簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：A family with buried secrets reunite at a farmhouse after two decades to pay for their past sins.

簡介：影片改編自佐木隆三的伊藤整文學獎小說《身分帳》，以真實人物為原型，講述一名前黑社會幫派分子因殺人罪被判入獄，在服刑13年后獲釋重返社會，發(fā)誓努力融入新的生活，然而當他被彈射到這個并不了解的美好新世界，根深蒂固的黑幫思維以及對有序社會體系語法的缺失，使他的生活反而越發(fā)變得格格不入。

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這是一個外星人和地球人混居的時代，在外星移民的壓迫和統(tǒng)治下，流傳百年的武士道精神已然沒落，然而，在一片傾頹之勢面前，依然有一群人默默的遵守著他們的準則和正義。家道中落的青年志村新八（菅田將暉 飾）在一場意外中結識了萬事屋老板坂田銀時（小栗旬 飾）和天人少女神樂（橋本環(huán)奈 飾），三人成為好友。他們共同的朋友桂小太郎（岡田將生 飾）無故失蹤，經過調查，一個名叫岡田似藏（新井浩文 飾）的男人和一把名為“紅纓”的妖刀浮出水面。 　　岡田似藏是曾經的攘夷志士高杉晉助（堂本剛 飾）的手下，高杉恨透了這個墮落的世界，一直都企圖將它破壞殆盡。隨著紅纓的力量越來越強大，整個大江戶被籠罩在越來越濃重的陰云之下。

簡介：韓娜小時候曾留學加拿大花樣滑冰，后來在加拿大隱退回國。　　她是為尋找親生父母而來到韓國的法國領養(yǎng)兒，三個完全沒有關聯(lián)的年輕人被認為是冷酷無情的韓國社會，面對為夢想努力的青春第一次心動

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一次月圓之夜，電閃雷鳴間他穿越了千年與她相見。 不是冤家不聚頭，她幫他找辦法往回穿越，他給她工作上提供無限靈感。愛情就在兩人嬉笑中發(fā)生。這場注定無果的愛情，又會發(fā)生如何動人的故事呢？

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第一集中，變異人在X教授的指揮下，將邪惡的萬磁王打入冷宮，但是依然得不到社會的承認。在一次政治要人遭到暗殺后，所有的矛頭又一次指向變異人。這一次，X教授也感到壓力大增，以致于跟美國總統(tǒng)都要就此事進行磋商。一個擁有很高聲譽的前將軍，率領著反對變異人的聯(lián)盟連續(xù)對x教授施壓。萬磁王在這種情況下，不得不尋找與X教授聯(lián)手抵抗前將軍的方式。金鋼狼的身世也將在本集中進一步揭開。

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米爾德雷德（弗蘭西斯·麥克多蒙德 Frances McDormand 飾）的女兒在外出時慘遭奸殺，米爾德雷德和丈夫查理（約翰·哈克斯 John Hawkes 飾）之間的婚姻因此走到了盡頭，如今，她同兒子羅比（盧卡斯·赫奇斯 Lucas Hedges飾）過著相依為命的生活。一晃眼幾個月過去了，案件仍然沒有告破預兆，而警方似乎早已經將注意力從案子上轉移了開來。

簡介：　　弗蘭西斯卡從事一項特殊工作，專門幫助已婚女人考驗丈夫是否忠誠。因為自身性感火辣，已婚男人屢屢跌入陷阱。弗蘭西斯卡堅信男人百分百都是混蛋，因為她有一個不堪回首的往事——她癡愛的男友忽然變成別人的新郎。
　　奇怪的是新目標與眾不同，無論她使何種手段都不能使之心動。弗蘭西斯卡堅持不懈制造各種偶遇，可她越來越感覺吃力，工作受到前所未有的阻力……而與此同時，她發(fā)現(xiàn)自己竟然悄悄愛上這位有趣的已婚男人。工作和個人情感的矛盾，她該如何化解？

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《奇門大盜過江龍》的主角是同為盜賊的結拜兄弟韓浪和何輝，二人在師傅發(fā)生命案后分道揚鑣，最后為師報仇，卻反目成仇，走上了不同的人生道路。

簡介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.