紳士冉阿讓?zhuān)ǘ嗝啄峥恕ね固?Dominic West 飾）因?yàn)橥蹈`了一條面包而被判了20年的有期徒刑。出獄后，被困頓生活逼得走投無(wú)路的他被好心的主教收留，可是，未能經(jīng)得住內(nèi)心陰暗面考驗(yàn)的冉阿讓卻偷走了主教家的銀燭臺(tái)。被捕后，主教為了保護(hù)冉阿讓?zhuān)斐姓J(rèn)是自己主動(dòng)贈(zèng)與對(duì)方燭臺(tái)，主教這一舉動(dòng)徹底的感化了冉阿讓?zhuān)钏麤Q定洗心革面做個(gè)好人。
　　時(shí)光匆匆流逝，曾經(jīng)的囚犯如今已成為德高望重的鎮(zhèn)長(zhǎng)，可即便如此，嫉惡如仇的警長(zhǎng)沙威（大衛(wèi)·奧伊羅 David Oyelowo 飾）也一直沒(méi)有放棄過(guò)對(duì)于冉阿讓的追蹤。為了彌補(bǔ)自己曾經(jīng)的過(guò)錯(cuò)，冉阿讓答應(yīng)妓女芳?。ɡ蚶颉た屏炙?Lily Collins 飾），在她死后照顧她的女兒珂賽特（艾麗·巴姆博 Ellie Bamber 飾），而此時(shí)，沙威步步緊逼的腳步令冉阿讓和珂賽特不得不踏上了隱姓埋名不斷逃亡的旅途。

　　Cinemax宣布續(xù)訂《#反擊# Strike Back》第八兼#最終季#，這部劇首季是Sky1的英劇，后來(lái)被Cinemax買(mǎi)了后改寫(xiě)風(fēng)格，成為了臺(tái)成名劇之一；而在15年劇終后不久，該劇以重啟方式在17年復(fù)活。

　　一個(gè)俄羅斯炸彈客在中國(guó)南海墜亡，20號(hào)分部的特工要去追回俄飛機(jī)上的贓物，并幫馬來(lái)西亞警方對(duì)付三合會(huì)、調(diào)查印尼女商人的腐敗，及深入緬甸三角區(qū)應(yīng)對(duì)毒梟和軍閥，化解威脅世界的危機(jī)。

　　Section 20 are called into Bangkok, Thailand to rescue Chloe Foster, the daughter to British ambassador and longtim friend of Phillip Locke (Green), Robin Foster (Tim McInnerny). The team find the compound where she is being held, but during the raid the kidnappers escape with Chloe. After identifying the lead kidnapper as Ray McQueen (Max Beesley), Michael Stonebridge (Winchester), Damien Scott (Stapleton) and Julia Richmond (Lukes) track him to a nightclub and plant a tracker on him. However, McQueen soon realises he is being tailed and tries to escape with Chloe again, while also contacting Foster to deliver an armed bomb to the embassy where he is negoatiating with the North Koreans. With less than fifteen minutes, Scott and Stonebridge have to find McQueen and contend with a local gang. They ultimately rescue Chloe and apprehend McQueen, but Locke fails to stop Foster before the bomb detonated, killing Foster and a North Korean general

　　Tamara, an edgy feminist philosopher, rediscovers a past she thought she had left behind.

　　該劇受《切爾諾貝利》的啟發(fā)，由法國(guó)消防員的真實(shí)敘述改編，探究2019年巴黎圣母院大火對(duì)一群背景各異的巴黎人帶來(lái)哪些沖擊。
　　以消防員、新聞人、民眾等不同身份的多個(gè)角色的不同視角，來(lái)回顧這次事故，將“重建時(shí)間線、再現(xiàn)大火前后，他們（事件相關(guān)的人）將必須互相去斗爭(zhēng)、熱愛(ài)、遇見(jiàn)、仇恨、幫助和對(duì)彼此展現(xiàn)笑容，這樣，到頭來(lái)，他們才有重新開(kāi)始的機(jī)會(huì)”。

　　在這個(gè)帶有虛構(gòu)成分的故事中，一名瑞典科技創(chuàng)業(yè)者及其合作伙伴決心通過(guò)合法合規(guī)的串流服務(wù)平臺(tái)徹底改變音樂(lè)行業(yè)。

　　本劇改編自Taffy Brodesser-Akner的同名暢銷(xiāo)小說(shuō)，作者本人擔(dān)任編劇。
　　故事講述了四十多歲的Toby Fleishman最近分居了，他當(dāng)年醫(yī)學(xué)院還沒(méi)畢業(yè)就結(jié)了婚，如今一頭栽進(jìn)通過(guò)APP約會(huì)的新世界里，這讓他體驗(yàn)到了年輕時(shí)不曾有過(guò)的成功。就在他實(shí)現(xiàn)性自由的第一個(gè)夏天剛開(kāi)始時(shí)，前妻Rachel突然消失，把孩子留給了他，自此杳無(wú)音訊。Toby在各種事情之間平衡著自己的生活——撫養(yǎng)孩子，與老朋友重新聯(lián)系，在醫(yī)院迎來(lái)等待已久的晉升，以及曼哈頓眾多適合自己的女性。但他意識(shí)到，要想弄明白R(shí)achel身上到底發(fā)生了什么，只有坦誠(chéng)地審視兩人的婚姻。

　　Danny was a baby when his mother was killed in a car crash. Overcome with grief, his father locked him away in a house, telling him the outside world is full of monsters that will spirit him away like his mother.

　　A dramedy that tells, with irony and humor, the adventures of Eliseo, the janitor of an upper class building, who, behind the back of the managing company that employs him, uses his position to surveil and be intimately acquainted with the building's tenants.
　　The building is a universe whose ecosystem has specific dynamics and rules, and Eliseo knows them all by heart. There he lives, works and absorbs every detail of the life of its residents. However, underneath all his humility, he hides a talent for manipulating them. A facade of servility and sincerity is his most effective weapon he uses on them. His power is knowledge. He knows everything about his neighbors: their names, schedules, jobs, relationships, weaknesses, likes, etc. His mind registers everything that goes on in the complex. With this advantage over his "victims", he devises strategies to influence each tenant and can calculate precisely how they will react. This game of power over the neighbors is akin to playing cat and mouse. Depending on his whims, his mood or his need to protect his position at all costs, he is capable of causing wide ranging damage. He also dispenses justice and protects those he sees as weak. He is a God on his own turf.