簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：

　　小學(xué)老師喬治（Paul Rudd飾）與社工妮娜（Jennifer Aniston飾）在一次社交晚宴上認(rèn)識(shí)，喬治從妮娜那里驚悉自己被同性戀伴侶拋棄的消息，傷心不已。然而除卻感情上的打擊，他還不得不從同住的家中搬走，一時(shí)間毫無(wú)著落的他狼狽萬(wàn)分。好心的妮娜讓喬治在自己的公寓中暫住，漸漸地，二人成為無(wú)所不談的好朋友。妮娜也正發(fā)現(xiàn)自己與男友原來(lái)不相襯，盡管已經(jīng)懷孕，還是果斷地分手。妮娜聽(tīng)說(shuō)喬治中學(xué)時(shí)曾經(jīng)與女孩有過(guò)性關(guān)系后，也想親身上陣勾引。誰(shuí)知喬治的男友回頭，打斷了這一段鴛夢(mèng)。
　　然而喬治還是妮娜最理想的、養(yǎng)育自己孩子的父親。

簡(jiǎn)介：

　　米歇爾·阿扎納維西于斯([藝術(shù)家])新片[消失的王子](The Lost Prince，暫譯)，由奧瑪·希、貝熱尼絲·貝喬主演。故事圍繞父親Djibi展開(kāi)，他告訴7歲女兒索菲亞一個(gè)名為“童話世界”的奇幻電影制片廠。他本人扮演白馬王子。五年后女兒長(zhǎng)大，而Djibi必須要去維持在女兒人生中的英雄形象。本片拍攝周期為7月30至10月5日，將在戛納電影市場(chǎng)上尋找國(guó)際買(mǎi)家。

簡(jiǎn)介：

簡(jiǎn)介：

　　科學(xué)家阿爾瑪在柏林著名的佩加蒙博物館工作。為了獲得研究經(jīng)費(fèi)，她同意參加一個(gè)不同尋常的實(shí)驗(yàn)。在三周的時(shí)間里，她要和一個(gè)人形機(jī)器人湯姆生活在一起，這個(gè)人工智能被設(shè)計(jì)成她理想的生活伴侶。機(jī)器以英俊的人形設(shè)計(jì)，是為她的快樂(lè)而造的。接下來(lái)是一個(gè)悲劇故事，探討了愛(ài)、渴望和人類(lèi)的概念。導(dǎo)演瑪麗亞·施拉德曾獲得銀熊演員獎(jiǎng)，同時(shí)也是一位出色的電影導(dǎo)演，她改編了Emma Braslavsky的故事，并為其注入了電影的暗示力量。她展現(xiàn)了對(duì)表演化學(xué)反應(yīng)的深刻理解，她恰到好處地挑選并指導(dǎo)了一對(duì)主角，他們是有趣而不自然的、失敗的一對(duì)。但是，還有什么比研究分析和感覺(jué)之間的顫動(dòng)更有成效的呢？畢竟，詩(shī)歌也能用到左腦邏輯。

簡(jiǎn)介：　　《臘月》是一部反映農(nóng)村現(xiàn)實(shí)生活的半記錄式影片，主要講述了魯西南農(nóng)村在農(nóng)歷十二月份（臘月）發(fā)生的一些事情。該片取材于農(nóng)村，講述了彩禮已從原來(lái)的“習(xí)俗”漸漸演變?yōu)楫?dāng)今“陋習(xí)”。高額彩禮下人們扭曲的價(jià)值觀、世界觀，攀比心、虛榮心等。無(wú)數(shù)家庭飽受“高額彩禮”的困擾，儼然成為一種不可忽視的社會(huì)現(xiàn)象。

簡(jiǎn)介：　　千禧年前后，虎城動(dòng)蕩不安，政府為了重振秩序，降低犯罪率，決定鏟除腐敗的地下娛樂(lè)業(yè)和洗黑錢(qián)的行徑。以四爺（張兆輝 飾）為代表的黑惡勢(shì)力及商業(yè)調(diào)查廳廳長(zhǎng)左君哲（吳鎮(zhèn)宇 飾）暗中操控局勢(shì)，試圖趁市場(chǎng)開(kāi)放之機(jī)渾水摸魚(yú)爭(zhēng)奪經(jīng)營(yíng)權(quán)。以江文峰（鐘漢良 飾）為代表的警方與他們展開(kāi)了一場(chǎng)驚心動(dòng)魄的對(duì)決。

簡(jiǎn)介：　　年輕貌美的單身母親李美華，用盡自己的積蓄開(kāi)了一家婚紗店，不幸的是開(kāi)業(yè)的前一天婚紗店發(fā)生火災(zāi)，李美華雇傭的兩名店員葬身火海，從此，李美華踏上讓兩個(gè)失去親人的家庭寬恕自己的人生路。影片取材于臺(tái)灣著名演員高金素梅(曾出演李安的成名作《喜宴》)的真實(shí)經(jīng)歷。編劇經(jīng)過(guò)藝術(shù)加工，將故事背景移植到大陸，主題立意強(qiáng)調(diào)一個(gè)人應(yīng)有的良知與責(zé)任。

簡(jiǎn)介：　　位于深山小鎮(zhèn)的理發(fā)店發(fā)生的一系列靈異奇聞，殷果兒、任青安、姜星丘等人陷入危難絕境中無(wú)法脫身，和理發(fā)店有關(guān)聯(lián)的人物接連被慘絕殺害，血腥殘暴引來(lái)人心惶惶，而抽絲剝繭之后的真相更加令人心驚膽戰(zhàn)。

簡(jiǎn)介：在MIDNIGHT的世界，反抗黑暗的時(shí)刻即將來(lái)臨?！　〗?jīng)過(guò)三個(gè)世紀(jì)的勾心斗角與戰(zhàn)爭(zhēng)，黑暗之王Izrador終于擊敗自由族類(lèi)的英雄與軍隊(duì)?，F(xiàn)在，他用鐵拳統(tǒng)治著整個(gè)Aryth世界。在Shadow的奴役下，人類(lèi)一族過(guò)著被壓迫的生活，而精靈與矮人們則撤退到偏遠(yuǎn)的森林與深山里，在那里他們絕望的抵抗也慢慢屈服于Shadow不可動(dòng)搖的淫威?！　∈苊{(diào)查一位失蹤的神父使者，惡名昭著的Mag Kiln被教會(huì)派往Blackweir的一個(gè)小鎮(zhèn)Erenlander。在這里，他很快被卷入一個(gè)古老的秘密中，被揭開(kāi)的不僅是鎮(zhèn)子禁忌的遺產(chǎn)，還有他體內(nèi)不斷生長(zhǎng)的惡毒的預(yù)言。《午夜編年史》是一部講述兩個(gè)傳奇人物的史詩(shī)故事——善的一族與邪惡一族。這就是講述他們的崛起，斗爭(zhēng)與最終命運(yùn)的故事，當(dāng)然他們的命運(yùn)不可避免地與黑暗之神統(tǒng)治的世界糾纏在一起。

簡(jiǎn)介：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

簡(jiǎn)介：

當(dāng)晚宴上有一個(gè)奇怪的，神秘的人工制品被共享時(shí)，導(dǎo)致一群老朋友質(zhì)疑他們的忠誠(chéng)度，最后是他們的理智，這是一部卑鄙的話劇，一部是超現(xiàn)實(shí)的恐怖片，“東西掉了”。