Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
曾經(jīng)的戰(zhàn)略特勤隊(duì)兵王凌峰因心理創(chuàng)傷退役,并擔(dān)起了撫養(yǎng)妹妹的責(zé)任。然而正值青春叛逆期的妹妹跟他的感情并不好,攀比心理嚴(yán)重的她,不慎落入借貸組織的圈套。得知妹妹被非法組織綁走后,凌峰召喚了曾經(jīng)的戰(zhàn)友開始一路追蹤綁匪的路跡,歷經(jīng)坎坷終于找到妹妹,卻也歷經(jīng)了戰(zhàn)友的背叛、救贖和犧牲,盡顯英雄遲暮的激情與無奈。
四名不同的殺手在尋找工作,卻不知道其他人也參與其中。倫敦的犯罪、金錢和暴力是這部現(xiàn)代巴比倫故事的核心。
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伊芙曾是世界上最著名的玫瑰培育家之一??涩F(xiàn)如今,她的公司瀕臨破產(chǎn)。最重要的是,她的秘書維拉雇用了三位完全沒有園藝技能的流浪者。盡管他們沒有共同點(diǎn),但他們提出了最瘋狂的計(jì)劃,而這可能永遠(yuǎn)改變他們的生活......
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