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534
7.0

毛驢縣令之打虎上山

導演:
曹華
主演:
潘長江,苑瓊丹,韓兆,姜忠實,龍飛,龍澤,付曉博,崔健
別名:
未知
7.0
534人評分
漢語普通話
語言
2016
上映時間
90分鐘
片長
簡介:

影片主要講述了郎貴妃的妹妹永珍姑娘因錯走道路被劫上了臥虎山。清河縣令伍四六臥底上山,成了山上的六寨主。擔憂丈夫的安危,麻翠姑也潛伏進山的故事。

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偽裝大師(上)
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偽裝大師(上)
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更新時間:2025年09月03日
主演:陳啟杰,高雨兒,張煒迅,夏星,張惠程,楊靜,閆銳
簡介:  關(guān)鍵一晚終于來臨,黃渤扮演的黃總,邀請收藏愛好者來自己家參觀,藺先生如今也是其中一員,帶著王森來了。藺先生發(fā)現(xiàn)黃渤家里有三幅《維多女人》仿品,都是有一定年頭的值錢貨,但藺先生從特定角度,發(fā)現(xiàn)了其中一幅畫的標記,這是王森之前交他辨別真假的方法,王森也證明的確是真品。藺先生發(fā)現(xiàn)這是真品后非常激動,要趁別人都沒發(fā)現(xiàn)之前買下這幅畫。黃渤看藺先生這么感興趣,開玩笑般開出天價,藺先生立刻答應(yīng),并且要求當場成交。
  成功了!派對上,黃渤把錢撒向空中,大家激動分錢,王森卻不在。
  王森突然接到電話,得知夏天竟然被陶碩綁架,陶碩威脅王森交回畫,否則殺了夏天。王森一生中從未如此緊張失措過,他和黃渤立刻回去找藺先生,沒想到藺先生像是變了一個人,精明地可怕,要王森拿出三倍的價買回《維多女人》,黃渤提醒王森夏天還有一個小時就要被殺,王森下定決心,用自己收藏的一屋子藝術(shù)品來換這幅畫。
  時間緊迫,王森讓黃渤去家中拿藝術(shù)品,而自己先拿畫去救夏天。王森回到綁架現(xiàn)場卻一無所有,黃渤也聯(lián)系不上了,只有他手上那幅畫,這時他才發(fā)現(xiàn),手上那幅畫,上面有自己的簽名,這是最初自己偽造的那副假畫。
  王森瘋了一般,他回到家,空空蕩蕩,所有值錢的東西都被卷走 ……
64
2017
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主演:陳啟杰,高雨兒,張煒迅,夏星,張惠程,楊靜,閆銳
不安
798
7.0
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不安
7.0
更新時間:2025年09月06日
主演:英格麗·褒曼,馬蒂亞斯·維曼,雷娜特·曼哈特
簡介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
70
1954
不安
主演:英格麗·褒曼,馬蒂亞斯·維曼,雷娜特·曼哈特
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