簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：　　70年代晚期成軍的Pulp，寫下英式搖滾樂團最大器晚成的故事。整個80年代都被忽略，熬到90年代才因〈Common People〉搖滾國歌大紅大紫。紀(jì)錄片《關(guān)於Pulp的日常搖滾》以2012年底在家鄉(xiāng)的最後一場重聚公演為主軸，記錄了如夢境般的演唱會，也深情凝視了Sheffield這座城市，及安居其中形形色色的人們。

簡介：　　說唱歌手Machine Gun Kelly加盟莫特利·克魯樂隊傳記片《塵土》(The Dirt)，飾演創(chuàng)立者之一Tommy Lee，道格拉斯·布斯將飾演另一位創(chuàng)立者Nikki Sixx。
　　《蠢蛋搞怪秀》導(dǎo)演Jeff Tremaine執(zhí)導(dǎo)，Rich Wilkes(《極限特工》)、Tom Kapinos(《路西法》)和Amanda Adelson編劇寫本，Netflix制作和發(fā)行。
　　影片基于自傳《The Dirt: Confessions of the World’s Most Notorious Rock Band》，聚焦該重金屬樂隊在80年代的崛起。
　　莫特利·克魯樂隊1981年1月成立于洛杉磯，組員包括貝斯手Nikki Sixx、鼓手Tommy Lee、主唱Vince Neil和吉他手Mick Mars。同年11月發(fā)行了首張專輯《Too Fast for Love》，供不應(yīng)求，加印后再次售罄，廣獲好評。該樂隊于2015年12月31日舉行了謝幕演出，唱片在全球暢銷超過1億張，其中美國占2500萬張。

簡介：　　新中國幾代考古人接續(xù)努力，在晉南大地陶寺遺址內(nèi)，發(fā)現(xiàn)了包括大型城址、宮殿區(qū)、觀象臺和高等級墓葬的史前文化遺跡，揭示出陶寺與傳說中“堯都” 的密切關(guān)系，實證了中國早期文明從傳說時代邁向信史時代的關(guān)鍵階段。陶寺先民所創(chuàng)造的世俗化王權(quán)國家、禮制等治理模式與制度，被后世的夏商周所繼承，在與不同區(qū)域文明的交流、交融和統(tǒng)一之中，成為今天的中國綿延而來的“初始”。在中華文明浩浩湯湯、激蕩奔騰的時間長河里，陶寺遺址豐富且生動的考古發(fā)現(xiàn)，印證了中華文明多元一體，家國一體的歷史發(fā)展脈絡(luò)，實證了陶寺，這個四千多年前的地中之國，就是最初的中國。
　　第1集：陶寺初現(xiàn)
　　第2集：王者之城
　　第3集：地中之國
　　第4集：熙熙攘攘
　　第5集：綿延榮光

簡介：　　This emotional and inspiring documentary details the road to recovery for rugby player Ed Jackson after an almost fatal spinal cord injury.
　　Chronicling Jackson’s remarkable journey and embrace of mountaineering, the film explores the private and public life of a thoroughly courageous man. Ed has also established a charity which uses the outdoors and adventure to support others facing similarly challenging situations.
　　Starkly honest, unsentimental and unflinching in its examination of a life forever changed, this beautiful film is moving and thought provoking.

簡介：

千禧一代人數(shù)達(dá) 23 億，是世界上人數(shù)最多的一代，他們相信自己有能力顛覆、改變、調(diào)整和指揮一切?！陡锩淮繁砻鳎b于目前的情況，這一代人登上世界舞臺正是時候。

簡介：　　Run DMC's Jam Master Jay was shot and killed in a Jamaica, Queens recording studio in 2002. Despite six witnesses present at the murder, no one has ever been convicted.

簡介：

這部電影通過那些與女王接觸并分享她的熱情的人的眼光，探索了女王對鄉(xiāng)村生活的熱愛——無論是在蘇格蘭、諾?？诉€是溫莎。

簡介：

記錄了新型冠狀病毒在鉆石公主號郵輪上的大爆發(fā)。通過從乘客和船員那里獲得的前所未有的鏡頭，我們看到在人類在疫情爆發(fā)時，階級之間的分歧變得更加嚴(yán)重。

簡介：

克里斯·帕克漢姆 (Chris Packham)、米凱拉·斯特拉坎 (Michaela Strachan) 和伊奧洛·威廉姆斯 (Iolo Williams) 呈現(xiàn)了《冬季守望》 (Winterwatch) 的精彩回歸，拉開了 2025 年英國皇家鳥類保護協(xié)會阿恩公園 (RSPB Arne) 在多塞特舉辦的系列活動的序幕。

簡介：

泰國神秘的叢林是地球上最稀有的野生貓科動物的家園，如云豹、亞洲豹、印度漁貓和印度虎。在世界上最后一個真正野生的角落之一，這些非凡的隱秘捕食者保衛(wèi)著它們最后的據(jù)點。由于它們的領(lǐng)地相互交織且不斷變化，這些貓科動物必須每天都與死神擦肩而過，才能在這片錯綜復(fù)雜的土地上生存和繁衍生息。

簡介：　　In an intensely personal and often surprising film for BBC Two, Depression And Me, Alastair Campbell explores if radical new treatments can stop his depression.
　　Campbell is best known for his role as Tony Blair’s formidable and often contentious spin doctor but, away from the public eye, he has been dogged by crippling bouts of depression for most of his life. Some days, just getting out of bed is too hard. Therapy and anti-depressant medication is helping him keep his head above water - but is that really the best he can hope for?
　　Alastair Campbell says: “I’ve been on antidepressants for years and years and none of them can stop it. I want to understand my depression and find out if modern science has any better ways of treating it. I’m hoping there’s something out there that can help me lead a happier life.
　　“I feel we are nearing a tipping point in the battle to demolish the stigma and taboo surrounding mental illness and TV is a very good medium for bringing these issues right out into the open. I have never regretted being open about my own issues but an important part of this film is also seeing my depression through the eyes of members of my family, especially my partner Fiona. I was also keen to get out there and find out what kind of progress was being made on the scientific and research front. There is a lot going on. My worry is that we are winning the battle for better awareness but losing the battle for the services we need.
　　"I was very pleased with the reaction to the film in Sheffield [at Doc/Fest]. One film alone cannot change the world but there is finally the focus on these issues that we need and hopefully one day we will have services to match.”