約亞夫(湯姆·梅西爾 Tom Mercier 飾)是一名以色列退伍軍人,他非常向往法國(guó)浪漫而又開(kāi)放的風(fēng)氣,于是只身一人來(lái)到了巴黎,結(jié)果卻慘遭打劫,身上的財(cái)物被洗劫一空,就在這個(gè)緊要關(guān)頭,一對(duì)藝術(shù)家情侶卡洛琳(昆汀·多爾馬爾 Quentin Dolmaire 飾)和艾米勒(露易絲·謝維洛特 Louise Chevillotte 飾)向約亞夫伸出了援手,令他免于流落街頭的厄運(yùn)。經(jīng)此一劫,約亞夫決定徹底放棄自己的國(guó)籍和身份,做一個(gè)徹頭徹尾的法國(guó)人。他拒絕再說(shuō)母語(yǔ),通過(guò)背同義詞的方式學(xué)習(xí)法語(yǔ)。很快,約亞夫就發(fā)現(xiàn),卡洛琳和艾米勒雖然對(duì)自己表面友善,但其實(shí)是在利用他。約亞夫在戰(zhàn)場(chǎng)上的悲慘經(jīng)歷成為了艾米勒創(chuàng)作的養(yǎng)分,而卡洛琳則試圖通過(guò)約亞夫強(qiáng)壯的身體來(lái)滿足自己無(wú)窮無(wú)盡的性欲。
“For two years starting in 2020, this work has been forming along the edges of disquiet and premonition, in fragments and intensities, through wandering and not-staying. It has tried to find language for and ways across the bizarre upheavals of social and political values with the rise of fascism in India and a global pandemic. It has insisted on being amongst the things that keep from falling apart. Filmed in Delhi, these incomplete fictions are of the people, places, and protests that keep the language of hatred at bay and absorb the city’s grief and euphoria. In them are the continuous echoes of a violent and tenuous present. The false closures and tenuous associations in this video/essay compose a timeline of the city at an angle through the time of this work. There is a shadowy sense of a protagonist who un-dreams it all; a stranger, who it turns out, is no stranger at all.” Priya Sen
清晨的公園里,老人格里慢慢的鋪開(kāi)棋盤,把棋子一個(gè)一個(gè)的放上去,“對(duì)弈”就這樣開(kāi)始了。
小杰克是誰(shuí)呢?是超人的兒子,而他的保姆凱莉可不知道。
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