簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：

在德克薩斯州一個小鎮(zhèn)的圣誕節(jié)喜慶氣氛中，兩姐妹發(fā)現(xiàn)自己卷入了一場危險的斗爭，以保護她們的家庭財富和根深蒂固的宗教信仰。

簡介：一名曾經(jīng)炙熱的拳擊選手（樸成雄飾），在比賽過程中導致對方死亡，在監(jiān)獄服刑后想要誠實生活；而他的一位朋友（吳代煥飾）卻在不擇手段地想要獲得成功?！　蓚€男人清算了過去，在過上新生活中，為選擇不同道路而萌生了殘酷陰謀，也導致了背叛。

簡介：春的伴侶、精神科醫(yī)生宗一郎離開了她。春碰巧幫助了一位失憶的陌生年輕男人。春的弟弟毅是一位說唱歌手，他的妻子美香子支持著他的事業(yè)，同時撫養(yǎng)他們的孩子。美香子因為心理疾病求助于宗一郎。在毅的一次現(xiàn)場表演上，毅和宗一郎陷入爭執(zhí)。年輕男人離開了春，而美香子離開了毅……

簡介：

Fólkvangr，建立在小行星上的前線。在 Vanadies 組織的實驗室中正在進行Gundam Lubris的操作實驗。理事會規(guī)定的條件對于無法清除的 Lubris讓你感到沮喪的試飛員厄諾拉·薩瑪亞?！翘欤呐畠耗鞘俏业?4 歲生日。

簡介：故事發(fā)生在圣米歇爾，蒙特利爾貧民區(qū)，也被稱為犯罪問題嚴重的地方。羅納德是一個年輕的混血兒，在他八歲的時候他看見父親謀殺了他的媽媽，這就是為什么他等待著有一天當他終于可以為自己的媽媽的死負責。羅納德一直是街頭暴力團伙重要成員。..

簡介：Dali and her 8 year old son Pepe take a vacation with Dali's boyfriend, Chavez. Instead of bringing them closer, their beach holiday brings out things in each of them that threaten to pull this emerging family apart.

簡介：想過自己為何會單身嗎？單身理由千百種，有人是因為愛抱怨，有人是因為太花心，也有人是因為太文青。但小琳的理由竟是因為「看得到鬼」。被甩之后，她決定收拾心情、背起行囊，一人踏上失戀療傷之旅。小琳孤身前往泰北的丘媚潘步道療傷，因此遇見小普，這個在感情和工作方面雙雙受挫的魯蛇編劇，為了尋找寫鬼片劇本的靈感，想找看得到鬼的人幫忙，兩個低潮的人意外相遇，并展開了一連串的冒險。

簡介：該片改編自2009年奇坦·巴哈特同名小說，講述一個旁遮普小伙子克里斯與一位泰米爾婆羅門女孩阿娜婭從相戀到坎坷步入婚姻殿堂的故事。當一個精明的男人遇上一個聰明的女人，是雙劍合璧還是明搶暗奪？當蠻橫無理的婆婆遇上自以為是的老媽，是不共戴天還是你死我活？當愛情遇上未來，婚姻遇上幫派，當他們不得不面對分離、背叛、利用、文化分歧、不正常的家庭、歇斯底里的親友、勾心斗角的環(huán)境……　　作品創(chuàng)作靈感源于作者和妻子的真實經(jīng)歷：兩個來自印度不同階層、不同文化背景的兩個年輕人，深深相愛且準備結(jié)婚。當然，他們的父母并不同意。為了能把他們的愛情轉(zhuǎn)化為婚姻，他們需要在長輩面前進行一場艱苦的戰(zhàn)役。叛逆和斗爭都是簡單易行的，但是要成功就難了。他們能做到嗎？他們是克服了重重阻撓，還是為了不得已的苦衷而半途放棄？　　近些年，奇坦·巴哈特的作品不斷被改編成電影搬上銀幕，如《熱線你我他》《三個白癡》《斷線人生》等。

簡介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

簡介：一群身在異鄉(xiāng)的海外華人用生命捍衛(wèi)著“華人團結(jié)”這幾個字。當他們面對親人被綁架時勇敢挺身為尊嚴而戰(zhàn)。他們不曾忘記自己是炎黃子孫而永斗武裝悍匪并成功解救被綁架人質(zhì)。本片表達了在“外”漂泊的游子想回到我們?nèi)找鎻姶蟮淖鎳赣H懷抱的迫切心情，喚起生活在和平社會的我們要珍惜當下，熱愛祖國。

簡介：　　看起來有些格格不入的山姆（安德斯·丹尼爾森·李 Anders Danielsen Lie 飾）來到前女友組織的喧囂派對之中。整個晚上人們縱情狂歡，高歌勁舞，山姆焦灼地穿梭而過，渴望早些取到想要的東西快些離去。許是神經(jīng)過于緊繃，疲憊的山姆癱坐在沙發(fā)中沉沉睡去，全然沒有聽到門外傳來的撞擊聲和尖叫聲。次日一早，山姆醒來，正準備帶著個人物品離開，結(jié)果卻發(fā)現(xiàn)房間墻壁、地板滿是血跡，此前活生生的人全部變成了嗜血如命、喪失人性的僵尸。街道上僵尸狂奔，搜尋獵物。無助的山姆被迫困在公寓里，他試圖逃生，然而整個城市似乎已經(jīng)被絕望和死亡所主宰……
　　本片根據(jù)法國作家PitAgarmen的小說改編。