豫劇電影《天職》主人公紀(jì)忠的原型是全國唯一連續(xù)兩屆獲得“全國紀(jì)檢監(jiān)察系統(tǒng)先進(jìn)工作者標(biāo)兵”稱號的周口市紀(jì)委書記楊正超，影片以其真實(shí)的事跡為創(chuàng)作藍(lán)本，熱情謳歌了新時(shí)期紀(jì)檢監(jiān)察干部親民、愛民的公仆情懷和勇于擔(dān)當(dāng)、秉公執(zhí)紀(jì)的英模形象。
　　電影版《天職》由河南國杰文化傳播有限公司、國影宣文化傳媒(北京)有限公司聯(lián)合拍攝。影片由著名劇作家陳涌泉編劇，國家一級導(dǎo)演王冰河執(zhí)導(dǎo)，江團(tuán)結(jié)、黨玉倩分別飾演男、女主角，中國戲劇梅花獎(jiǎng)獲得者李樹建、著名豫劇表演藝術(shù)家張寶英等將傾情加盟。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

電影《猾丐》講述了武狀元蘇乞兒留下一個(gè)金碗傳于后人猾丐，江湖傳說金碗內(nèi)藏有重要的秘密，于是江湖各路人馬為爭奪金碗，設(shè)計(jì)引出猾丐而引發(fā)的一系列搞怪故事。

《極斗4之暴殺令》故事講述香港的家庭暴力和女性被侵犯事件，各人對事發(fā)的反應(yīng)，當(dāng)中有人選擇以暴易暴，替天行道，其實(shí)為社會(huì)和法律不容，因?yàn)橄愀蹮o蝙蝠俠，不可以執(zhí)行私刑，其實(shí)電影帶出社會(huì)問題令人反思。