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100
0.0

別說(shuō)愛(ài)我

導(dǎo)演:
未錄入
主演:
張庭,陳庭威,邱心志,周筱云,姜厚任,蕭薔
別名:
未知
0.0
100人評(píng)分
國(guó)語(yǔ)
語(yǔ)言
2022
上映時(shí)間
未知
片長(zhǎng)
簡(jiǎn)介:
該劇講述了一段民國(guó)時(shí)期的復(fù)仇傳奇,演繹一群從家族恩怨中化解仇恨并完成人格自我修善的血性男兒浴血抗擊日寇的英雄史詩(shī)。
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簡(jiǎn)介:

  Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.

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主演:安娜·卡里娜,達(dá)妮埃爾·吉拉爾,路易莎·科爾佩恩,尚塔爾·達(dá)爾熱,薩米·弗雷,克洛德·布拉瑟,Georges Staquet,Ernest Menzer,讓-克洛德·勒莫勒,米歇爾·德拉海耶,讓-呂克·戈達(dá)爾,Monsieur Jojot,克洛德·馬科夫斯基,Michèle Seghers
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