簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：講述了調(diào)職到廣域搜查隊的“馬錫道”刑警和新的團隊展開的犯罪掃蕩作戰(zhàn)故事，由第2部的李相龍導(dǎo)演執(zhí)導(dǎo)，李浚赫飾演反派。

簡介：本片改編自已故小說家高山真的同名自傳小說，主人公浩輔（鈴木亮平 飾）14歲母親去世，來到東京成為時尚雜志編輯的他一直用華麗的衣裝作為保護(hù)自己的鎧甲。這時他遇到了對自己的美不自知的龍?zhí)▽m澤冰魚 飾），從此卸下偽裝，領(lǐng)會了愛著別人的喜悅，而他同時也捫心自問，這到底是不是一種自我滿足。

簡介：故事講述了天津衛(wèi)五河撈尸隊的水上警察郭得友與師弟丁卯在酒肉和尚李大愣的攛掇下一同探查三岔河口沉尸案，經(jīng)歷了魏家墳探鬼樓、陰陽河仙指路、惡狗村捉妖，最終抓住幕后真兇的故事。

簡介：新郎莫景謙在婚禮上發(fā)現(xiàn)新娘安詩慧已經(jīng)去世，安排了長相無二的胞妹安詩凝替嫁。不負(fù)打擊的莫景謙在家族壓力下被批接納安詩凝，同時也展開了改造新娘的計劃，最終莫景謙被安詩凝堅韌善良的品質(zhì)所打動，真正愛上了安詩凝。

簡介：Sequel to Becky (2020).

簡介：聯(lián)邦保衛(wèi)官杰克（杜夫?朗格DolphLundgren飾）轉(zhuǎn)行當(dāng)了私人保鏢，一次，老板派他前往拯救被匪徒劫持的女兒凱ddd。不料匪徒火力兇猛，杰克的雙眼不幸被磷彈擊中了雙眼，幸好凱西機智勇敢，最后才和杰克一同逃出了生天。從此杰克的雙眼視力開始下降，還懼怕白光。r杰克養(yǎng)傷期間，他的老板意外身亡，無依無靠的凱西只有找了杰克當(dāng)監(jiān)護(hù)人。杰克眼傷還沒痊愈，就被迫接下了一個保護(hù)名模的任務(wù)。這個模特被一名精神失常的殺手盯上了，杰克展開了貼身保護(hù)。一場你死我活的對抗又拉開帷幕了。

簡介：Edward Dunstan is an artist obsessed by his muse. Every photograph and every movie conveyed the same meaning What he wanted to see. His muse waited in vain for him to see her as she was, but he could not. And so, like the mermaid in his latest movie who grew legs and left him, so does his muse. For months his days and nights are filled with watching her on the screen. His anger turns to self-pity... turns to acceptance... Only now does he understand what he put her through. When his latest letter to her is returned, he binds himself in chains and climbs into the very tank of water his muse spent many unhappy hours.

簡介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

簡介：瓦妮莎扮演一位年輕的未婚媽媽，她逃脫了總是虐待她的母親去找生父，而他的生父先是接受了她，然后因為她不愿意打掉孩子又趕走了她。

簡介：故事講述石中堅（郭振峰 飾）自幼隨養(yǎng)母梅芳姑于深山居住，一日偶拾「玄鐵令」，并得謝煙客傳授武功，卻被長樂幫幫眾誤認(rèn)為幫主石中玉；及后更被丁珰所騙，愿意替石中玉到雪山派代罪領(lǐng)死。最后真相大白，石中堅竟為石清失散多年的兒子。

簡介：The family tensions of six siblings born to the same father and different mothers.