長久以來,人們一直在懷疑宇宙中是否存在其他的智慧生命形式。然后,為什么我們不首先在我們的海洋里找尋一下呢?鯨魚和海豚,同人類一樣有著巨大的大腦,善于學(xué)習(xí)新的行為,擁有自己的社交語言。我們渴望了解,它們的思想與人類真的很接近嗎?在巴哈馬從事相關(guān)研究的丹尼斯赫青教授相信她即將找到問題的答案,她堅(jiān)信五年內(nèi)她將可以與野生海豚進(jìn)行無縫交流
值此圖坦卡蒙陵墓發(fā)現(xiàn)一百周年之際,世界頂尖的埃及學(xué)家們正努力揭開霍華德·卡特發(fā)現(xiàn)圖坦卡蒙陵墓這一歷史性發(fā)現(xiàn)的秘密。如今,隨著圖坦卡蒙的寶藏從開羅博物館轉(zhuǎn)移到金字塔腳下全新的大埃及博物館,扎希等人得以利用前所未有的最新科技近距離觀察這些寶藏。這一發(fā)現(xiàn)將顛覆我們對這位少年法老的認(rèn)知。
For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.
開封,地處中原腹地,四海珍奇于此匯聚,五味濃淡在此調(diào)和。不東不西不南不北,“中”是中原文化的核心要義;不偏甜不偏咸不偏酸不偏辛不偏辣,“和”是中原肴饌的美味秘籍。八朝都城,造就了“開封城,城摞城”的奇觀,也留下了跨越千年回味綿長的味道。本篇擬分2季講述開封味道。第一篇《黃河的饋贈(zèng)》,開封城幾千年的興衰史,總是與流經(jīng)它的河流有著千絲萬縷的聯(lián)系,尤其是黃河。這條舉世無雙的地上懸河,為開封帶來無數(shù)次生死劫難的同時(shí),也帶來了種類繁多的食材。第二篇《尋味東京》,以開封人的一日三餐。
歷史學(xué)家貝特尼·休斯(Bettany Hughes)前往印度、希臘和中國,跟隨古代三位哲學(xué)圣賢——佛陀喬達(dá)摩·悉達(dá)多、蘇格拉底和孔子——的足跡開始了一段旅行。 對自然和神靈的迷信曾長時(shí)間統(tǒng)制人類,然而大約2500年前,三位相隔千里的哲學(xué)巨匠:釋迦牟尼,蘇格拉底和孔子,卻不約而同的產(chǎn)生了顛覆性的哲思。BBC帶你探尋那個(gè)時(shí)代究竟發(fā)生了什么,讓人類顛覆自我認(rèn)知。
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