簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：　　In Buenos Aires, Exe (25) loses his?job and doesn’t want to look yet for another. His neighbourhood and friends are looking so strange as common to him. On the Internet he discovers Alf, a boy from Africa, who also has a sad job. Later, Alf also follows another guy, Archie, who escapes to the jungle. In the exotic context of the jungle’s vegetation, Archie follows the path of some ants to their nest. One of them goes out and on her path she founds Canh, a Philipinne guy who’s sitting over a big dirt mountain, he then goes down to his strange and beautiful city, and he also has a sad job.

簡(jiǎn)介：　　七個(gè)催眠飄渺的賦格式小品，開(kāi)始時(shí)看似無(wú)傷大雅，后來(lái)越來(lái)越激烈，直到最后在心理萬(wàn)花筒中推至高潮。爺爺沉默了-他還活著嗎？一個(gè)人對(duì)著衣柜說(shuō)話-為什么？缺席的人像幽靈一樣悄悄地進(jìn)入夫妻和家庭的生活和對(duì)話中。他們是失落的、壓抑的、失蹤的。年輕人震驚了他們的母親-一個(gè)用愛(ài)，另一個(gè)用蔑視（以及清醒地提出上帝是一種甘道夫的理論）。最后，還有一個(gè)把天真無(wú)邪的病人逼上絕路的騙子。在這里，很難說(shuō)誰(shuí)是受害者，誰(shuí)是罪魁禍?zhǔn)?。如果人都是球體，他們還能相遇嗎？

簡(jiǎn)介：　　When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
　　Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.