簡介：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

簡介：

19世紀，經(jīng)歷了影響深遠的南北戰(zhàn)爭，美國終于迎來了新的時代。亞伯拉罕·林肯（比爾·奧伯斯特 Bill Oberst, JR 飾）接連取得與人類的勝利，卻不得不面對新的敵人。他麾下一直部隊在巡察途中遭遇活死人，三十人僅有一人幸存，但由于驚嚇過度精神失常。北方政府懷疑這是南方的最新武器，于是計劃派出一支12人的小分隊深入敵后，救出被困的人員。勇猛無敵的林肯見識了活死人的威力，自告奮勇帶部隊向南方進發(fā)。在目標要塞，他們遭遇了數(shù)量龐大的活死人軍團，這群怪物的殘忍更遠遠超出他們的想象。

簡介：由甘肅省文聯(lián)副主席尕藏才旦等作家創(chuàng)作的數(shù)字電影《生死金天鵝》，日前在甘南卓尼縣開機，這部影片也是我省為建黨90周年獻禮而拍攝的。該片由甘肅省委宣傳部，甘肅廣播電影電視總臺，北京沃森影視文化交流公司，甘南州委、州政府，卓尼縣委、縣政府，蘭州電影制片廠聯(lián)合攝制。影片講述了紅軍長征從四川翻雪山過草地后即將進入甘南藏區(qū)期間發(fā)生的故事。

簡介：1937年，上海。爸爸（成泰燊 飾）是圣安琪玩具店的老板，媽媽是電臺聲音迷人相貌美艷的女播音員，可愛的小少爺海男（戴逸辰 飾）過著無憂無慮的生活。偶然機緣，海男揭示了年長他幾歲的窮人家孩子茄子，兩個小家伙穿越了階層和家境的樊籬，成為難得的莫逆之交。紙醉金迷、奢華自在的上海，不知不覺為戰(zhàn)爭的陰影所覆蓋，即使身處租界，日軍的炮彈仍肆無忌憚投落下來。八?一三”凇滬會戰(zhàn)爆發(fā)，玩具店在蘇州河對面的倉庫被國軍封鎖。海男偷偷潛入倉庫偷彈珠時又認識了阿鵬、常富貴等軍人。　　戰(zhàn)火紛飛，硝煙彌漫，英勇的將士奮勇殺敵，商人小姐們憂心自己的生意和家計，孩子們更關心怎樣玩耍，似乎沒什么人真正關心這場攸關家國命運的戰(zhàn)爭……