簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：某個(gè)夜晚，在被稱作東京起點(diǎn)的日本橋的麒麟雕像旁邊，一名男子踉蹌著跌倒，最終失血過(guò)多死亡。死者名叫青柳武明（中井貴一 飾），是金崎金屬制造公司的本部長(zhǎng)。頗令警方費(fèi)解的是，青柳在腹部被刺的情況下并沒(méi)有立刻叫救護(hù)車，而是隱忍著走了長(zhǎng)達(dá)8分鐘的路程。同一晚，無(wú)業(yè)青年八島冬樹(shù)（三浦貴大 飾）被卡車撞成重傷，昏迷不醒。因?yàn)樗弥嗔墓陌?，所以警方將八島看作重要嫌疑人。本案的種種疑點(diǎn)，令日本橋警署的刑警加賀恭一郎（阿部寬 飾）陷入思索之中。他不僅走訪了青柳的家人、八島的同居女友中原香織（新垣結(jié)衣 飾），還嘗試著重走青柳生前在日本橋附近的生活足跡，種種謎團(tuán)和各種情感糾葛漸漸浮出水面……　　本片根據(jù)推理小說(shuō)名家東野圭吾自詡的系列“最高杰作”《麒麟之翼》改編。

簡(jiǎn)介：嫦娥下凡，只為找到自己后世的愛(ài)人—后羿，道清千年的誤會(huì)！嫦娥的尋愛(ài)之路，不僅要面對(duì)以刑天為首的妖魔橫行，還要受到帝堯陰謀的暗涌牽制，更要面對(duì)后羿對(duì)自己的不理解！嫦娥的尋愛(ài)之路，阻礙重重，諜影重重，誤會(huì)重重......

簡(jiǎn)介：Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.　　‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.　　Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.　　Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.