簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：盡管妻子渴望孩子，年輕丈夫卻希望借她之腹，以胚胎移植的方式誕下因癌癥離世的前未婚妻的后代。圍繞著婚姻危機(jī)中的女主角面臨的個(gè)人、法律和道德困境，影片一方面通過生殖科學(xué)技術(shù)的倫理尺度討論了由此限制母親身份的特殊社會(huì)環(huán)境，也開放性地表達(dá)了母子之間的生物學(xué)關(guān)聯(lián)是否作為“母愛”概念的必要前提的質(zhì)疑。該短片入圍2017年學(xué)生奧斯卡最佳外國(guó)劇情片獎(jiǎng)，是土耳其導(dǎo)演哈利特?伊茲在科隆媒體藝術(shù)學(xué)院(KHM)的第二部短

簡(jiǎn)介：A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.　　Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.

簡(jiǎn)介：

這是一個(gè)名叫肯尼斯坦福的年輕人的故事，他夢(mèng)想成為音樂界的成功藝術(shù)家，但這些夢(mèng)想被打斷了。

簡(jiǎn)介：

江湖藝人張宣帶著女兒彩鳳（王玲 飾）四處賣藝，一路來到了浙江錢塘縣，在這里，彩鳳遇見了名叫李玉（司徒霖 飾）的秀才。李玉被身手不凡的彩鳳深深的吸引了，而彩鳳也醉心于李玉滿腹經(jīng)綸的才華，兩人可謂是看對(duì)了眼。 　　在這個(gè)節(jié)骨眼上，欽差奉旨來到錢塘挑選八百名美女，這并不是一件好事，所以消息一經(jīng)傳開，全城的百姓們都開始為自家的女兒尋找女婿，只要結(jié)婚，便能躲過一劫，這使得風(fēng)流倜儻的李玉頓時(shí)成為了香餑餑。本城富戶王員外（管吾 飾）相中了李玉做自家女婿，不管李玉愿不愿意，就強(qiáng)行將他拉入府中，囚禁了起來。入夜，李玉翻墻逃走，意外的落入了隔壁家的院子里，哪知道剛巧就遇上了暫住在這里的張宣和彩鳳。

簡(jiǎn)介：

《Sand Castle》講述的是一個(gè)由真人真事改編的故事，基于一場(chǎng)伊拉克戰(zhàn)爭(zhēng)。19歲的士兵 Matt Ocre（Nicholas Hoult飾）和他的排長(zhǎng)貝克中士受命前往保護(hù)一個(gè)遙遠(yuǎn)的并陷入危險(xiǎn)的村莊---巴古拜，去修補(bǔ)重要的管道。因這個(gè)任務(wù)他們成了敵軍的目標(biāo)，狙擊手的襲擊，自殺式炸彈襲擊者，他們還要不斷警惕。隨著日子一天天過去，他的戰(zhàn)友都犧牲了，Matt的意志力正在被慢慢消磨著，讓他面對(duì)自己最黑暗的部分。

簡(jiǎn)介：On Kate's 21st birthday camping trip, her friends encounter Piglet, a monstrous human-pig hybrid who brutally murders one of them. They uncover Piglet's origins and Kate must confront her past to survive the relentless killer.

簡(jiǎn)介：どうしようもない人生でも生きていかなくちゃいけないデリヘル嬢たちの姿を描く。山田佳奈監(jiān)督自身の同名舞臺(tái)初の映畫化にして、長(zhǎng)編デビュー作。主人公カノウ役を伊藤沙莉が務(wù)める。

簡(jiǎn)介：　　Golden Bear winner Peter Mackie Burns has started shooting his London-set debut feature Daphne, production company The Bureau has revealed.
　　Emily Beecham [pictured] - who features in the cast of Berlinale opening film Hail, Caesar! - plays the titular Daphne, a young Londoner with a frenetic lifestyle who decides she needs to change her life after witnessing a violent robbery.
　　The Bureau producers Tristan Goligher and Valentina Brazzini developed the project in-house. The BFI and Creative Scotland are the main financiers of the film, together with The Bureau.
　　The company’s Paris-based sister company, The Bureau Sales, is handling international rights.
　　Mackie Burns won the Golden Bear for best short film in 2005 for Milk, about a girl trying to bathe her grandmother.
　　Nico Mensinga wrote the screenplay for Daphne in his second collaboration with Mackie Burns after the short Happy Birthday To Me, also starring Beecham.
　　The Daphne shoot kicks-off amid a high-profile year for The Bureau following the success of Andrew Haigh’s 45 Years, which won two Silver Bears for the lead performances of Charlotte Rampling and Tom Courtenay in Berlin last year, with Rampling also receiving an Oscar nomination, and is up for Outstanding British Film at tonight’s Baftas.
　　“Peter Mackie Burns has made some visceral performance driven shorts including the award-winning Milk,” said Lizzie Francke, BFI senior production and development executive. “It is great to be able to support him on the next stage of his film career

簡(jiǎn)介：

A young thief with a history of grand theft auto becomes an informant and helps police bring down a criminal enterprise involved in the smuggling of hundreds of exotic super cars.

簡(jiǎn)介：11歲的東尼接受拳擊訓(xùn)練，然而她被隔壁舞道教室吸引，偷偷私下練習(xí)，并為自己穿耳洞，希望加入那些女孩的行列。女孩們相繼出現(xiàn)抽搐、奇怪的癥狀，仿佛是一種成長(zhǎng)的象征，也使得東尼陷入想被認(rèn)同卻又猶疑這樣的詭異情景的矛盾之中。

簡(jiǎn)介：在紐約皇后區(qū)郊一家廢舊汽車站工作，青春年少的拉丁男孩Alejandro生活過的窮困潦倒，在這個(gè)混亂的成人的世界里，他努力的讓自己與他一直相依為命的姐姐過上更好的生活~