簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：在童年時(shí)代便消滅了糖果屋女巫的孤兒兄妹韓賽爾（杰瑞米·雷納 Jeremy Renner 飾）與格蕾特（杰瑪·阿特登 Gemma Arterton 飾），多年來(lái)成為邪惡女巫的最大克星。在幫助小鎮(zhèn)奧古斯伯格尋找失蹤的孩子以及隱藏女巫之時(shí)，兄妹二人發(fā)現(xiàn)三天后即將出現(xiàn)“血月”（月蝕），這對(duì)女巫們來(lái)說(shuō)是無(wú)比重要和神圣的時(shí)刻。兩兄妹迅速投入行動(dòng)，而討厭他們倆的警長(zhǎng)也招來(lái)一伙人馬追查女巫們的行蹤。未過(guò)多久，女巫頭目（法米克·詹森 Famke Janssen 飾）率領(lǐng)手下襲擊小鎮(zhèn)，與兄妹二人展開(kāi)正面沖突。激戰(zhàn)過(guò)后，格蕾特遭到重創(chuàng)，韓賽爾也隨著女巫消失下落不明。　　正邪的較量漸次升級(jí)，兄妹倆在這一過(guò)程中也漸漸知曉關(guān)于他們童年以及父母背后的秘密……

簡(jiǎn)介：Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

簡(jiǎn)介：講述一個(gè)一毛不拔的小提琴家被一個(gè)愛(ài)慕者和突然找上門(mén)來(lái)的女兒一起改造的故事。

簡(jiǎn)介：本片為程剛導(dǎo)演、辛漢白編劇，可謂早期的「監(jiān)獄風(fēng)云」。故事描述，香港在1953至1955年，曾被警方稱(chēng)為最黑暗的時(shí)期，那時(shí)候罪惡泛濫，百弊叢生，一日可發(fā)生三十二宗驚人案件，而犯罪份子有百分之四十是積犯；英廷特派專(zhuān)員來(lái)港調(diào)查監(jiān)獄的措施，發(fā)現(xiàn)獄中不良份子，濫用權(quán)力，公報(bào)私仇，歪曲政府的監(jiān)獄制度，造成犯人越變?cè)胶?，監(jiān)獄變成地獄。影片主角江才（劉永）因不甘受探長(zhǎng)侮辱，結(jié)果被控妨礙公務(wù)，判刑一年零八個(gè)月……

簡(jiǎn)介：茱蒂絲（貝蒂·戴維斯 Bette Davis 飾）是混跡在上流社交圈里的交際花，一次偶然中，她發(fā)現(xiàn)自己的腦袋里長(zhǎng)了一個(gè)腫瘤，命不久矣。悲觀而又倔強(qiáng)的茱蒂絲決定對(duì)自己所剩無(wú)多的人生放任自流，開(kāi)始了夜夜笙歌的無(wú)度生活?！　≡谝粓?chǎng)派對(duì)上，茱蒂絲結(jié)識(shí)了腦科醫(yī)生斯迪爾（喬治·布倫特 George Brent 飾），斯迪爾為茱蒂絲進(jìn)行了腦科手術(shù)，成功的取出了腫瘤，與此同時(shí)，兩人也墜入了情網(wǎng)之中。茱蒂絲和斯迪爾很快就攜手步入了婚姻的殿堂，婚后的生活充滿(mǎn)了幸福和快樂(lè)，直到有一天，茱蒂絲發(fā)現(xiàn)自己的腫瘤復(fù)發(fā)了。絕望之中，她恢復(fù)了從前放縱的生活，這令斯迪爾感到非常痛苦。

簡(jiǎn)介：

海倫及男友詹某次在采訪南美某國(guó)家示威暴力時(shí)，不幸遇軍警攔截而遭受刑求，詹被殺身亡而海倫幸存。海倫在鉅變后一直不愿面對(duì)傷痛。某日她專(zhuān)訪著名心理復(fù)建中心主持人安娜，并受邀接受治療。在療養(yǎng)院中海倫巧遇自稱(chēng)受難者的雷米爾教授，兩人建立了深厚感情，慢慢走出被強(qiáng)暴的陰影，直到雷米爾的真實(shí)身份揭曉……

簡(jiǎn)介：香港半山的一幢七十年古老大屋，住著業(yè)主張小姐（丁珮）與姘夫炳少（陳百祥）之外，其他住客如的士輝（劉家輝）、口水驃（盧大偉）、大蓮（李殿朗）、坡叔（劉克宣）、PC強(qiáng)（詹森）及龍醫(yī)生（谷峰）等，來(lái)自江湖四海，各有背景，各有職業(yè)，居於一屋，爭(zhēng)執(zhí)難免。地產(chǎn)商曾公子（曹查理）透過(guò)師爺（羅國(guó)維）收購(gòu)大屋，炳少見(jiàn)錢(qián)開(kāi)眼，於是一連串之逼遷與反逼遷的行動(dòng)相繼展開(kāi)，笑中有淚，淚中有笑，最後收購(gòu)計(jì)劃終告失敗，全部住客同被政府徙置於新型屋村。

簡(jiǎn)介：陸笙與多年損友大華、琪琪一起經(jīng)營(yíng)著一家名為“告白排球”的戀愛(ài)工作室，工作室負(fù)責(zé)為客戶(hù)制定周密計(jì)劃幫助其追到心上人?？墒枪窘?jīng)營(yíng)慘淡，從沒(méi)有過(guò)一次成功案例，就在三人一籌莫展工作室即將關(guān)門(mén)倒閉的時(shí)候，走進(jìn)了一位特別的客人，這個(gè)人要追求的女孩竟然是陸笙的初戀女友劉瑩瑩，滿(mǎn)懷著對(duì)初戀的思念與不舍的陸笙迫于生計(jì)最終不情愿的接下來(lái)這樁生意，但執(zhí)行時(shí)處處阻攔和刁難，就在最后陸笙下定決心并且用真心成功的追回了自己的初戀情人劉瑩瑩。當(dāng)陸笙以為自己的公司徹底破產(chǎn)準(zhǔn)備帶著劉瑩瑩離開(kāi)的時(shí)候突然發(fā)現(xiàn)賬戶(hù)里面多出了50萬(wàn)元……

簡(jiǎn)介：

　　貝卡（安娜·肯德里克 Anna Kendrick 飾）率領(lǐng)的巴頓大學(xué)阿卡貝拉女子美聲合唱團(tuán)終于出人頭地，應(yīng)邀為美國(guó)總統(tǒng)的生日宴會(huì)光榮獻(xiàn)唱。誰(shuí)知表演期間，“胖艾美”（蕾蓓爾·威爾森 Rebel Wilson 飾）竟意外走光，引起全場(chǎng)恐慌，令合唱團(tuán)蒙上不雅污名，更被禁止公開(kāi)演出！力挽狂瀾的最后機(jī)會(huì)，就是贏得阿卡貝拉世界錦標(biāo)賽的冠軍，她們能否戰(zhàn)勝來(lái)自德國(guó)的勁敵，挽回失去的名聲，稱(chēng)霸阿卡貝拉的世界……

簡(jiǎn)介：

三個(gè)從小一起長(zhǎng)大的朋友，一個(gè)堅(jiān)持自我品行優(yōu)良，一個(gè)爭(zhēng)強(qiáng)好勝卻處處不如好友，還有一個(gè)沒(méi)有主見(jiàn)容易妥協(xié)，當(dāng)一場(chǎng)禍?zhǔn)屡R頭，不同的性格讓他們做出了不同的選擇，愛(ài)情、友情交織，少年們終將為自己的行為負(fù)責(zé)。

簡(jiǎn)介：

2030年，人類(lèi)憑借超光感通訊科技，使外太空航天競(jìng)賽進(jìn)入白熱化階段。行星聯(lián)合航天集團(tuán)值此良機(jī)發(fā)射了火星探索飛船火星一號(hào)，但是不知為何這次行動(dòng)以失敗告終。六年后，宇航員麥肯齊·威爾森（凱緹·薩克霍夫 Katee Sackhoff 飾）再次駕駛飛船飛往火星，然而她很快發(fā)現(xiàn)，飛船中實(shí)際占據(jù)主導(dǎo)地位的竟然是人工智能阿爾迪，她為此和自己的姐姐——行星聯(lián)合航天集團(tuán)官員倫娜（朱莉·考科斯 Julie Cox 飾）激烈爭(zhēng)論，然而終究無(wú)法改變既成事實(shí)?；鹦巧系那闆r難以想象，更何況威爾森姐妹的父親便在上一次行動(dòng)中喪生。忐忑不安的麥肯齊只能接受阿爾迪的主導(dǎo)，她很快發(fā)現(xiàn)許多被刻意隱藏起來(lái)的秘密……?豆瓣