簡介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對(duì)寂寞長夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

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凱莉卡伯不了解她的丈夫－羅杰，為何鍾愛這幢世襲的房子，甚至他同父異母的兄弟，出高價(jià)都不為所動(dòng)?；蛟S是他的祖父立過血誓永不變賣，羅杰也不愿違背誓言。突然間一切都改變了，羅杰被車子撞死，十三歲的女兒勞莉因此癱瘓，凱莉搬進(jìn)老屋撫養(yǎng)女兒，遠(yuǎn)思亡夫。但房子隱藏著某種邪惡的力量緊追著她，黏土從水龍頭流出；地窟傳來呻吟的聲音。凱莉被搞得精疲力竭，一幢古怪傳統(tǒng)的房子，頻有幽魂作怪。一連串陰森反覆無常的恐怖事情即將展開…。

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叛逆青年丹尼克魯格（喬瑟夫克羅斯）沉迷於街頭賽車。在一場非法的街頭賽車事故後，他被送往一個(gè)小城鎮(zhèn)，與關(guān)係疏遠(yuǎn)的父親同住。然而，當(dāng)?shù)つ釠Q定要進(jìn)入全國運(yùn)動(dòng)汽車競賽協(xié)會(huì)時(shí)，他被迫尋求父親的幫忙，以打敗炙手可熱的賽車手…

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凱拉（德芙·卡梅隆 Dove Cameron 飾）的父親是滑雪度假村的老板，受父親的影響，凱拉對(duì)單板滑雪這項(xiàng)運(yùn)動(dòng)充滿了熱情。可讓她沒有想到的是，自己從小到大在這個(gè)領(lǐng)域里所獲得的所有榮譽(yù)，皆是她的父親利用權(quán)力為她營造的假象，在得知了人們對(duì)自己的滑雪水平的真實(shí)評(píng)價(jià)之后，凱拉陷入了深深的自我懷疑之中。

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寒冷的高空，厚厚的云層之間，兩架戰(zhàn)斗機(jī)正一前一后進(jìn)行著追逐戰(zhàn)，無情的子彈打在機(jī)身上，薄如紙片的鐵皮根本無法起到任何保護(hù)作用。飛快的速度，輔以生與死的剎那決斷。青空之上，戰(zhàn)斗機(jī)你來我往，畫出了交織錯(cuò)亂并且殘酷絕美的飛機(jī)云。此時(shí)，這兩架飛機(jī)早已傷痕累累，能量將盡。血流滿面的飛行員咬緊牙關(guān)，做著最后的掙扎。十字架、愛人的相片，點(diǎn)綴著殘酷戰(zhàn)場的星點(diǎn)溫暖，呼嘯而過的子彈和灑落虛空的鮮血?jiǎng)t書寫了歷史上最不堪回首的篇章。仇恨的背后還是仇恨，即使化作魔鬼，廝殺沒有窮盡，他們雙雙墮入沒有救贖的無間地獄…… 　　本片榮獲2011年法國昂西動(dòng)畫節(jié)短片特別提及獎(jiǎng)。

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　　女大學(xué)生凡倫黛（蘇菲·瑪索 Sophie Marceau 飾）正為了她的教師資格證而努力讀書，某天，在滑雪場上，凡倫黛結(jié)識(shí)了充滿了魅力的音樂家奈德（文森特·林頓 Vincent Lindon 飾），為了緩解考試帶來的緊張和壓力，凡倫黛和奈德之間發(fā)展出了一段露水情緣，兩人非常有默契的達(dá)成了共識(shí)——只動(dòng)性，不動(dòng)情。沒想到，一夜過后，凡倫黛竟然深深的迷戀上了奈德，奈德也暗暗被凡倫黛的魅力所折服。
　　分開后的兩人無法常常見面，只能通過電話互訴衷腸，誤會(huì)也油然而生。心高氣傲的凡倫黛一氣之下選擇了離開奈德，奈德卻無法放下對(duì)凡倫黛的愛意，陰差陽錯(cuò)之間，一對(duì)兩情相悅的戀人眼看著就要擦肩而過。

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大體修復(fù)師吳悠，獨(dú)自照顧失智母親，生活被貧困與沉重責(zé)任壓得喘 不過氣。某日，他在殯儀館遇見一名無人認(rèn)領(lǐng)的女童遺體，靈魂悄然 現(xiàn)身，要求他「帶我回家」。在完成修復(fù)工作的過程中，吳悠與小女 孩展開一段幽微而療愈的旅程，也逐漸逼視自己與母親之間被壓抑的 傷痛與未竟的愛。

簡介：明朝年間，天下第一富商沈世杰臨終前以奇門遁甲之術(shù)建造天機(jī)寶庫封存巨額財(cái)富，不料死后竟被賊人環(huán)伺劫掠了沈家后人沈雨馨，段十一郎為救沈雨馨以及保衛(wèi)天機(jī)寶庫，召集江湖俠客深入西域荒漠，一路披荊斬棘，正邪兩派開啟了一場刀光劍影蕩氣回腸的生死較量……

簡介：Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

簡介：延疆緊鄰邊界，是一個(gè)社會(huì)治安混亂的地區(qū)。近段時(shí)間延疆出現(xiàn)了一個(gè)專門殘害年輕婦女的殺人狂魔，金剛鎮(zhèn)被緊急調(diào)來延疆任公安局長。 延疆是他的老家，當(dāng)?shù)仨懏?dāng)當(dāng)?shù)拇笃髽I(yè)家宮德滿就是他從小光腚玩大的朋友。 金剛鎮(zhèn)上任后接手的第一個(gè)案子就是一個(gè)連續(xù)殺人多起，而又沒一點(diǎn)線索的系列大案，兇手手段殘忍，一時(shí)人心惶惶。延疆又不斷的出現(xiàn)了汽車走私案、交通肇事逃逸案、綁架爆炸案，黑惡行為已在延疆形成一股勢力。

簡介：一名記者在分娩時(shí)生命垂危，痛失胎兒。此后，她在家中獨(dú)自哀傷，卻在不安的幻象和可怕的攻擊中走向錯(cuò)亂與崩潰。

簡介：Unhappy in his job and unlucky in love, Joko reunites with a childhood friend and gets the spark of hope he needs to win back his ex-girlfriend.