尋找新的開始。

簡介：While on a botanical expedition in Tibet Dr. Wilfred Glendon is attacked in the dark by a strange animal. Returning to London, he finds himself turning nightly into a werewolf and terrorizing the city, with the only hope for curing his affliction a rare Asian flower.

簡介：“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.